The legendary first visit to Japan of THE JAM was realized with the dawn of the 1980s. The highest peak version of that symbolic sound board is born! It has been decided to release it as a best master CD supervised by a Paul Weller researcher. This work is engraved with the performance of "July 8, 1980: Nippon Seinenkan". It is a stereo sound board recording. Speaking of 1980, it was the year when "SETTING SONS Tour" / "SOUND AFFECTS Tour" switched depending on the time. What position were they in on their first visit to Japan? Let's take a bird's-eye view of the schedule at that time, along with our collection. 1979 ・February 16th - March 8th: Europe #1 (10 shows) ←※Official READING 1979 ・April 10th - 24th: North America #1 (8 shows) ・May 4th - June 9th: UK #1 (16 shows)《October 10th "Setting Sands" Production》・November 2nd - December 29th: UK #2 (30 shows) ←※Official BRIGHTON / RAINBOW 1980 ・February 11th - 15th: UK #3 (4 shows) ・February 27th - March 25th: North America #2 (13 shows) ・April 7th - June 21st: Europe #2 (11 shows) ←※PINKPOP 1980・July 4th-8th: First visit to Japan (3 performances) ←★Here★・July 2nd-August 9th: Europe #3 (4 performances)・October 18th: Bromley performance《October 22nd "Sound Affects" completed》・October 26th-December 12th: Europe #4 (37 performances) ←※Official NEW CASTLE 1980 This is THE JAM in 1979/1980. Their first visit to Japan was realized as part of the "SETTING SONS Tour", consisting of "Kyoto x 1 + Tokyo x 2". The performance at the Nippon Seinenkan in this work was also the final day. This show is known for being broadcast by a certain broadcasting association, and its air check has produced a number of previously released groups. Perhaps those who have noticed this article have experienced some previously released. This work is the highest peak of such a classic. Our shop introduces a number of the best masters under the supervision of overseas Paul Weller researchers, but this work is also a "top" master that completers will stamp their stamp of approval saying "This is it!" In fact, the sound of this work can only be called "completely official class". There were various gene / quality versions in the conventional version as it was a famous broadcast, but it is more vivid and beautiful than any of them. It is so beautiful that you would think it was a broadcast site or a digital rebroadcast. This is not limited to THE JAM, but in fact, a certain Japanese broadcasting association has a wealth of rock broadcasts, but is also famous worldwide for its super strict master management. Unlike the British BBC and the US WESTWOOD ONE, which have a lot of master LPs, it is unlikely that broadcast materials will leak, and the highest peak competition is narrowed down to "how good the air check is". This work is probably an air check, but the sound that flows out is beyond that dimension and makes you wonder "Isn't this the master!?" Such a semi-official sound depicts the first visit to Japan of THE JAM, a legend in the history of Western music in Japan. As mentioned above, both the "SETTING SONS Tour" and the official live album have been unearthed, and the set that is closest to the first visit to Japan is "THE BRIGHTON CENTRE DECEMBER 1979". However, even though they are close, they are quite different, so let's organize the sets by comparing them. All Mod Cons (7 songs) To Be Someone (Didn't We Have A Nice Time) / Mr. Clean / Down In The Tube Station At Midnight / Strange Town / "A" Bomb In Wardour Street / All Mod Cons / David Watts Setting Sons (8 songs) Thick As Thieves / Saturday's Kids (＊) / Burning Sky (＊) / Private Hell / Smithers-Jones / Little Boy Soldiers / The Eton Rifles / Heat Wave Others (7 songs) Sound Effects: Pretty Green (★) / Start! (★) / But I'm Different Now (★) Others: Going Underground (★) / The Dreams Of Children (★) / When You're Young / The Modern World *Note: * marks songs exclusive to this tour. ★ marks songs that were not heard on the official "THE BRIGHTON CENTRE DECEMBER 1979". ... and so on. The album is composed of two main tracks, "ALL MOD CONS" and "SETTING SONS", and the latter in particular features all songs except "Girl On The Phone" and "Wasteland". You can also enjoy "Saturday's Kids" and "Burning Sky", which were not performed on the subsequent tours. On the other hand, three songs from the next album "SOUND AFFECTS" are already featured. In fact, the production of "SOUND AFFECTS" began with "Europe #2", and the first visit to Japan was made in the middle of it. This work is not only the best live album of the "SETTING SONS Tour", but also a sister work produced at the same time as "SOUND AFFECTS". For us Japanese, it is the same as the studio work "SETTING SONS"... no, even more so, it is an absolute broadcast that symbolizes THE JAM. And worldwide, it is a live album that is a sister work of "SOUND AFFECTS". This work is the highest peak update of such a cultural heritage FM sound board. Stereo soundboard recording of the performance "July 8, 1980: Nippon Seinenkan". The highest peak master of FM broadcasting, symbolizing the legendary first visit to Japan, literally a completely official class. For us, it is more legendary than the studio work "SETTING SONS", and worldwide, it is a cultural heritage soundboard album that is a sister work produced at the same time as "SOUND AFFECTS". This is the highest peak update board. Live at Nippon Seinenkan, Tokyo, Japan 8th July 1980 STEREO SBD (UPGRADE) ★ This is amazing. (71:18) 01. Thick As Thieves 02. Saturday's Kids 03. To Be Someone (Didn't We Have A Nice Time) 04. Burning Sky 05. Pretty Green 06. Start! 07. Going Underground 08. Mr. Clean 09. Private Hell 10. The Dreams Of Children 11. Smithers-Jones 12. Little Boy Soldiers 13. But I'm Different Now 14. When You're Young 15. The Eton Rifles 16. Down In The Tube Station At Midnight 17. Strange Town 18. Heat Wave 19. 'A' Bomb In Wardour Street 20. The Modern World 21. All Mod Cons 22. David Watts STEREO SOUNDBOARD RECORDING Paul Weller - vocals, guitar Rick Buckler - drums Bruce Foxton - bass
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