THE JAM in the 1980s rapidly evolved and reached its peak. A famous live album that will further enrich the soundboard collection is now available. This work contains the "May 26, 1981 New York performance". It is a stereo soundboard recording recorded at the legendary club "The Ritz". Since entering the 1980s, THE JAM has been releasing one masterpiece after another, and their momentum has been fed back to their live performances. They have swept the world while producing a large number of classic soundboards. First of all, let's organize our collection while taking a bird's-eye view of the activities at that time. 1980 ・February 11-15: UK (4 shows) ・February 27-March 25: North America #1 (13 shows) ・April 7-June 21: Europe #1 (11 shows) ←※PINKPOP 1980 ・July 4-8: Japan #1 (3 shows) ←※NIPPON SEINENKAN 1980 ・July 2-August 9: Europe #2 (4 shows) ・October 18: Bromley show《October 22: Sound Affects completed》・October 26-December 12: Europe #3 (37 shows) ←※NEWCASTLE 1980 1981 ・February 21-March 16/April 27: Europe #4 (17 shows) ・May 14+16: Japan #2 (2 shows) ←※TOKYO May 21-29, 1981: North America #2 (5 shows) ←★Here★ June 10-July 8: Europe #5 (14 shows) October 5 + 23: Europe #6 (2 shows) December 12-19: Europe #7 (5 shows) ←※Official HAMMER SMITH PALAIS This is THE JAM in 1980/1981. It is clear that in their heyday, they were busy traveling between Europe, North America and Japan on detailed schedules. In 1981, they also visited Japan again, which was a memorable occasion, but the New York performance of this work was just after that. It was the fourth concert of "North America #2". This show is known for the fact that a masterpiece sound board was left behind, and this work is the highest peak record created from that best master. There are various personalities even if you say "sound board" in one bite, but in this case, it is a so-called "direct connection system". Even between songs, the cheers sound like distant whispers, and the test playing of the instruments is captured much more. And when the performance starts, it is super vivid. The obviously unprocessed performance and vocals are blown out, and even the howling is intact. Not only the picking nuances and the breathing of the singing voice, but the effects are also very rough, and you can even feel the knobs being operated by the on-site engineer on the spot. What breaks into my brain without any hesitation is the scene of the "SOUND AFFECTS Tour" which was sweeping the world with a steady rise. Speaking of their latest soundboard collection, it is "TOKYO 1981 SOUNDBOARD", so let's organize it while comparing it. Sound Affects (8 songs) But I'm Different Now/Boy About Town/Monday/Man In The Corner Shop/Pretty Green/Set The House Ablaze/Scrape Away/Start! Others (13 songs) All Mod Cons: To Be Someone (Didn't We Have A Nice Time)/David Watts/"A" Bomb On Wardour Street (★) Setting Sons: Private Hell/Private Hell/Little Boy Soldiers (★)/Heat Wave (★)/The Eton Rifles (★) Others: Funeral Pyre/The Butterfly Collector/The Dreams Of Children (★)/When You're Young (★)/The Modern World/Strange Town *Note: The "★" mark indicates songs that were not heard on the most recent soundboard album "TOKYO 1981 SOUNDBOARD". ...And so on. The axis of "SOUND AFFECTS" is the same as "TOKYO 1981 SOUNDBOARD", but there are plenty of other repertoires. In particular, the "SETTING SONS" numbers and single songs are selected thickly, making it a wide range of the best songs of the time. It is a 100% real sound board with a direct feeling of the mix table that is irresistible. It is a rare product when it comes to the deep synchronization of the whole body and live performance. Stereo sound board recording of "May 26, 1981 New York performance". It is a typical mix table direct line, and even between songs, the loud cheers sound like distant whispers, and the test playing of the instruments is captured much larger. And when the performance starts, it is super vivid. The obviously unprocessed performance and vocals are blown out with bare skin, and even the howling is as it is. It is a masterpiece with plenty of masterpieces that could not be heard even in the masterpiece "TOKYO 1981 SOUNDBOARD". The Ritz, New York, NY, USA 26th May 1981 STEREO SBD*UPGRADE (71:07) 1. But I'm Different Now 2. Boy About Town 3. To Be Someone (Didn't We Have A Nice Time) 4. Monday 5. Man In The Corner Shop 6. Funeral Pyre 7. Pretty Green 8. Private Hell 9. The Butterfly Collector 10. Set The House Ablaze 11. David Watts 12. Scrape Away 13. Start! 14. The Dreams Of Children 15. When You're Young 16. Little Boy Soldiers 17. The Modern World 18. Strange Town 19. Heat Wave 20. The Eton Rifles 21. 'A' Bomb In Wardour Street STEREO SOUNDBOARD RECORDING
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