The peak of the peak “WORLD SLAVERY Tour”. The number 1 recording of this prestigious masterpiece has been decided to be released. [A super famous recording that was distributed as a sound board even in modern times] The super famous record is a super class audience recording of "Milwaukee performance on December 19, 1984". Yes, it is "SLAVERY MASTER" that shocked collectors all over the world. The appearance of this live album was truly shocking. I obtained the original master, which had not been available on the Internet or even among traders, and the sound that came out of it was of an extraordinary dimension. Anyway, it's on and direct. A tremendous amount of core is ejected powerfully from the speakers without any sense of distance, yet there is no distortion or chatter. Even more surprising is the ringing. Even if you listen closely with headphones and listen to it at a microscopic level, you can't feel the whole thing at all. “MECCA Arena (currently UW-Milwaukee Panther Arena)”, which was the venue, is an indoor venue, but the exposed feeling is as if it were an outdoor recording with zero echo. The vocals and the two guitars feel close together, and the gallop bass that is the lifeblood of MAIDEN is also rock-solid. You can fully enjoy the flavor of the sound with extremely emphasized attack. I can't believe that this is an audience recording from the 1980s... or rather, collectors around the world couldn't believe it. Neither the explanation nor the artwork when it first appeared called it "STEREO SBD," but collectors shouted "New excavation sound board!" and traded it. In the history of recording, there are many masterpieces that are “circulated as soundboards, but are actually audiences”, but it is extremely rare for this phenomenon to occur with the first sound source in 2012. With the spread of the internet, the experience level of collectors has increased dramatically, and the way they distinguish between SBD and AUD has become more severe. Even in this modern era, people would not say, "Actually, it's AUD," but rather, "This is SBD." Speaking only of IRON MAIDEN, the only ones that have reached this level are "EAGLE'S NEST", "EAGLE'S HAMMERSMITH", and this work. Both “EAGLE’S NEST” and “EAGLE’S HAMMERSMITH” were “WORLD PIECE Tour”, but this work is the “Power Slave” version. The bonus track proves its awesomeness as an afterthought. This is the FM sound board of "October 29, 1984 Paris Performance". It is not recorded for comparison, but for the valuable sound board collection, but here too you are reminded of the greatness of the main Milwaukee performance. Even when placed side by side with a genuine FM sound board, it doesn't lose...in fact, it clearly beats it. It's not just the quality of the sound, but also the direct feel and close contact. I am acutely aware that the main Milwaukee recording is not “just like a soundboard” but is definitely “beyond the soundboard”. As such a masterpiece, ``SLAVERY MASTER'' caused a great response and was sold out and out of print in an instant. [A live album where you can experience the climax of MAIDEN on-site] “SLAVERY MASTER” is an unusual sound, but the show is also a great performance. Speaking of “WORLD SLAVERY Tour”, it is the traditional official version “Resurrection of the Dead”, but this work is much earlier than that. First, let's check the position from the overview of MAIDEN's largest world tour in history. 1984・August 9th-September 1st: Europe #1 (15 performances)《“POWERSLAVE” released on September 3rd》・September 3rd-November 14th: Europe #2 (51 performances)←※ Resurrection of the Dead (Side D)・November 24th – December 21st: North America #1a (20 performances)←★Coco★ 1985・January 3rd – 7th: North America #1b (5 performances)・January 11 Sun: ROCK IN RIO appearance ・January 14th - March 31st: North America #2 (50 performances) ← *Resurrection of the dead (sides A-C) ・April 14th - May 10th: Japan/Australia (15 Performances) May 23rd - July 5th: North America #3 (31 performances) [``LIVE AFTER DEATH'' released on October 14th] In total, 189 performances. This number of performances is the number one in the entire history of MAIDEN, no questions asked. No matter how many live shows they perform, they continue to be invited from all over the world, and the scale of their peak can be seen just by looking at the dates. The Milwaukee performance of this work is the 18th performance of “North America #1a”, the last of the 1984 edition. The show was really energetic. Although the set itself is similar to "Resurrection of the Dead," it also includes Dave Murray's guitar solo that falls after "Powerslave." In fact, there was basically solo time in the four Long Beach performances that were the basis for "Resurrection of the Dead," but it is said that there was only one day where there was no solo. I won't say for certain whether the days without solos were used for the live album or if they were edited out, but the solos that pop out with exotic phrases like the American national anthem and "Powerslave" are cool, and above all, the existence of solo time itself It is also a proof of the golden age. Furthermore, there is a tension that runs through the entire story. “WORLD SLAVERY Tour” was so long that Bruce Dickinson also recalled, “I felt like I had become a machine,” but the Milwaukee performance of this work is still in the middle of the tour. It's less tiring than the latter half of "Resurrection of the Dead," and it's still a fresh and passionate performance. Even though it appeared with the assertion that it was an "audience recording," it was a super famous recording that was said by enthusiasts around the world to be "No, no, it's a sound board." A masterpiece of a live album where you can experience 100% of MAIDEN's history's pinnacle "WORLD SLAVERY Tour" with its sound. Mecca Arena, Milwaukee, Wisconsin, USA 19th December 1984 ULTIMATE SOUND(from Original Masters) Espace Ballard, Paris, France 29th October 1984 SBD Disc 1(69:55) 1. Aces High 2. 2 Minutes To Midnight 3. The Trooper 4 . Revelations 5. Flight Of Icarus 6. The Rime Of The Ancient Mariner 7. Powerslave 8. Guitar Solo 9. The Number Of The Beast 10. Hallowed Be Thy Name 11. Iron Maiden Disc 2(70:42) 1. Member Introductions 2. Run To The Hills 3. Running Free 4. Sanctuary BONUS TRACKS Live at Espace Ballard, Paris, France 29th October 1984 FM Broadcast Recording 5. Churchill's Speech 6. Aces High 7. 2 Minutes To Midnight 8. The Trooper 9. Revelations 10. Powerslave 11. The Number Of The Beast 12. 22 Acacia Avenue 13. Iron Maiden 14. Run To The Hills Bruce Dickinson - Vocals Steve Harris - Bass Dave Murray - Guitar Adrian Smith - Guitar Nicko McBrain - Drums
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