“SOMEWHERE ON TOUR 1986/1987” was abandoned in the official archive. 2CD is a masterpiece that fills that “hole” with performances in Japan. However, there is also a video version of Kano's "LIVE AFTER DEATH" and "MAIDEN ENGLAND", so the "hole" cannot be filled with just a live album. Therefore, we would like to present you with shots of people involved in the masterpiece “SOMEWHERE ON TOUR 1986/1987”. “SOMEWHERE ON TOUR 1986/1987” is unusual for IRON MAIDEN, and is a tour that does not have a full pro shot as an official substitute. Among them, the two that are considered to be the most standard are those involving related parties. They were ``CAUGHT SOMEWHERE IN PARIS,'' a one-camera professional shot of a distant view, and ``CAUGHT SOMEWHERE IN PHILADELPHIA,'' an incomplete multi-camera professional shot. However, those two were not the only images taken by those involved. This work is a masterpiece that is almost unknown even to enthusiasts, even though it boasts a quality that is equal to...or even better than those. The true nature of this work is a shot of those involved in the "November 15, 1986 Gothenburg performance." Although it is classified as an ``audience shot,'' this work is not a so-called audience shot. In the beginning, the angle is towards the left of the stage (but still very close), but from "Stranger In The Strange Land" onwards, you can freely move the camera pit that is further in front of the front row, and you can enjoy plenty of super close-up shots from the perspective of looking up. It's a masterpiece. The close-up shots are far from ``not worrying about the shadows in the front row,'' and can almost be called professional shots. Bruce Dickinson standing in the center of the stage is seen completely from the side (not diagonally!), and the twin guitars and Steve Harris's bass are clear down to each string. Eddie on stilts that appears in "Heaven Can Wait" is vivid down to the fireworks emitted by the ray gun, and the giant Eddie in "Iron Maiden" is so powerful that it can't fit on the screen. In the scene where Bruce introduces Nico McBrain, he playfully dresses up as Batman, and that fills the screen. You can even tell that Batman is the 60's TV series version. This has definitely surpassed "CAUGHT SOMEWHERE IN PARIS" and "CAUGHT SOMEWHERE IN PHILADELPHIA." What's more, the excitement in the front row is filmed from the stage side, and security is viewed from the camera pit, where only the back can be seen. What's more, you can freely move left and right in areas that are not open to the general public. What's more, there is no need to hide it, and it has a great sense of stability that is impossible with an amateur camera. After the performance, as the theme of "Space Mission (STAR TREK's 1960s TV series)" was played, the audience members were photographed as they left the venue, but they were also having fun, hoping to be captured by the camera crew. The fans look perfect. The quality that is impossible for anyone other than those involved permeates through the whole story. I was excited because of the visual beauty, but the audio was also amazing. It seems to be recorded with a microphone for the sense of realism, but since it is in the camera pit, the musical sound is also close to the camera pit, so it is not disturbed by audience noise. This is a great recording with a direct feel and plenty of vividness. There are some cuts at the beginning of “Caught Somewhere In Time” and in the middle of “Sanctuary”, but the quality itself is definitely the best. Why didn't such a transcendental photo shoot become a classic? One reason for this is that it was classified as an "audience shot," but another factor is generation. The masters, which were only partially available in the video era, had been dubbed over and over again, and were quite dull. In addition to the shaky image quality, the whitish and deteriorated screen was a quality that only core enthusiasts could notice. However, the master quality version that has been unearthed in recent years has vivid colors and an explosion of deliciousness from the angle of the people involved...that is the true nature of this work. Along with "CAUGHT SOMEWHERE IN PARIS" and "CAUGHT SOMEWHERE IN PHILADELPHIA," this is one of the "three major stakeholder shots," but it is one that is more worth watching than even the other two. The newly discovered "BUDOKAN 1987" not only enriches your imagination, but this work alone is a super masterpiece that represents "SOMEWHERE ON TOUR 1986/1987". Please enjoy this luxurious set to the fullest! Scandinavium, Gothenburg, Sweden 15th November 1986 AMAZING SHOT!!!!!!!!! (120:02) 1. Backstage 2. Intro: Theme From Blade Runner 3. Caught Somewhere In Time 4. 2 Minutes To Midnight 5. Sea Of Madness 6. Children Of The Damned 7. Stranger In The Strange Land 8. Wasted Years 9. Rime Of The Ancient Mariner 10. Walking On Glass (Guitar Solo) 11. Heaven Can Wait 12. Phantom Of The Opera 13. Hallowed Be Thy Name 14. Iron Maiden 15. The Number Of The Beast 16. Run To The Hills 17. Member Introduction 18. Running Free 19. MC 20. Sanctuary 21. Outro: Theme From Star Trek COLOR NTSC Approx.120min.
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