Blaze Bayley, the man of fire. Fans also say, ``IRON MAIDEN's only dark era'' and ``Why did Steve Harris choose Blaze?'', but the reason was in the live performance. It was a fiery live performance that made Bruce Dickinson, who had returned, say, ``Blaze is really amazing. There's no way I can do it.'' The ultimate one that contains it with the number 1 quality stereo sound board is now available. Due to its popularity, the Blaze era's existence tends to be erased even officially. That's why MAIDEN enthusiasts around the world are demanding "at least the best one," and this work is the best answer to meet their expectations. It is a live album that is praised by complete collectors who have listened to all the sound sources as ``This is it!'' and ``The best of the Blaze Bayley era.'' The true nature of this work, which is praised by collectors around the world, is the stereo soundboard album of "May 19, 1998 Madrid Performance (Spain)". Why is this work "the best of the Blaze era"? Let me explain step by step. [Great full sound board] First, some background information. Several soundboards/pro shots are known from the Blaze era, but let's list the ones that are fully recorded. “THE This work] ・December 6, 1998: Curitiba performance (Pro shot) ・December 12, 1998: Buenos Aires performance (Pro shot) There are other partial soundboards/pro shots, but these are the full recordings. 5 books. Most of them are professional shots from South America, but this work is the only one recorded in Europe, and is the only “sound board that is not a video drop”. In fact, this work is a different level of awesomeness than the South American air check. The clarity and direct feel are outstanding, and the spacious stereo sound is vivid, unlike the monophonic chunks that are common in TV broadcasts. I don't know if this recording was broadcast at the time, but the loud cheers and chorus were ideally mixed, and the spectacle was spectacular. Strictly speaking, it feels a little different from the official replacement due to the vividness that cleanly picks up even the slight noise of the equipment on site that mixes between songs, etc., but it is definitely the “No. 1 live album of the Blaze era”. Furthermore, this work is also the best of this recording. The sound sources that have been available so far have had some digital noise and disturbances (such as some phrases being repeated), but the master that was available this time had none of that. It is exactly the “best version of the best recording” only for this work. [Definitive edition of “VIRTUAL XI WORLD TOUR”] The show drawn with that sound is also wonderful. Of the two tours from the Blaze era, the one that is more popular worldwide is the “VIRTUAL XI WORLD TOUR.” “THE On the other hand, "VIRTUAL XI WORLD TOUR", which limited "THE X FACTOR" numbers to only representative songs and boldly introduced "VIRTUAL Perhaps because of the increase in easy-to-sing songs, Blaze is also lively, and the songs from the Dickinson era that have been played frequently have gotten used to them (to a certain extent) and the live performances are getting hotter. The timing of the tour is also great. Speaking of the standard of “VIRTUAL XI WORLD TOUR”, the South American pro shot at the end of the tour is known, but this work is at the beginning of the tour. Let's take a look at the tour overview here. ・April-May: European leg #1 (24 performances) ←★Here★ ・June-August: North American leg (18 performances) ・September-October: European leg #2 (36 performances) ・November : Japan performance (4 performances) ・December: South America leg (4 performances) In this way, this work is the 17th performance of the early “European leg #1”. Commander Steve Harris always says, ``5 or 6 performances are enough to get used to the tour,'' but the band's engine was warming up and there was no fatigue. The momentum of "I'm going to travel around the world now!" is overflowing. As mentioned above, other full pro shots are only in South America at the end of the tour, so this work is the best to enjoy the “burning Blaze era”. Actually, it is not a perfect show because there is a mistake in the lyrics in the middle of “Sign Of The Cross”, but on the other hand, there are no other mistakes that seem like mistakes. It is a hot and passionate live performance that MAIDEN collectors around the world call “one of Blaze’s best performances.” A full soundboard with a set list that summarizes "THE X FACTOR" and "VIRTUAL XI." Perhaps because the South American pro shots are so famous, this is a famous recording that has been little known in Japan for some reason. This is the best version. If the position of this work is compared to the Paul Diano era, it corresponds to the top panel of the Japanese performance “DEFINITIVE LIVE KILLERS”. It's such a live album. It's gotten too long before I get to the important point, "Why Blaze's live shows are so hot." ``This work is one of a kind to touch on 'that era' that is ignored even by the official authorities.'' The pinnacle live album of the "Blaze era" that carved a unique shine into the history of IRON MAIDEN. Real Madrid Pavilion, Madrid, Spain 19th May 1998 STEREO SBD Disc 1 (63:13) 1. Dance Of The Knights 2. Futureal 3. The Angel And The Gambler 4. Man On The Edge 5. Lightning Strikes Twice 6. Heaven Can Wait 7. The Clansman 8. When Two Worlds Collide 9. Lord Of The Flies 10. 2 Minutes To Midnight 11. The Educated Fool Disc 2 (67:24) 1. Sign Of The Cross 2. Hallowed Be Thy Name 3. Afraid To Shoot Strangers 4. The Evil That Men Do 5. The Clairvoyant 6. Fear Of The Dark 7. Iron Maiden 8. The Number Of The Beast 9. The Trooper 10. Sanctuary 11. Outro. Blaze Bayley - Vocal Steve Harris - Bass Dave Murray - Guitar Janick Gers - Guitar Nicko McBrain - Drums STEREO SOUNDBOARD RECORDING
Free Shipping on Every Order!
