While being called the "best tour ever" by enthusiasts, the unexplored "World Piece Tour" does not have a full soundboard. The two major recordings that reign at the top of the tour have been meticulously mastered by "GRAF ZEPPELIN" to update the highest peak! Two works will be released simultaneously! This is the second release. It is a super-class audience recording of the "May 26, 1983 Hammersmith performance". [Legendary recordings that were said to be more than resurrected] The two works released at the same time are both super-famous recordings that have served as "official substitutes" and "soundboard substitutes". In particular, the Hammersmith recording is a legend that has been loved by enthusiasts since 1983, and is the most famous symbol of the MAIDEN audience. It is not just a level of good sound, but a super-famous performance that has been passed down as "greater than resurrection of the dead!" Even today, 40 years later, some enthusiasts boast that "Maiden's greatest masterpiece is Hammersmith in 1983". This work is a live album that has updated the highest peak of such a legend ... no, mythical board. It is a good opportunity, so let's look back at the schedule at that time and check the position of the show. ・ May 2-15: UK # 1 (11 performances) ← * DEFINITIVE IPSWICH 1983 {May 16th "Brain Reform" released} ・ May 16-28: UK # 2 (11 performances) ← ★ Here ★ ・ June 1-12: Northern Europe (7 performances) ・ June 21-September 20: North America # 1 (61 performances) ・ September 29-October 24: North America # 2 (20 performances) ・ November 7-December 18: Europe (28 performances) ← * Official THE EARLY DAYS [GRAF ZEPPELIN mastering has updated the highest peak] This is IRON MAIDEN in 1983. This work is a live album recorded at the 9th performance of "UK # 2". This was the second of four consecutive performances at the traditional venue "Hammersmith Odeon". The audience recording recorded at such a show became legendary for its good sound quality. Not only at the time, but even in the Internet era, it was still distributed as a "sound board", so it was super clear and super direct. Compared to the super tight sound of the sister work "DEFINITIVE IPSWICH 1983", there is a (very faint) hall noise, but it does not hide the details at all. Rather, the dynamism is also thickened (with a zero distance feeling). You may know the awesomeness from our popular album "EAGLE'S HAMMERSMITH", but this work is even more vivid! It is a masterpiece that "GRAF ZEPPELIN" meticulously mastered by going back to the most original source in existence. It is clear that the original master is the long interval between the songs after "The Theme of the Fortress of the Eagle" and "Phantom Of The Opera" that announce the opening, but what is even more intense is the sound that runs through the entire work. "GRAF ZEPPELIN" handles all types of sound sources, but its main strength is vintage audience recording. This work also demonstrates its skills to the fullest, and the pitch, phase, and band analysis are also rigorously adjusted. The DC offset that occurred in all previous releases has also been eliminated. In fact, the sound is much clearer and clearer than "EAGLE'S HAMMERSMITH", and yet the bass's power is not impaired. After listening to this work, even the wonderful "EAGLE'S HAMMERSMITH" feels fluffy. [Super famous performance of explosive tension famous in the history of sound sources] Such a highest peak renewal sound is depicted in the full show that is famous as a legend in the history of MAIDEN sound sources. The set is the same as the sister album "DEFINITIVE IPSWICH 1983 (Zodiac 514)", but we will leave the usual organization to that explanation and reorganize it from the perspective of the sound source collection here. Songs with official SBDs by the same members: Resurrection of the Dead (album version): Wrathchild / The Trooper / Revelations / Flight Of Icarus / Die With Your Boots On / 22 Acacia Avenue / The Number Of The Beast / Phantom Of The Opera / Hallowed Be Thy Name / Iron Maiden / Run To The Hills Resurrection of the Dead (video version): Sanctuary Maiden England: Still Life Songs with official SBDs by different members: Beast Over Hammersmith, etc.: Prowler / Drifter A Real Dead One, etc.: Where Eagles Dare Songs without any sound boards: To Tame A Land ... and so on. The golden lineup was completed from this tour, but the point is that there are four songs without sound boards of "those five people". "Prowler" and "Drifter" will be "BEAST OVER HAMMERSMITH" of the 3rd tour, and "Where Eagles Dare" will be "A REAL DEAD ONE" after Adrian's departure. As for "To Tame A Land", it is a very rare song that does not have a single sound board in the entire career. Although there are other delicious tours for the rare songs, the reason why "World Piece Tour is the best ever" is called "the strongest performance ever" is the intense performance. In particular, the Hammersmith performance of this work is a super famous performance that can be said to be a symbol of that. The awesomeness explodes from the beginning of the first song "Where Eagles Dare"! Bruce Dickinson's scream that roars in the intron is already a match. It is a super shout that stretches beautifully without being gyaogyao, with a tremendous tension and tension. He must have been very happy that his voice was coming out as he wanted, because he kept on speaking at a sharp and fast pace, and finished off with another explosive shout at the end! The blues is in top form so far. "Where Eagles Dare" is a type of song that is pushed slowly in the mid range, but the uplifting feeling of this explosive shout is extraordinary. It is a legendary take that many sound source enthusiasts were shouting "What is Aces High?" while looking at the fans who were happy with "Resurrection of the Dead". It was so amazing that it became long with just one song, but of course it doesn't end with just one song. This explosive tension was maintained until the very end, and the band pulled by the blues was also in top form. That's why it's a legendary performance... no, a myth. Two major recordings that were highly praised as "like a sound board" have been updated to the highest peak and two works will be released simultaneously. In terms of a more "soundboard-like sound," "DEFINITIVE IPSWICH 1983" is the pinnacle, and this work reigns as the "symbol of MAIDEN live albums" beyond the distinction between SBD and AUD, with the explosive tension that pierces the heavens. This is truly an "absolute" two-part series. A super-class audience recording of the "May 26, 1983 Hammersmith performance." A legendary classic recording that was once said to be "more than the resurrection of the dead," polished by "GRAF ZEPPELIN" with meticulous mastering. The super-clear and super-direct sound that has been distributed as a soundboard remains the same, but it has been upgraded to be even more powerful and powerful. You can fully experience the super-famous performance of the super-strong blues' super-class shout, which has become legendary, with the highest peak updated sound. The original sound source has been remastered from scratch, maintaining the sound pressure and power of the previous release, but on the other hand, the excessive hiss noise between songs that was present on the previous release has been suppressed, resulting in a balanced mastering process. Hammersmith Odeon, London, England 26th May 1983 TRULY PERFECT SOUND (UPGRADE) Disc 1 (52:19) 1. Theme From "Where Eagles Dare"★The beginning is slightly longer than the previous release 2. Where Eagles Dare 3. Wrathchild 4. The Trooper 5. Revelations 6. Flight Of Icarus 7. Die With Your Boots On 8. 22 Acacia Avenue 9. The Number Of The Beast 10. Still Life Disc 2 (65:00) 1. MC 2. To Tame A Land 3. Guitar Solo 4. Drums Solo 5. Phantom Of The Opera ★First uncut recording between songs (the previous release was crossfaded and shorter) 6. Hallowed Be Thy Name 7. Iron Maiden 8. Run To The Hills 9. Sanctuary 10. Drifter 11. Prowler Bruce Dickinson - Vocal Steve Harris - Bass Dave Murray - Guitar Adrian Smith - Guitar Nicko McBrain - Drums
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