A legendary recording that was once available as a soundboard has been brushed up. This work is engraved with the "March 11, 1987 Chicago performance". It is a very thick audience recording. Because "Somewhere On Tour" has been leaked from the official archive, collectors around the world are eager to participate in the "top audience decision race", but the Chicago recording is always considered to be the leading candidate for the king. It has been a standard in our shop for a long time, but this work is the highest peak update. Before the quality of the show, let's start with the position of the show. Speaking of "Somewhere On Tour", the masterpieces "DEFINITIVE LEICESTER 1986" and "DEFINITIVE BUDOKAN 1987" are also standard, so let's take a look at the overview of the activities at that time and check the positional relationship of each. 1986, September 10-25: Europe #1 (12 performances) {September 29th release of "Somewhere in Time"}, October 3rd-November 9th: UK (27 performances) ←※DEFINITIVE LEICESTER 1986, November 12th-December 18th: Europe #2 (27 performances) 1987, January 7th-May 2nd: North America (79 performances) ←★COCO★, May 11th-21st: Japan (7 performances) ←※DEFINITIVE BUDOKAN 1987 The legendary recording that was once called a soundboard This is the whole picture of "Somewhere On Tour". 1986 was the European edition including the home country of England, and the new year of 1987 was the overseas edition of North America/Japan. With this work, "DEFINITIVE LEICESTER 1986" and "DEFINITIVE BUDOKAN 1987", you can get a panoramic view of each leg of "Europe, North America, and Japan". In the meantime, the Chicago performance of this work was the 44th concert of the "North American" leg. This show is famous for having a great recording, and its individuality is "just like a sound board". "DEFINITIVE LEICESTER 1986" and "DEFINITIVE BUDOKAN 1987" are also superb recordings that compete for the best masterpieces of the tour, but when it comes to "sound board-like", the Chicago recording is outstanding. The direct feeling of the on core, the fine details, the vivid separation feeling... all of them are overwhelming. In fact, at the beginning of the excavation, it was so much talked about that "Finally, the full sound board of "Somewhere On Tour" has come out!" I don't think it can be mistaken in today's world where transcendental recordings are commonplace, but I can understand the desire to make a mistake with the admiration for "6th SBD". In fact, speaking of the sound board of "Somewhere On Tour", there is also a pro shot sound from the Paris performance, but the sound board is mono and the chirping noise is a bit of a concern. After all, this work is the closest to the dream of "I want to listen to the full sound board of Somewhere On Tour!" Latest mastering in pursuit of a sound board feel And this work is the highest peak update of such a legendary recording. It has been polished up with the latest mastering, but the key point is "enhancement of the sound board feel". Pitch and phase shift correction, various noise processing, etc. are also performed, but the most important point is "high-pitched sound" and "stereo feeling". The improved sound has further improved the three-dimensional feeling and separation, and the improved stereo feeling has also improved the dynamism. Originally, this recording has overwhelmed the Paris performance sound board with a stereo feeling, so its beauty can now be enjoyed even more clearly. Such a thick and dynamic sound is drawn as a full show of the precious "Somewhere On Tour". In fact, in terms of the number of songs, "DEFINITIVE LEICESTER 1986" and "DEFINITIVE BUDOKAN 1987" have more songs, but there are still plenty of delicious "SOMEWHERE IN TIME" numbers. Finally, let's organize the set. Somewhere in Time and others (4 songs + α) ・Caught Somewhere In Time / Stranger In The Strange Land / Wasted Years / Heaven Can Wait / Walking On Glass Classics (9 songs) ・Iron Maiden: Phantom Of The Opera / Iron Maiden / Running Free ・Magic Seal: Children Of The Damned / Hallowed Be Thy Name / The Number Of The Beast / Run To The Hills ・Power Slave: 2 Minutes To Midnight / Rime Of The Ancient Mariner Considering the number of songs and the "beauty unique to the audience", it is hard to throw away "DEFINITIVE LEICESTER 1986" and "DEFINITIVE BUDOKAN 1987". Although it is difficult to declare "Tour No. 1" lightly, this work is the pinnacle in terms of "soundboard-like listening response". The highest peak updated board with the latest mastering that further enhances the soundboard feeling. The best audience recording of the "March 11, 1987 Chicago performance". The highest peak update board, which has been polished with the latest mastering, is a super thick recording that was mistaken for a sound board when it was first excavated. The high-pitched sound and stereo feeling have been enhanced, and the direct feeling and dynamism have become even more vivid. This is a new masterpiece that can be used as a "sound board substitute" to fully experience "Somewhere On Tour", which has been overlooked from the official archive. Remastering memo The high-pitched sound of the cymbal reverberation band has been raised to improve the clarity. The stereo feeling has also been increased. The jump of the recording level adjustment at the beginning has been smoothed. Rosemont Horizon, Chicago, IL, USA 11th March 1987 TRULY PERFECT/ULTIMATE SOUND REMASTER & UPGRADE Disc 1(45:56) 1. End Titles (Theme From Blade Runner) 2. Caught Somewhere In Time 3. 2 Minutes To Midnight 4. Children Of The Damned 5. Stranger In A Strange Land 6. Wasted Years 7. Rime Of The Ancient Mariner Disc 2 (54:44) 1. Walking on Glass 2. Heaven Can Wait 3. Phantom Of The Opera 4. Hallowed Be Thy Name 5. Iron Maiden 6. The Number Of The Beast 7. Run To The Hills 8. MC / Member Introduction 9. Running Free Bruce Dickinson - Vocals Steve Harris - Bass\ Dave Murray - Guitar Adrian Smith - Guitar Nicko McBrain - Drums
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