“REAL LIVE Tour” marked the end of the golden era. The original master of the legendary recording, which was called the masterpiece, has finally been discovered. The best masterpiece was recorded at “Paris performance on April 10, 1993”. It is a transcendental audience recording that has been legendary among core collectors. If you're familiar with the various aspects of this work, I'm sure you've already made up your mind, but for those who aren't, let's start from the beginning. Speaking of Bruce Dickinson's final work, "FEAR OF THE DARK" is, but the tour after that can be roughly divided into two. First, let's unravel the schedule at the time and check the show's position. 1992 "FEAR OF THE DARK Tour"《FEAR OF THE DARK'' released on May 11th》 June 3rd + 5th: UK (2 performances) June 8th - July 17th: North America (25 performances) )・July 25th – August 4th: South America (5 performances)・August 15th – September 19th: Europe #1 (18 performances)←*Official LIVE AT DONINGTON・September 26th – October 10th Sunday: Latin America (6 performances) October 20th - November 4th: Oceania/Japan (10 performances)《Bruce Dickinson announces withdrawal》1993 “REAL LIVE Tour”《May 11th “A Real LIVE One” ” Released》・March 25th – June 4th: Europe #2 (44 performances)←★Here★・August 27th + 28th: UK (2 performances)←※Official RAISING HELL《Dickinson Withdraws》《October “A Real DEAD One” released on the 18th》《“LIVE AT DONINGTON” released on November 8th》 [Legendary recordings discovered at Omoto DAT Sound] This is IRON MAIDEN from 1992/1993. In 1992, there was a tour accompanying "FEAR OF THE DARK", and in 1993, the theme was the live album "A REAL LIVE ONE". And the Paris performance of this work is the latter. This was the 9th concert of "Europe #2". This show is known for having many recordings, one of which is a special one. It is a work by "Stephane" and among all the audience recordings of "REAL LIVE Tour"... no, even if you include a sound board, it is a super famous recording that is No. 1. However, it was also a hidden treasure known only to those in the know. After all, it was a time when a large number of official live works were released. It cannot be said that excavation and trading are active, and there are only a limited number of maniacs who pursue audience recording. As a result, this recording was at best on the trade list of completers, and even advanced collectors had no choice but to hold their fingers and admire it. However, such a legendary recording has finally been made public. Moreover, it is the ultimate quality board that was directly transferred from "Stephane"'s original DAT! The biggest factor in why this work is considered a "tour masterpiece" is, of course, the sound. Anyway, it's close-fitting, extremely thick, and extremely delicate. Sabbath's new masterpiece "DEFINITIVE PARIS 1992" by "Stephane" was very popular as "It's like a sound board!", and this work is no less. In fact, compared to "A REAL DEAD ONE", although there is a very slight hall sound in the snare and vocals, it does not become cloudy or muddy, and is a "sound extension". Since the official live works from this period had an extremely packed sound, this work may actually feel more "official-like". In other words, even though it has the virtues unique to the audience, there is no flaw at all, and it is more beautiful than the official one...It is such a transcendent sound. [A masterpiece that surpasses even the sound board/official] Another point is that it is a complete recording. In fact, from this tour, two soundboards (Turin performance and Milan performance) have become standard, but this work is better than either of them. Although the Turin performance soundboard is full, it does not have the same sound as this work, and the Milan performance difference windboard, although the sound is quite good, is incomplete. In other words, this work “exceeds the sound board” in terms of both sound quality and length. And the decisive blow of the “best masterpiece” is the live performance itself. As you know, ``RAISING HELL'' is an official work from 1993, but that was a co-starring project with a magician. If the composition and performance are shabby, it is also said to be the biggest reason why it has not been officially reissued (by the way, you can enjoy the best quality version at our store's ``RAISING HELL: DELUXE EDITION''). However, this work is a regular tour, so the flow and performance are serious. Although it is a time when there is a bad reputation that ``Blues has cut corners'', you can enjoy a show that lives up to the name of the heyday, perhaps because it is only the 9th performance. "Where Eagles Dare" and other songs are reminiscent of 1983, but they are even more expressive than at that time. Also, the set and “RAISING HELL” are different because of the main part of the tour. Let's compare and organize them here. Before “Resurrection” (10 songs)・Steel Maiden: Prowler (★)／Transylvania／Remember Tomorrow (★)／Iron Maiden／Sanctuary・Magic Mark: The Number Of The Beast／Run To The Hills／Hallowed Be Thy Name・Brain Reform: Where Eagles Dare (★) / The Trooper After “Resurrection” (10 songs)・Somewhere in Time: Wasted Years (★) / Heaven Can Wait・Seventh Prophecy: The Evil That Men Do /The Clarivoyant・No Prayer for the Dying: Bring Your Daughter... To The Slaughter・Fear of the Dark: Be Quick Or Be Dead/From Here To Eternity/Wasting Love (★)/Afraid To Shoot Strangers/Fear Of The Dark *Note: Songs marked with “★” cannot be heard in the official video “RAISING HELL”. Finally, one mystery surrounding the Paris performance. In fact, this show was officially recorded on a soundboard, and the credit says that "2 Minutes To Midnight" is included in "A REAL DEAD ONE", but as mentioned above, "2 Minutes To Midnight" is Not playing. This is not because this work was not recorded, but during this period (9 performances from April 6th to 17th), “2 Minutes To Midnight” was not set. Was it another French performance, or was it in 1992? In any case, the official credits are definitely wrong. Quiet talk. In any case, it is a "tour masterpiece" that surpasses the representative soundboard in terms of sound / recording time and exceeds the official work in terms of show quality. Until now, this is a hidden treasure that only a limited number of completers, even core collectors, could enjoy. You can enjoy it with Omoto DAT Master Quality. It's refreshing for those who only know about the "REAL LIVE Tour" from the official site, and a tear-jerker for hardcore enthusiasts. Superb audience recording of "April 10, 1993 Paris Performance". Rumored to be ``better than a soundboard,'' this is a legendary recording that has been distributed only among core collectors, and is a direct transfer from the original DAT master. It is completely recorded with the No. 1 sound of the tour, and the show's enthusiastic performance surpasses even the official work "RAISING HELL". In every sense, this is the masterpiece of Dickinson's last "REAL LIVE Tour." This is the birth of a new masterpiece representing the 90s. Elysee Montmartre, Paris, France 10th April 1993 ULTIMATE SOUND Miraculous ultra-high sound quality, first appearance sound source Disc 1 (54:50) 1. Intro 2. Be Quick or Be Dead 3. The Number of the Beast 4. Prowler 5. Transylvania 6. Remember Tomorrow 7. Where Eagles Dare 8. From Here to Eternity 9. Wasting Love 10. Bring Your Daughter...to the Slaughter 11. Wasted Years 12. The Evil That Men Do Disc 2 (53:55) 1. MC 2. Afraid to Shoot Strangers 3. Fear of the Dark 4. The Clarivoyant 5. Heaven Can Wait 6. Run to the Hills 7. Iron Maiden 8. Hallowed Be Thy Name 9. The Trooper 10. Sanctuary Bruce Dickinson - Lead Vocal Steve Harris - Bass Dave Murray - Guitar Janick Gers - Guitar Nicko McBrain - Drums
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