The multi-platinum work "BAD ANIMALS" that reached No. 2 in the US and No. 4 in the UK. A live album that vacuum-packs the brilliance of that great heyday is now available. This work contains the "London performance on March 5, 1988". It is a superb audience recording recorded at the huge venue "Wembley Arena". This week, the big compilation album "LIVE TRILOGY" from the big hit era will also be released, but that is a Japanese performance. This work is a part of the UK tour that took place before that. First of all, let's imagine the position of the show from the overall picture of the world tour. [1987] {BAD ANIMALS released on June 6th} June 26th - July 27th: North America #1 (17 shows) August 21st - September 18th: North America #2 (16 shows) October 9th - November 8th: North America #3 (23 shows) November 27th - December 20th: North America #4 (18 shows) [1988] January 18th: Fresno show February 19th - March 8th: Europe (14 shows) ★Here★ March 28th - April 5th: Japan (5 shows) June 4th - July 18th: North America #5 (17 shows) This is the outline of "BAD ANIMALS TOUR 1987-1988". The number of shows is not exact because the records at that time are vague, but I think you can understand the general flow. The so-called "gorgeous era" began with "HEART," which hit No. 1 in the United States, but the tour was only in North America and Japan. It was only in 1988 that the reborn HEART made its way to Europe. The London performance of this work was the 11th performance of the "European" leg. It was also the first day of four consecutive "Wembley Arena" performances. This work, which contains such a show, is a truly wonderful spectacular audience. In fact, this British tour was also introduced in the masterpiece press CD "LEAP NIGHT (Shades 440)" by the master "Crazy S.", and this work is its sister work. It is an extremely elegant CD that has been meticulously converted from the original cassette of "Crazy S." In fact, the sound of this work is wonderful, which makes "Crazy S."'s reputation shine even more. "LEAP NIGHT" was a hall class, while this work will be a huge arena, but the clarity is completely equal. Although there is no sense of distance, the venue sound is transparent and clear, without hiding or obscuring the details. The sound is richly colored, and the fresh performance and singing voice reach straight through the clear space. The deep bass, which tends to be a weakness in huge venue audiences, is also beautiful, and each wave of the vibe is so detailed that it seems to float in the eye as a waveform. Although it is a quality that is completely out of the ordinary for an "80s audience", the taste of the customer record is also solid. First of all, the vast sense of spectacle. Although it is a hall-class clearness, the sea of spectators that spreads endlessly with plenty of three-dimensionality is still "Wembley Arena". In fact, it picks up the voices of the seats close by (albeit very slightly), but the sense of distance between that and the seats far away is amazing. The cheers and chants that rise from there are just like a wavy carpet. It adds a velvety luster to the wonderful and gorgeous HEART show. Moreover, the audience was the British people who had been waiting for the reborn HEART, and the location was the highlight performance "Wembley Arena". The mood was more successful than usual. And the spectacle of the performance sound. HEART of this era is not just flashy, but also glittering and dynamic at the same time. The powerful beat, the singing voice of Robert Plant in his prime, and the delicate and sharp guitar all depict a huge drama. In this work, you can clearly see that the performance and singing voice dominate every corner of the huge venue and swallow the audience. What can I say, it's like being in a super-huge speaker that swallows 12,000 people in its entirety. This unique immersive feeling and sense of microcosm can never be experienced with a sound board or an official record. It is the real pleasure that only a super clear audience recording can give. The sound depicts a live performance full of luxury and confidence because it is a big hit era. The set is 11 songs each from "HEART" and "BAD ANIMALS," and 9 songs from before "PASSIONWORKS." And it is structured to close with LED ZEPPELIN's "Rock and Roll." You can enjoy the best selection of songs with the best balance of new and old even in the gorgeous era. The wind of global success crossed the ocean and finally reached the UK. This is a masterpiece recorded by a master with the best skill in the huge spectacular show in the history of HEART. For those who love "LEAP NIGHT," the continuation of that masterpiece. And for those who are experiencing the "Crazy S. sound" for the first time, it is a great spectacular live album that can be recommended with all its might. Live at Wembley Arena, London, UK 5th March 1988 TRULY PERFECT SOUND(from Original Masters) Disc 1 (42:29) 1. Intro. 2. Bad Animals 3. The Wolf 4. Barracuda 5. Nothin' At All 6. What About Love 7. Dreamboat Annie 8. These Dreams 9. Straight On 10. Even It Up Disc 2 (58:27) 1. I Want You So Bad 2. Wait For An Answer 3. Who Will You Run To 4. Never 5. How Can I Refuse 6. Silver Wheels 7. Crazy On You 8. If Looks Could Kill 9. Alone 10. Magic Man 11. Love Alive 12. Keep A Knockin' / Rock And Roll
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