The music scene in 2021 is trying to recover from the new coronavirus pandemic. Introducing Hall & Oates's finest live album that symbolizes "now 2021." What is inscribed in this work is “Mansfield performance on August 5, 2021.” It is a transcendental audience recording. They have recently lifted their self-isolation due to the long-lasting coronavirus pandemic and have just resumed their live performances. First, let's take a look at the recent situation and check the position of this work. February 26th + 28th, 2020: North America #1 (2 performances) August 5th - September 1st, 2021: North America #2 (13 performances) ←★Here★・September 18th - October 1st Sun: North America #3 (7 performances) ・November 6-13: North America #4 (3 performances) ・December 3 + 4: Mashantucket (2 performances) This is Hall & Oates in 2020/2021 . In recent years, they have been touring around 40 performances a year, and in 2019 they also held their first South American tour, and have continued to be active. However, in 2020, they held just two performances and, like other bands around the world, suspended their activities due to the coronavirus pandemic. This work was the first concert of "North America #2", which appeared publicly for the first time in a year and a half. This work, which conveys such scenes, is bound to have a "super" audience...I guess. I'm sorry for suddenly being unreliable, but I can't get the question out of my head: "Is this really an audience?" No, in fact, the person who recorded it has made it public, and the equipment and settings have been disclosed, so it is definitely a guest record. However, the sound flowing out doesn't seem to be an audience at all. The core has a close contact with zero distance, the detail is official grade, the mix is beautifully arranged, and the separation and stereo feeling are perfect. Even as I listen to the song, thinking, "This is a customer record, a customer record, a customer record...", the multi-camera footage of the TV broadcast comes to mind. The main cause of such a sound is, of course, the recording artist. This work was recorded and published by Farve4, who is well-known as a modern master. There are many HR/HM types, but the main ones are masters of general types, and their works such as FLEETWOOD MAC's ``BOSTON 2019'' and THE EAGLES' ``BOSTON 2018 1ST NIGHT'' are very popular. This work is the latest work of such a master collection, and is a super exquisite piece that will become a new masterpiece. Such an “evolved 2021 sound” depicts “2021 Hall & Oates.” Although it has been a while, the official work “LIVE IN DUBLIN” is the most famous live work in recent years. Here, let's organize the set while comparing it with the official masterpiece. 70's (4 songs) - She's Gone / Is It a Star (★) / Sara Smile / Rich Girl 80's (11 songs) - Modern Voice: You've Lost That Lovin' Feelin' (★) / Kiss on My List/You Make My Dreams ・Private Eyes: I Can't Go for That (No Can Do)/Private Eyes・H2O: Maneater/Family Man・From A. to ONE: Adult Education (★)/Say It Isn't So・Big Bang Boom: Out of Touch/Method of Modern Love (★) *Note: Songs marked with “★” cannot be heard in the official work “LIVE IN DUBLIN”. ...and it looks like this. Basically, the song selection and song order are a continuation of “REAL DEAL 2019” from two years ago, and it is a “continuation of that” that was interrupted due to the pandemic. All of the songs except "Is It a Star" are singles, making them great greatest hits. In any case, this is the latest live album that gives you a strong sense of "2021." The performance and the atmosphere of the venue are full of joy for the revival, and the super, super, super high sound quality that is unique to 2021. While the scene was at a standstill, technology continued to advance. This is a beautiful live album that reminds us of this fact not in words but in sound quality. A superb audience recording of the “August 5, 2021 Mansfield performance” on the first day of resuming activities. Although it is a guest record published by the recording person himself, the sound flowing out does not seem to be an audience at all. The core has a close contact with zero distance, the detail is official grade, the mix is beautifully arranged, and the separation and stereo feeling are perfect. Even during the coronavirus pandemic, technology has evolved...This is a beautiful live album that reminds us of this fact not in words but in sound quality. Live at Xfinity Center, Mansfield, MA, USA 5th August 2021 ULTIMATE SOUND Disc 1(45:44) 1. Intro 2. Maneater 3. Family Man 4. Out of Touch 5. Adult Education 6. Method of Modern Love 7. Say It Isn't So 8. You've Lost That Lovin' Feelin' Disc 2(53:19) 1. MC 2. She's Gone 3. Sara Smile 4. Is It a Star 5. I Can't Go for That ( No Can Do) 6. Rich Girl 7. Kiss on My List 8. Private Eyes 9. You Make My Dreams Daryl Hall- Vocals, Guitar, Keyboards John Oates - Guitars, Vocals, Keyboards Charles DeChant - Saxophone, Flute, Percussion Eliot Lewis - Keyboards, Backing Vocals Brian Dunne - Drums, Backing Vocals Klyde Jones - Bass, Backing Vocals Porter Carroll - Percussion, Backing Vocals Shane Theriot - Guitars, Backing Vocals
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