Halford ex. Judas Priest/Aichi,Japan 2000
Halford ex. Judas Priest/Aichi,Japan 2000
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Rob Halford returned to Japan in 2000, proclaiming "The God of Steel is back!" An original recording that allows you to experience the scene at its best is now available. This work is inspired by the "December 14, 2000: Nagoya Diamond Hall" performance. This is a powerful audience recording. Speaking of HALFORD's first visit to Japan, "OSAKA 2000" is also a standard at our store. First of all, let's look back at the schedule at that time and check each other's positions.・December 14th: Nagoya Diamond Hall ←★This work★ ・December 15th: ZEPP FUKUOKA ・December 16th “OSAKA 2000 (Welfare Pension)” ・December 19th: ZEPP SENDAI ・December 20th: Shibuya Public Hall/December 21st: Shibuya Public Hall A total of 6 performances. In 1993, FIGHT only had three performances in Tokyo, Kawasaki, and Osaka, but the effect of the return to metal was so great that the same schedule as JUDAS PRIEST was scheduled at once. The Nagoya performance of this work was the first day of the concert among them. This work, which vacuum-packs such a scene, is a direct and aggressive power recording. This is the latest work from the Nagoya Collection, which has recently become a hot topic, and is also an original recording given to us by the recording artist himself. The proof of the audience is engraved in the snare tone, and the powerful core cuts through the space and becomes super vivid. The bass drum's striking sound can be a bit noisy due to its strength, but even that has been transformed into MOTORHEAD-like coolness. The key to this ease of listening is the bass. Along with the bass drum, it is responsible for the heavy bass, and this one is captured extremely beautifully, and the binging and grinding attack sound has a metallic luster, but the ringing is narrowed down and super tight. The bass line is crisp, like a rosary of attack sounds, and it doesn't feel bouncy or dango-like. I've only talked about the heavy bass, but of course the twin guitars and heroic voices on top of that are vivid. What is depicted with such a vivid sound is a full show that makes you say, “I am the God of Steel.” Speaking of the stage at that time, the official version “LIVE INSURRECTION” is the symbol, so let’s organize the set while comparing. JUDAS PRIEST (10 songs + α)・Wings of Fate: Genocide/Tyrant・Stained Class: Stained Class/Beyond The Realms Of Death・Murder Machine: Running Wild・British Steel: Metal Gods/Breaking The Law・Cry of Revenge: The Hellion/Electric Eye/Riding On The Wind, Code of Immorality: Jawbreaker and others (9 songs), War of Words: Into The Pit/Nailed To The Gun, Resurrection: Resurrection/Made In Hell/Locked And Loaded (★ )/Saviour/Silent Screams/Cyberworld/Night Fall (★) *Note: Songs marked with a "★" cannot be heard on the official version "LIVE INSURRECTION"... and so on. JUDAS PRIEST's famous song Rush remains the same, and the new song "RESURRECTION" is also increased. Perhaps because it was the first day, the "Ripper" that was performed in Osaka had not been performed yet, and the promised opening "Reeee, surrectiooooon!!" was missing. And what is more typical of the first day is the performance and enthusiastic aggression. This is the first time for anyone other than Rob and Bobby Jarzombek to perform in Japan, and the group of masterpieces coated with youthfulness is dazzling. Of course, Rob's throat is also in great condition and is fully showing off a sharp high note that is on a different level from the current one. "Resurrection" is not just "resurrection," but "resurrection" with Christian nuances. The moment Rob shouted these words in 2000, it became ``Rob, the God of Steel'' instead of ``The God of Steel = PRIEST.'' This work is a new excavated live album that allows you to fully experience the first night of Japan's joyous revival with powerful and dynamic sounds. Powerful audience recording of the "December 14, 2000: Nagoya Diamond Hall" performance. This is an original recording given to us by the recording artist himself, and has a powerful and direct feel. The strong core cuts through the space and is super vivid. The bass drum has a slightly noisy sound due to its strength, but even that has been converted into MOTORHEAD-like coolness. Steel God is back, including "Locked And Loaded" and "Night Fall" which can't be heard on the official version "LIVE INSURRECTION"! This is a live album where you can fully experience the joyous first night of their arrival in Japan. Live at Club Diamond Hall, Nagoya, Japan 14th December 2000 PERFECT SOUND(from Original Masters) Disc 1 (58:31) 1. Intro 2. Resurrection 3. Made In Hell 4. Locked And Loaded 5. Into The Pit 6. Nailed To The Gun 7. Stained Class 8. Jawbreaker 9. Running Wild 10. Saviour 11. Silent Screams 12. Cyberworld Disc 2 (43:07) 1. Night Fall 2. The Hellion 3. Electric Eye 4. Riding On The Wind 5 . Genocide 6. Beyond The Realms Of Death 7. Metal Gods 8. Breaking The Law 9. Tyrant Rob Halford - Vocals Patrick Lachman - Guitar Mike Chlasciak - Guitar Ray Riendeau - Bass Bobby Jarzombek - Drums
Disc 1 (58:31) 1. Intro 2. Resurrection 3. Made In Hell 4. Locked And Loaded 5. Into The Pit 6. Nailed To The Gun 7. Stained Class 8. Jawbreaker 9. Running Wild 10. Saviour 11. Silent Screams 12. Cyberworld Disc 2 (43:07) 1. Night Fall 2. The Hellion 3. Electric Eye 4. Riding On The Wind 5. Genocide 6. Beyond The Realms Of Death 7. Metal Gods 8. Breaking The Law 9 Tyrant Rob Halford - Vocals Patrick Lachman - Guitar Mike Chlasciak - Guitar Ray Riendeau - Bass Bobby Jarzombek - Drums