Guns N' Roses/NY,USA 8.7.1988
Guns N' Roses/NY,USA 8.7.1988
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This work was filmed at “Middletown Performance on August 7, 1988.” This is the audience shot. At this time, they were on tour as the opening act for AEROSMITH (what an enviable pairing...), who was performing a miraculous comeback with "PERMANENT VACATION". This is also a good opportunity, so let's take a closer look at "North America #4", the coupling of the century.・A: July 2nd + 3rd: Honolulu (2 performances) ・G: July 9th + 10th: Phoenix (2 performances) *AG: July 17th - August 17th: North America #4a (21 performances) ←★Coco★・A: August 19-22: North America #4b (3 performances)・G: August 20: MONSTERS OF ROCK appearance *AG: August 24-September 15: North America #4c (14 performances) ← * Main press CD/G; September 17: Irvine performance This is the detail of "North America #4". The "A" mark is for AEROSMITH, and the "G" mark is for GUNS only, and the two groups shared the stage for 35 performances of "North America #4a + North America #4c". The CD's Wilkes-Barre performance was "North America #4c" after MONSTERS OF ROCK appeared, whereas the Middletown performance of this work was the 15th performance of "North America #4a". The CD was also held on an outdoor stage, and this day was also an outdoor live performance at the Orange County Fairgrounds. This work, which contains such a live performance, has a very hot and realistic feeling. Of course, as I am introducing here, the quality is one of the best at the time, and the sound is especially excellent. The guitar and singing voice arrive clearly and directly, allowing you to feel the passion of young GUNS N' ROSES. However, what is even more exciting is the sight. In other words, it feels like a ``typical audience shot of the time,'' staring at the stage between compressed figures, and has the roughness of an era without image stabilization. However, this results in an intense "on-site feeling" and "experiential feeling." ``APPETITE FOR DESTRUCTION'' was a song that everyone listened to and recommended to their friends. Those who were shocked by the shock of being hit in the head gathered together and witnessed the real thing. That feeling, the feeling of being right in the middle of a "phenomenon" happening, bubbles out through the monitor. Speaking of the super definitive video of 1988, it would be the professional shot “RITZ 1988 DEFINITIVE EDITION (Zodiac 110)”, but that is just the band’s record. The only way to ``lively experience'' the phenomenon that shook rock history is to stand on the side of the audience. This work is a special video of that. Those of you who have been watching this crap up to this point may have an image of ``a messy, bad video,'' but there's no need to worry about that. Although the enthusiasm is fierce, the band's appearance is vivid, and the freshness of the master is wonderful. There are no dubbing marks, and it's as vivid as if it was watched and recorded yesterday. Otherwise, you won't be able to experience it. The moment when GUNS N' ROSES appeared, which should be talked about as an "incident/phenomenon". This was possible only when there was a ``scent of the times'' that could not be fully expressed through excellent music and performances alone. The main press CD allows you to experience the thrilling scene of the incident with "sound", but this work allows you to witness the "sight". A historical masterpiece video that delivers a tactile experience. Live at Orange County Fairgrounds, Middletown, NY. USA 7th August 1988 AMAZING SHOT!!! (46:57) 1. It's So Easy 2. Mr. Brownstone 3. Patience 4. Move To The City 5. Out Ta Get Me 6 Blues Jam 7. Sweet Child O' Mine 8. Welcome To The Jungle W. Axl Rose - Vocals Slash - Guitar Izzy Stradlin - Guitar Duff McKagan - Bass Steven Adler - Drums COLOR NTSC Approx. 47min.
1. It's So Easy 2. Mr. Brownstone 3. Patience 4. Move To The City 5. Out Ta Get Me 6. Blues Jam 7. Sweet Child O' Mine 8. Welcome To The Jungle W. Axl Rose - Vocals Slash - Guitar Izzy Stradlin - Guitar Duff McKagan - Bass Steven Adler - Drums COLOR NTSC Approx. 47min.