Three months have passed since the shock of "LOS ANGELES COLISEUM 1989 1ST NIGHT". The sequel to that super masterpiece has been unexpectedly unearthed! It has been decided to release it on the original master CD of the absolute master Mike Millard! What is engraved in this work is "Los Angeles performance on October 19, 1989". It is the superb audience recording. I suddenly started talking about "shock" and "sequel". If you have experienced the previous work "LOS ANGELES COLISEUM 1989 1ST NIGHT", you will have already made up your mind, and for those who have not, let's explain it from the beginning. First of all, let's start with the position of the show. Let's look back at the activity outline at that time, which was also the end of the original GUNS. 1989 January 30: Appearance at AMERICAN MUSIC AWARDS October 11: Performance at Cathouse October 13: Performance at Park Plaza Hotel October 18-22: Los Angeles (4 performances) ←★Here★ 1990 {January 13: Production of "USE YOUR ILLUSION" begins} April 7: Appearance at FARM AID {Steven Adler leaves} Absolute master Millard captures the Stones' support performance This is GUNS N' ROSES in 1989/1990. The "APPETITE FOR DESTRUCTION Tour" ended the previous year, and in 1989 it was restarted with only 4 performances (plus 2 warm-up performances) in Los Angeles. These 4 days in Los Angeles were the opening performance of THE ROLLING STONES' "STEEL WHEELS Tour". Millard's aim was to see the main act, but he also recorded the opening act GUNS well. And the first day album is the aforementioned "LOS ANGELES COLISEUM 1989 1ST NIGHT", and this work is the sister work's younger sister the next day. Just like the first day, it is a masterpiece among masterpieces that was directly digitized from the original master that was released for the first time (the Stones version of this day can be enjoyed on the masterpiece "LOS ANGELES 1989 2ND NIGHT: MIKE MILLARD MASTER TAPES"). The sound that flows out of this work is truly shocking. Avid collectors may know the classic "LOS ANGELES COLISEUM 1989 (Shades 1632)", but this work is a completely different recording. Of course, the sound is also incomparably wonderful. The on-line, extremely thick core flows into your ears without any sense of distance, and the details are super clear. It's what they call "just like a sound board", but if you want to be accurate, it's even better. The balance that would be disturbed if it was a leaked sound board is also in order, and the ensemble has a beautiful balance. Naturally, the audience's patented reality is also absorbed, but even more than that, the beauty of the music is too powerful. The second day's great performance, regaining its best form To be honest, the sound is identical to its sister work "1ST NIGHT", and it's more like a twin work than a sister work, but the show content is very different. Let's organize the set while comparing it here. Appetite for Destruction (7 songs) Mr. Brownstone / It's So Easy / Out Ta Get Me / Rocket Queen / Sweet Child O'Mine / Welcome To The Jungle / Paradise City Others Move to the City (SUICIDE HORNS SECTION participation) / Patience / Knockin' On Heaven's Door ... and so on. It is basically based on "1ST NIGHT", but in fact one song "My Michelle" is omitted, and instead (?) "Paradise City" has a jam that lasts about 4 minutes. The original GUNS jam is valuable, but the performance is even more than that. In fact, Axl was in a terrible mood on the previous day's "1ST NIGHT" and said, "GUNS is breaking up today!" However, the next day, the performance was a complete reversal, with a passionate performance full of motivation. Slash's autobiography even said, "The second day was good." And the MC is also a symbol of that. When the beat of "Mr. Brownstone" started and the show was announced, Slash took the microphone and apologized for the performance of the previous day, admitting his drug addiction. He also said that GUNS would not break up because of drugs (this was what Axl asked Slash to do, but it must have been a completely mysterious speech for the audience who had not seen the previous day). The sound of this work is clear and clear, even the MC's words can be heard as clearly as a soundboard. Like its sister work "1ST NIGHT", this is a live album where you can enjoy the miraculous "original GUNS + mirrored sound". Moreover, the performance content exceeds the transcendental sister work. Super-excellent audience recording of "October 19, 1989 Los Angeles performance". The original master of absolute master Mike Millard, a completely different recording from the previous one. With a tremendous sound that goes "like a sound board", you can enjoy the stage that has regained its best condition from the first day "LOS ANGELES COLISEUM 1989" when Axel was in a bad mood. This is the birth of an absolute work that permanently preserves the miraculous "original GUNS + Millerd sound". Los Angeles Memorial Coliseum, Los Angeles, CA, USA 19th October 1989 TRULY PERFECT/ULTIMATE SOUND Astonishing Millerd Master...first appearance, high quality sound source!! (75:57) 1. Slash MC ★ Slash rambles on and on along with the drum intro. "We're not the kind of soft band that can be changed by a drug problem." (Sounds young when he says it) 2. Mr. Brownstone 3. Axl MC ★ "Sorry about yesterday" 4. It's So Easy 5. Axl MC ★ "I dedicate this song to all the crazy groupies (Psycho Bitches). Out Ta Get Me!" 6. Out Ta Get Me 7. Move To The City 8. Patience 9. Band Introductions 10. Guitar Solo 11. Rocket Queen 12. Sweet Child O' Mine★2:36 rare guitar mistake 13. Only Women Bleed Intro 14. Knockin' On Heaven's Door 15. Welcome To The Jungle 16. Jam 17. Paradise City W. Axl Rose - Vocal Slash - Guitar Izzy Stradlin - Guitar Duff McKagan - Bass Steven Adler - Drums
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