“GENESIS MUSEUM” showed off the power of AI remastering with “BATACLAN 1973: 16mm Master” and ushered in a new era of video archiving. Introducing the latest version of the Super Super Pro Shot. This work includes “May 16, 1987 Montreux Performance”. This is the super best multi-camera pro shot. You might think it's the world-famous "Montreux Jazz Festival", but it's actually not. The famous festival was held in July, but this work was held in May. This is a multi-camera professional shot taken when he appeared at the international television festival "THE GOLDEN ROSE" sponsored by the European Broadcasting Union. Although it is not as famous as the Jazz Festival, various bands/artists have left special performances here as well, and in our store's collection, ROXY MUSIC's DVD MONTREUX 1973 is a familiar one. This work is also the GENESIS edition. And speaking of 1987, the three-man GENESIS was at its peak. It was also part of the “INVISIBLE TOUCH Tour.” At that time, the last performance in Japan was also realized, and the official video "LIVE AT WEMBLEY STADIUM" is also left. Considering these circumstances, let's check the show's position from the schedule at that time. 1986《“INVISIBLE TOUCH” released on June 6th》・September 18th – October 24th: North America #1 (29 performances)・November 23rd – December 20th: Oceania (19 performances) 1987・January 15th - March 1st: North America #2 (25 performances), March 13th - 19th: Japan (6 performances), May 10th - 19th: Europe #1 (6 performances) ←★Here ★・May 22nd to 31st: North America #3 (7 performances) ・June 2nd to July 4th: Europe #2 (20 performances) ← *Official video This is the climax of the “INVISIBLE TOUCH Tour.” The Montreux performance of this work is the fourth performance of "Europe #1", which comes about two months after the performance in Japan. This "Ote #1" had only 6 performances, and the stage was more like a special performance arranged between giant legs than a day and night tour. Now, let's get to the main topic. This work recorded on such a stage is an ultra-highest professional shot with no price tag. It is also a high quality video that is so strange that you want to line it up side by side with "super super...". Unlike “BATACLAN 1973” introduced at the beginning, it is impossible to make a comparison with the conventional master, so it is difficult to say for certain, but this work is probably also AI mastered. It seems that Omoto was the video master at the time, but it is not a very believable story. The color, vividness, and resolution are completely official grade... No, it even (easily) surpasses the genuine official video "LIVE AT WEMBLEY STADIUM". "AI technology" is now being talked about in every field, but I never knew it was this amazing. I thought it would disappear someday like "fuzzy rice cookers," "neuro washing machines," and "negative ions," which we no longer hear about, but if it can do something like this, it's the real deal. The visual beauty is so shocking that it makes you wonder if it was true that it will influence the future of the world in the same way as the Internet. What is depicted with such visual beauty is a blissful stage with live music at its peak. I don't know if it's a festival performance slot or a broadcast slot, but it's about 40 minutes long, which is frustrating. The composition is ``3 songs + medley,'' and the ``medley'' is especially delicious. It is a familiar song called “In The Cage/In That Quiet Earth/Afterglow”, but the part was cut from the official video “LIVE AT WEMBLEY STADIUM”. Although this work, which is a small indoor venue, is completely different from Wembley, it still draws you in to the progressive rock depicted by the band's potential at the time. Anyway, this is a multi-camera professional shot with incredible visual beauty and incredible sound. Aside from the future of the world, ``future music archives'' will definitely change. Progress explosively. It is also a video work that lets you experience the early signs of this happening. CG and 3D movies are commonplace these days, but it was the impact of ``Jurassic Park'' and ``Avatar'' that made them explosively popular. This work may be a shocking work in "AI mastering". One of those dimensions. Superb multi-camera professional shot of "May 16, 1987 Montreux Performance". The visual beauty polished by AI mastering is completely official in color, vividness, and resolution... no, it even (easily) surpasses the genuine official video "LIVE AT WEMBLEY STADIUM". It seems that Omoto was the video master at the time, but I can't believe it. I don't know if it's a festival performance slot or a broadcast slot, but it's about 40 minutes, but you can also enjoy the "In The Cage / In That Quiet Earth / Afterglow" medley that was cut at "LIVE AT WEMBLEY STADIUM". This is a piece that heralds the arrival of a new era that predicts the future of music archives. Casino de Montreux, Montreux, Switzerland 16th May 1987 PRO-SHOT(SUPER QUALITY!!!) 1. Mama 2. Abacab 3. That's All 4. In The Cage 5. In That Quiet Earth 6. Afterglow Phil Collins - Vocals, Drums , Percussion Mike Rutherford - Bass, Guitar Tony Banks - Keyboards Chester Thompson - Drums, Percussion Daryl Steurmer - Guitar PRO-SHOT COLOUR NTSC Approx.40min.
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