The rock opera masterpiece "Broadway's Dazzling" is praised alongside "Tommy" and "The Wall". The soundboard collection has been upgraded. The new master has been polished by "GRAF ZEPPELIN" and the highest peak update will be released. This work is engraved with the "January 10, 1975 West Palm Beach performance". It is a stereo soundboard recording. "THE LAMB LIES DOWN ON BROADWAY Tour" was the story tour of the century, and at the same time, it was a rare and rich era of the finest soundboards in GENESIS history. It's a good opportunity to organize the long soundboard collection while taking a bird's-eye view of the tour as a whole. 1974 "Dazzling Broadway" released on November 18th November 20th-December 18th: North America #1 (26 performances) 1975 January 9th-February 4th: North America #2 (19 performances) ←★Here★ February 19th-April 12th: Europe #1 (34 performances) April 14th-May 2nd: UK (16 performances) May 8th-24th: Europe #2 (13 performances) This is the outline of "THE LAMB LIES DOWN ON BROADWAY Tour". Seven performances have been excavated from the three legs of "North America #1", "North America #2" and "UK" on the long sound board. Of course, our shop archives all of them with the best master press name board. Let's make a list here. "North America #1" December 16th "MAPLE LEAF LAMB" December 17th "ROCHESTER 1974" "North America #2" January 10th: West Palm Beach performance ←★This work★ January 11th "DEFINITIVE LAKELAND 1975" January 24th "LAMB MASTER IN LOS ANGELES" & Official January 28th "THE LAMB LIES DOWN IN PHOENIX" "UK" April 19th "DEFINITIVE LIVERPOOL 1975" A total of 7 performances. The most popular of these was "North America #2", and the West Palm Beach performance of this work was the second performance at the beginning of the show. The highest peak of this show was our "DEFINITIVE FLORIDA LAMB", but this work is an upgrade version. It is even longer and more natural and beautiful. The factors for the upgrade extend to both the "master itself" and the "finish". First of all, the "Master". It is a new master that is longer and more beautiful than the previous "DEFINITIVE FLORIDA LAMB". The recording after "The Chamber Of 32 Doors" and after the end of the show is (slightly) longer, but what is more important is the sound that penetrates the entire series. The previous version also seemed to be of official quality, but compared to this new master, there was high-frequency noise until the middle of the show, and the performance sound was distorted (albeit slightly) by noise reduction to eliminate it. However, this new master does not have high-frequency noise itself. Naturally, there is no need for reduction, and the performance sound is lustrous and natural without distortion. I am surprised at where such a master came from, but to be precise, it is "unknown". The previous version was certified as the best master with the claim that it was "1st generation DAT clone", while this master was overlooked because the line age was unconfirmed. However, this time, all existing masters were examined. This time, the true ability of the master was discovered. There is no line age information, so it is probably either the 1st generation of a different dub from the full-open master, or a transfer from the original. Clearly the master is better this time. A supplementary part that can be experienced through the Broadway story In addition to the new master, this work also upgrades the "finish". As always, the "GRAF ZEPPELIN" remaster has been performed with abnormal precision, such as pitch / phase correction / band analysis / balance adjustment / noise processing, but the big thing this time was the accuracy of the "compensation". Although the West Palm Beach SBD is long, it is not complete, and there are two places (the "Anyway / Here Comes The Supernatural Anaesthetist" part and the beginning of "The Musical Box") where there are missing tape changes, and it is necessary to compensate with a different sound source. The previous version was also compensated, but later verification revealed that the compensation sound source was on a different day. This work has also improved in that respect. Although the beginning of "The Musical Box" is a different day because there is no same-day recording, the "Anyway / Here Comes The Supernatural Anaesthetist" part is complemented by a true same-day audience. This allows you to enjoy the long story of "Dazzling Broadway" with a consistent live performance from start to finish. Unlike "Tommy" and "The Wall", "Dazzling Broadway" cannot be re-performed or filmed. That's why the long sound board at that time is important. This work is a new masterpiece that further upgrades such a sound board collection. Stereo sound board recording of "West Palm Beach performance on January 10, 1975". The highest peak update board polished by "GRAF ZEPPELIN" with a new master that is longer and more natural than the conventional version. The "Anyway / Here Comes The Supernatural Anaesthetist" part, which was connected by a different day recording in the conventional version, is also complemented by the audience on the same day, allowing you to experience "Dazzling Broadway" with a consistent live performance from start to finish. Although it is a different branch from the previous version, it is definitely an upgrade, newly mastered from the sound source. The previous version had noticeable roughness and roughness in the sound due to the influence of digital noise reduction, but this version does not have such a problem, and the difference can be confirmed especially in the quiet parts such as between songs. The missing parts are filled in with Aud from the same day's performance, and the beginning of The Musical Box at the end of the live performance, which does not have the same day's supplementary material, is filled in with the '74 Providence performance or the Lakeland performance on the 12th, the day after this version.
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