GENESIS in 1974, which sent out the monumental symphonic rock "Knight of the Moonlight" and was still accelerating its evolution. A new, shocking, superb recording that conveys the live performance has been unearthed. This work is engraved with the "March 22, 1974 Santa Monica performance". It is a first-time audience recording excavated from the collection of the famous recording artist "Barry Goldstein". Speaking of 1974, there are both "SELLING ENGLAND BY THE POUND Tour" and "THE LAMB LIES DOWN ON BROADWAY Tour", but this work is the former. Our shop archives as many masterpieces as possible, so let's organize the collection with the whole tour and explore the position of this work. 1973, September 19-30: Europe #1 (7 performances) ←※PEACE OF WESTPHALIA《October 13th: "Moonlight Knight" released》・October 6-31: UK #1 (17 performances)・November 7th-December 20th: North America #1 (26 performances) ←※ANTIQUE SHOW and others 1974, January 13-20: UK #2 (6 performances) ←※MORE FOOL MELODY・January 26th-February 12th: Europe #2 (12 performances)・March 1st-May 6th: North America #2 (46 performances) ←★Here★《August: "Dazzling Broadway" production begins》This is GENESIS during the "Moonlight Knight" era. It is roughly structured as a two-round "Europe → America" tour, and the Santa Monica performance of this work was the final act of "North America #2". This "North America # 2" is the main leg, so there are many masterpieces left. Let's focus on the schedule here. Details of "North America # 2" March 1st + 2nd (2 performances) * March 3rd "UPPER DARBY 1974 UPGRADE" March 4th-21st (10 performances) * March 22nd: Santa Monica performance ← ★ This work ★ March 24th-April 20th (19 performances) * April 21st "DEFINITIVE MONTREAL 1974" April 22nd-May 1st (7 performances) * May 2nd "SELLING ENGLAND BY THE TORONTO" May 3rd + 4th (2 performances) * May 6th "ACADEMY OF MUSIC II" ... and so on, a row of masterpieces. This work was the 14th performance, and it was one month before the masterpiece "DEFINITIVE MONTREAL 1974", the symbol of the tour. This work, which conveys such a show, is a masterpiece that was digitized directly from the original cassette of the popular recording artist "Barry Goldstein". This person is a close friend of Mike Millard and a recording partner who also went to live shows together. Currently, the excavation of the original master is being actively carried out, and David Bowie's "LOS ANGELES 1974 FINAL NIGHT", which caused a shock the other day, is also a Goldstein collection. In fact, this work is also wonderful in that the arm of such a master shines. The strength of the core without a sense of distance on, the vibe of the deep bass that makes you feel the vibration of the venue floor, and the fine details... all are comparable to Millard's work. Moreover, the taste that does not make it easy to say "it's like a sound board" is also wonderful. The resounding synth has a rich analog feel, and there is plenty of rain that evokes a church organ. The beauty of the sense of space is firmly wrapped, but there is no sense of sparseness at all. I have always written that audience recording suits symphonic rock, and this work is a beautiful example of that. Moreover, the atmosphere enhances the allegorical mood unique to GENESIS. It is a sound that seems to have been developed specifically for recording the Peter Gabriel era. Originally, I should have devoted a word to "More Fool Me", which cannot be heard even in the masterpiece "DEFINITIVE MONTREAL 1974", but that is not the time. Although this work of about 67 minutes is far from a full show, the sound that pops out is enough to make it out of the question. Rich, beautiful, and delicate symphonic rock. A new masterpiece that permanently preserves the greatness of the historical master Goldstein's sound, here is the birth of a shock. The finest audience recording of the "March 22, 1974 Santa Monica performance". A masterpiece created from the original cassette of the famous recording artist "Barry Goldstein", a close friend of Mike Millard. The strength of the core without a sense of distance on, the deep bass vibe that makes you feel the vibration of the venue floor, and the fine details...all of these are comparable to Millard's works, and the resonating synth has a rich analog feel, enhancing the pouring feeling reminiscent of a church organ and the allegorical mood unique to GENESIS. This is a new masterpiece that allows you to experience the "Moonlight Knight" era on-site. Santa Monica Civic Auditorium, Santa Monica, CA, USA 22nd March 1974 TRULY PERFECT SOUND★Debut (67:02) 1. Firth of Fifth 2. The Story Of Henry And Cynthia 3. The Musical Box 4. More Fool Me 5. The Battle of Epping Forest 6. The Story Of Old Michael 7. Supper's Ready Peter Gabriel - Lead Vocals. Flute, Percussion Steve Hackett - Guitar Mike Rutherford - Bass, Guitar, Vocals Tony Banks - Keyboards Phil Collins - Drums, Vocals
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