A hidden recording from the era of the great album "WILD FRONTIER" is back! This work is an audience album containing the "Milwaukee performance on August 14, 1987", and the venue was "Club New York" in Milwaukee. Although it is a sound source that has been released before, the master that completely recorded "The Loner", which was cut at the beginning of the previous release, is used. The recording and master generation are similar to the previous release, but the latest remaster has made it clearer and easier to listen to. The taste of this revived work is in its clear sound, but what is even more special is the documentary feeling that vividly conveys the image of Gary Moore who created the great album and challenged America. When you play this work, the "reality of that time" explodes from the beginning. It is not Gary who the audience is calling, but DIO. Ronnie James Dio was supposed to be in Finland that day, so he was not supposed to appear, so maybe they were playing DIO's songs at the scene... Gary, who was already on stage, started off by saying, "Fuck, Ronnie Dio isn't going to do it," and played a strong sound check. After drums, guitar, and Gary's mic check of "One, Two," he said, "Let's do it!" The drum intro of Eric Singer's "Over The Hills And Far Away" started strongly, but the venue DJ's "Ladies & Gentlemen...Virgin Recording Artist, GARY MOORE!!" overlapped. The aforementioned DIO call, the sound check just before he came out, and the introduction by the DJ after the song started are unthinkable in Japan or Europe. I don't know the details of how big the venue is, but no matter how you listen to it, it's definitely a small club. Although the atmosphere is far from home, it's also typical of America that once the gig starts, it gets very exciting. "Over The Hills And Far Away" exudes a vast image, and the small club may seem out of place, but the cheers that erupt after the song ends are so loud you wouldn't think it was a club. That said, the "club-ness" doesn't completely disappear. The strongest feeling is the close-up sound that only a club can offer. It's thrust upon you without the time for the reverberation to spread, and the direct feeling is incredible. That's what makes the emerald melody flow in with such a close feeling that it feels like you're sitting in the studio listening to a live performance. The reason why the rawness is particularly vivid may be because the well-crafted "WILD FRONTIER" is burned into my mind. That great masterpiece was a little distant from the raw "rock feeling" because it placed too much emphasis on the sense of scale, such as the delay sound and drum machine that are typical of the 80s. However, this work is a club gig that explodes in a closed room. The burning performance is so hot that it makes you think it was their first visit to Japan in 1983, and it's as if their blood-pumping passion is blowing like a hot wind. The world of "WILD FRONTIER" with its somewhat cold and desolate landscape jacket is fiercely hot. Of course, they gave us passionate live performances in Japan and in Europe, where they are very popular, but the heat of this work, which is so close that you can reach out and touch it, is no joke. At first, it was refreshing to see the American kids who were calling DIO being subdued in an instant, but this work is even more than that. The title "WILD MOORE" is not just for show. "WILD FRONTIER" is one of Gary's greatest masterpieces in his life. It's a work that changes the world in an instant. It's a great recording that could only be made in America, away from home. Although his later "STILL GOT THE BLUES" won a gold disc, Gary never achieved success in America that was commensurate with his ability. That's why American recordings tend to be overlooked, but there is drama and flavor that comes from that land. And in reality, Gary was breathing, playing, and rocking in that environment. Even though I know that, I can't forget it. I want as many people as possible to realize this joy. Club New York, Milwaukee, Wisconsin, USA 14th August 1987 TRULY AMAZING/PERFECT SOUND Disc 1(42:14) 1. Intro 2. Over The Hills And Far Away 3. Thunder Rising 4. Shapes Of Things 5. Military Man 6. Empty Rooms Disc 2(45:37) 1. Out In The Fields 2. Murder In The Skies 3. Rockin' Every Night 4. All Messed Up 5. The Loner Gary Moore - Guitar, Vocal Bob Daisley - Bass Neil Carter - Keyboards, Guitar, Vocal Eric Singer - Drums
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