Introducing a live album where you can fully enjoy 100% of Gary Moore, who has just stepped into the blues path. Gary woke up to the blues path with "STILL GOT THE BLUES", but in the early days, there was still a strong hard rock color. Although his form and songs were in the blues style, his playing style was the same as in the hard rock era, and it was full of the flavor that could only be expected from a ``rock guitarist who admires the blues.'' This work is an audience album that contains the “August 13, 1990 Brighton performance” of that era. The sound is a wonderful live audience sound. The venue was the 200-year-old Brighton Dome, a hall that seats 1,700 people. The sense of scale and the warm reverberation typical of a traditional venue are beautiful, and each note of machine gun picking cuts straight through it, making it the type of recording that jumps into your ears. It's a little different from the direct feeling of "just like a soundboard," but it suits the blues style very well. What's amazing is the atmosphere on set. The clapping that rose along with the beat, and the thick chorus that responded to Gary's request! From the opening song, “Oh, Pretty Woman,” Gary sings with a loud applause, and even “Walking By Myself” is sung by just saying “You know!”. Most of the handclaps that go well with the honky-tonk-style piano come from percussion, and most of the singing comes from the chorus. It has become an integral part of the ensemble for the song. It breathes in the passionate mood of the scene and spits it out through the speakers. What is supporting this mood is undoubtedly the enthusiasm of the British people. When we talk about the blues era, people talk about his success in the United States, but the flip side of that is that up until then, Gary had been quiet in the United States. They never sold their souls to America, nor did they move their main battlefield. In fact, ``STILL GOT THE BLUES'' was a gold disc in the United States, but it became the first album to go platinum in the UK. It was the British who reacted most vividly to “Gary's Blues” and welcomed it with open arms, and this work is filled with that real reaction. I've been writing about how popular it is and how exciting it is, but if I write like this, it might seem like the recording was covered in a lot of fuss from the fans. But of course that's not the case, which is why it's a regular release. Although cheering, cheering, and chanting are part of the ensemble, they are only part of the ensemble. The main character is of course Gary's singing and guitar. That's Den! He plays the leading role and is accompanied by the cheers as well as the bass, drums, and keyboard, and no matter how grand it is, he overflows everything and commands the entire venue. And, his playing ability is the pride of “Guitar Crazy”. Later, in ``AFTER HOURS'' and ``BLUES FOR GREENY,'' he goes deeper and deeper into the blues path, but here, while he admires the blues, he also reveals his origins as a ``rock guy.'' Although he is joyfully embarking on the blues path, he has not yet reached the stage of pursuing depth. But that's why it's good. Blues fans say Gary's crying is too showy, but if he didn't, he wouldn't be Gary. Then, a machine gun that can't control its pride gets involved, and even Bruce shoots and shoots and knocks him down. No matter how much you talk about the depth and elegance of the blues, when you're on stage, you can't help but play it with all your might. Yes, this. Gary's blues are the best because of this! This is a live album packed with plenty of that. At the beginning of his 20-year career in the blues, there was a "guitar crazy" figure whose longing for the blues before he became a seeker was clearly evident, yet he played passionately. The era when the expressive power was later increased to one picking, one bending, and one tone was wonderful, but the hot hard rockin' blues was created because the focus remained on rock. For those who love the flavors unique to this era. We will deliver an exquisite on-site recording that you can enjoy together with authentic British rock fans. Live at Brighton Dome, Brighton, UK 13th August 1990 TRULY AMAZING/PERFECT SOUND Disc 1 (34:39) 1. Intro 2. Oh, Pretty Woman 3. Walking By Myself 4. All Your Love (I Miss Loving) 5. The Stumble 6. Midnight Blues 7. You Don't Love Me 8. Still Got The Blues Disc 2 (50:03) 1. Texas Strut 2. Moving On 3. Too Tired 4. King Of The Blues 5. Stop Messin' Around 6. The Blues Is Alright 7. The Messiah Will Come Again 8. Member Introduction Gary Moore - Guitars, Vocals Don Airey - Keyboards Andy Pyle – Bass Graham Walker - Drums
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