From the ``WILD FRONTIER'' tour in 1987, which was the peak of the hard rock era for Gary Moore, two types of high-quality broadcast sound sources representing the same year are now available! In addition to the Boston, Massachusetts performance on September 1, 1987, which was the final day of the world tour, this book is a package of the London performance on April 1, which was the main event at the beginning of the tour, all based on the highest-quality masters ever. This work is sure to satisfy the craving of all Gary fans, ``I wanted something like this!'' and will make everyone's mouth water. After announcing the masterpiece "WILD FRONTIER", which was filled with an Irish mood throughout, Gary began a world tour starting with a performance in Edinburgh, England on March 26, 1987. After performing in Japan from July 13th to 16th, they will begin their full-fledged American tour from July 24th in Seattle, Washington. This U.S. tour, which consisted of 28 performances in total, was mainly a circuit of small and medium-sized clubs, but since it was the first tour in the U.S. since "VICTIMS OF THE FUTURE," the live performances in each region were very exciting from the fans. They were welcomed and put on a heated show. The last day of the tour, the Boston Paradise Theater performance on September 1st, was known to be a one-disc recording of an incomplete version that air-checked the broadcast sound source, but recently some Long version sound sources have also begun to circulate, and fans have been demanding the release of the "definitive version." In response to those requests, this sound source is now available, which is the longest version of the same day broadcast sound source spanning 105 minutes, carefully selected from the best masters currently available, and thoroughly remastered and treated. . This edition, which has better sound quality than the previous releases, is suitable as the sound source for the memorable last day of the tour, and will be welcomed by fans as a new standard appearance! Although the sound and cheers seem a little noisy in some places, the clear stereo-separated mix brings out Gary's guitar and singing clearly, and the simple vocals of Bob Dissly and Eric Singer, who support the lead roles, are very clear. The robust rhythm section and Neil Carter's exquisite support are also conveyed in a way that you can feel them in your hands. Gary's singing voice is a little tired from the shows every day, but the band's tension is rather high, and songs such as "Thunder Rising" and "Shapes Of Things" feel the spirit and momentum of trying to decorate the final day. ``Military Man'', which expresses feelings for Phil Lynott, ``So Far Away'' and ``Empty Rooms'', and ``Out In The Fields'' were all performed for over 10 minutes, and the excitement of the audience was at its peak. reach. Even though each song is long and heavy, it has a rich content that doesn't make you feel like it's a long time, and the flow of the set with a sharp beginning, development, turn, and conclusion is also exquisite. The encore starts with “All Messed Up” and continues to “Murder In The Skies”. Although Gary's voice has become quite rough due to the final stage of the intense performance, the sharpness and power of the clear guitar are finally on the rise. The support from the members is exquisite, and the overwhelming thrill and power of the band's sound will leave you completely overwhelmed. The first song on Disc 2 includes “The Loner,” which was the last song of the Boston performance. This song, which is a remake of the one recorded on Cozy Powell's 1st solo, is known as one of Gary's most famous instrumental songs. In live performances, they have been set up since the 1986 tour, and have always performed over 10 minutes, but here they are performing on an extremely long scale that exceeds 20 minutes! Moreover, it is not unnecessarily redundant; each syllable that Gary spins has a clear meaning and feeling, and his skillfully constructed phrasing permeates the emotions of the listener to every corner of his heart. I'll let you know. As a result, this day was the last live performance of "The Loner". It's wonderful that that take was preserved in this quality, and I can assure you that it is a suitable content for the overall conclusion of the song, both in name and in reality! From the second song to the last of Disc 2, this also includes the London Hammersmith Odeon performance on April 1st, which is also known as the standard broadcast sound source of the '87 tour. The content you can listen to here is a recording of the upper and long version that was rebroadcast in Germany in recent years, and the sound quality that combines official mix and separation, stability and clarity is the opening song "Over The Hills And Far Away" From there, it boasts outstanding quality that even surpasses the main Boston performance. Compared to the Boston sound, which was appealing for its rawness and powerful sound, the sound at this London performance was appealing because of its more even lines, making it easier to listen to, and it is hard to rate it as one of the best in terms of the individuality of the sound. There are things. ``Thunder Rising'', which clearly features keyboards, combines a sparkling arrangement, a flowing melody, and a hard, speedy development to create the best sound space, inviting the listener to the world of Celtic mythology. Sho! Performances such as "Wild Frontier", which could not be heard at the Boston performance, and "Out In The Fields", a highlight of the live performance, are beyond description, and it is as if Gary is showing off his "Irish soul" to the Hammersmith audience. I will remember! In addition, many of the previously released air check sound sources on the same day had "So Far Away" unaccounted for, and "Empty Rooms" suddenly started, but this sound source also includes this properly, and it is in the form Gary intended. You can enjoy the development of the music. The song list, which condenses the flavor of Gary in the '80s, up to "All Messed Up" that concludes the sound source, makes you feel the density far exceeds the time of about 53 minutes, and it is comparable to the Boston performance in terms of satisfaction! This work, which cuts out the key points of the '87 tour with a high quality source that is no inferior to any other, is without a doubt the definitive version of the "WILD FRONTIER" live sound source. Due to its ease of listening and wonderful performance, this work will become an indispensable classic, as a ``first listen'' for beginners, and as a ``must-have'' sound source for veteran collectors who will appreciate the improved sound quality! This is an official release that all hard rock and heavy metal fans cannot miss! Live at Paradise Theatre, Boston, MA. USA 1st September 1987 STEREO SBD Live at Hammersmith Odeon, London, UK 1st April 1987 STEREO SBD Disc 1 1. Intro. 2. Over The Hills And Far Away 3. Thunder Rising 4. Shapes Of Things 5. Military Man 6. So Far Away 7. Empty Rooms 8. Out In The Fields 9. Rockin' Every Night 10. All Messed Up 11. Murder In The Skies Disc 2 1. The Loner Live at Hammersmith Odeon, London, UK 1st April 1987 2. Over The Hills And Far Away 3. Thunder Rising 4. Shapes Of Things 5. Wild Frontier 6. So Far Away 7. Empty Rooms 8. Out In The Fields 9. All Messed Up Gary Moore - Guitar, Vocals Neil Carter - Keyboards, Guitar, Vocals Bob Daisley - Bass Eric Singer - Drums STEREO SOUNDBOARD RECORDING
Free Shipping on Every Order!
