The finest official footage from the Blues era has been revived with the highest quality ever. This work is a reprint of his second blues video, 1993's ``LIVE BLUES'', from the Japanese laser disc. The DVD version of the first edition, "AN EVENING OF THE BLUES WITH GARY MOORE & MIDNIGHT BLUES BAND", was very well received, but this work also uses treasured items of the same domestic collector and is a gem created in collaboration with the same overseas specialized manufacturer. is now available on DVD. Here, I would like to introduce the usual reprint series (if you are familiar with it, please feel free to skip it). This series uses every means possible to convert out-of-print video works into DVDs with the highest quality in the world. First of all, the original source is the Japanese version laser disc. Laser discs are designed to have higher resolution than video cassettes, and they also have outstanding storage stability, but the Japanese-made discs, which were active in new media from an early stage, were the best in the world in terms of lineup and quality. Moreover, it is not just a Japanese version. The items we use are mint quality items that have been treasured by core collectors in Japan. Although it had been opened, it was not only free of scratches, but was also made of top-quality material, with the question, ``Have you ever played it?'' Even when converting the mint version to DVD, great care is taken. Laserdiscs are difficult to obtain playback machines these days, but for this reprint series, we have partnered with an overseas manufacturer that specializes in analog video. Digitized using professional high-end equipment and a studio environment. The amount of information contained in a laser disc is squeezed out as much as possible using the latest technology of 2016. The quality is so great that even people who own laser discs from that time buy it again and again, saying, ``My player can't play it this well.'' This work, which was revived after such a process, is truly worthy of the three words "visual beauty". If you have ever touched one of the reprint series, you know the quality, but this work is even more wonderful. It is natural that there is no playback distortion or noise, which is the fate of VHS. The shooting itself must have been in the analog era, but the screen is so detailed and beautiful that it rivals even modern digital images. When you approach Gary Moore's hand, you can clearly see the veins that stand out, and when you pull back, you can see the beams of the spotlight and even its particles.It is a work of transcendent beauty. The same goes for audio. With the perfect official sound, not only all the musical sounds are polished, but even the sound of the strings rubbing is vivid and vivid. On top of that, the state of preservation is amazing, and there is no evidence of any forced mastering. This is so vivid and natural that it can be said to be the "sound of the master tape" rather than the "sound of the time." Even in the reprint series that boasts the highest quality in history, Gary's deep blues is engraved with outstanding high quality. Although it is a performance under the same name as “AN EVENING OF THE BLUES”, “GARY MOORE & THE MIDNIGHT BLUES BAND”, this is the 8th or 9th performance since it became a blues style. On the other hand, this work is the last day of the tour after the album "AFTER HOURS" which went deeper into the blues road. The following year, in 1993, after performing two shows in a simple band style, they joined JACK BRUCE & FRIENDS and went on to form BBM, which was also their big band style final performance. In other words, if the previous work was about a rock guitarist who longed for the blues, this work shows Gary determined to shift his career focus to the blues. My confidence in the blues has become incomparably deeper, and my phrases have become more natural. The scene where he performs with the great B.B. King is where his deep blues explodes. In the previous work, he collaborated with Albert King and Albert Collins, but in this work, he collaborated with the big names on two songs, Ivory Joe Hunter's "Since I Met You Baby" and B.B.'s Juhachiban "The Thrill Is Gone". Mamieru. Particularly wonderful is "The Thrill Is Gone," where Gary exchanges guitar with the "king of kings" and is so profound that he is no longer a different person than before. The exchange of phrases is filled with emotion, even down to a one-note whisper, with the same passion that Albert King once said, ``You make me want to splash you with water.'' Gary, who had been respectfully responding to B.B.'s phrases, gradually became talkative, and this time he led the king. King grins as their notes heat up... It gives me goosebumps and shivers down my spine! It's tempting to say things like "the moment I was recognized by a big name," but such words sound cheap. This is no longer about rock or blues. An intense conversation between two people who live and talk with the guitar. The sound alone is powerful, but the visual atmosphere of two people ``playing with their faces'' staring at each other's fingertips is unique to the video. amazing. This is one of the most famous scenes that everyone who loves guitar music, not to mention guitar players, should see. Gary Moore has embarked on a deeper journey into the world of blues, following his soul's desire. This is the world's best version of the official video, full of his blues that changed from a "longing for" to a "way of life." There are many crying guitarists and passionate guitarists, but why is Gary the only one special? Why is Gary different even if he plays the same song and the same phrase? The world's best video of the blues that reveals the essential sensibility. Please experience it yourself. Live at the Town and Country 2, London, UK 11th November 1992 PRO-SHOT (96:50) 1. Cold Day In Hell 2. Walking By Myself 3. Story Of The Blues 4. Oh Pretty Woman 5. Intro 6. Separate Ways 7. Too Tired 8. Still Got The Blues 9. Since I Met You Baby (with B.B. King) 10. The Thrill Is Gone (with B.B. King) 11. The Sky Is Crying 12. Further On Up The Road 13. King Of The Blues 14. Jumpin' At Shadows 15. Stop Messin Around Gary Moore - guitar, vocals Tommy Eyre - keyboards Andy Pyle - bass Graham Walker - drums Martin Drover - trumpet Frank Mead - alto sax, harmonica Nick Pentalow - tenor sax Nick Payn - baritone sax Candy Mackenzie - backing vocals Carol Thompson - backing vocals Special Guest B.B. King - Guitar, Vocal on Since I Met You Baby & The Thrill Is Gone PRO-SHOT COLOR NTSC Approx.97min. IMPORT TITLE
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