The last live performance of “Hard Rockin’ Gary” has been revived! Contrary to his stubborn and dedicated image, Gary Moore continued to change his musical style throughout his life. The fusion era in which he shined as a guitarist, the blues era in which he achieved the most success in his life, and the technological era in which he mesmerized with gentle melodies...When we think about his life, we can't help but wonder about his life. The first thing that comes to mind is probably “Gary as a hard rocker”. However, when I looked around to listen to the ``AFTER THE WAR'' tour, which was the ``comprehensive settlement of the HR era,'' all I saw was an incomplete professional shot showing a strangely stiff performance from the very early Belfast performance. Since it is a “total settlement”, a full live performance that shows its true potential is absolutely necessary, but there is no official one, and there is no sound board. The introduction was unintentionally long. Let me introduce you to the super audience that will soothe your frustrations, "FIGHTING FOR GERMANY"! Some people may be struck by this title. Yes, this work that includes “April 19, 1989 Stuttgart Performance” is a work of the same name released in 2007. The "AFTER THE WAR" tour has many wonderful audience albums, but among them, Lee's masterpiece recording is one of the most famous. Moreover, this is the final performance of the last tour of the hard rock era. A genuine, hard-rocking “last Gary” is vacuum-packed! This monumental concert has now been remastered from the original tape. It has traditionally been said to have the highest sound quality that "you can run away from line sound sources barefoot", but we have completely repaired even the slightest noise and revived it with the ultimate specifications to embody the "top of hard rockin' Gary". . Even the opening SE, “Dunluce,” has a deep, roaring sound that is just right. You might think I'm stupid if I list katakana words like "Ultra clear, perfect super sound", but I have no choice but to say that. When I hear this sound, I can't help myself from grinning like an HR idiot! sorry. I got a little excited. At that time, Irish melodies were boldly introduced even during the hard rock era, and the sound is full of transparency and shines with its beauty. The rhythm section of Bob Daisley and Chris Slade (comparable to Cozy Powell and Neil Murray!) is also clear, and Gary's partner Neil Carter, who supports Gary in all aspects, is also perfect. There is no doubt that it was recorded in an environment with zero obstructions, but the murmur of all the sounds is so unusual that it cannot be explained by that alone. In such a situation, Den! Of course, the main character is Gary. Even each shot of a machine gun fired in rapid succession as if cutting through all the sounds is beautiful... Ah, shoot more! "Shoot me to death!" ...I apologize for the inconvenience. I'm not kidding, but each note played quickly is a pleasure, and it's a sound that makes you want to keep playing it forever. Of course, sound quality alone doesn't make you this stupid. The live performance itself is also in great condition. Perhaps because it was the final performance, Gary played uncharacteristically and cried. In particular, the solo of "Military Man", which has been extended to over 12 minutes, is a must-listen. Basically, it starts with the same melody as in the studio, but it's a long melody that goes on for 20 seconds! However, it didn't end there, and the improvisational "solo just for this day" continued on and on, and each phrase was catchy and excited the audience. Seriously, what kind of an improvisational machine is this person? My brain suddenly stopped when I heard the long crying tone...I'm so sorry for repeating this. Not only the guitar but also the vocals have a slightly more raspy quality than the studio album, making it even more wild and cool. I don't know if they're being drawn in by the main character or if they're elevating the main character, but the other members are also doing really well. “Gary Band’s Best Member” is a place where opinions are divided, but the lineup of this work is definitely one of the candidates. In particular, Chris Slade, a heavyweight in the British rock world, was chosen by AC/DC as expected. He manipulates the groove to bring out the charm of the song to the fullest, and inserts witty and original nonsense. I'm writing this while listening, and it really makes me feel that he's a lot different from other power hitters around here. Since it is a full recording, there are plenty of songs such as "Shapes Of Things", "Wild Frontier", "Rockin' Every Night" and "All Messed Up" that cannot be heard in the Belfast performance pro shot. "This Thing Called Love" has a bit of a VAN HALEN feel to it, and you can even get a taste of his mischievous "fashion loving" side. It is a two-disc set that is truly suitable for “Hard Rock Final Settlement.” Having played such a concert, it's no wonder you think "I've done all the hard rock music"... At the end of this work, we also added 7 bonus tracks from the soundboard from the Belfast performance that we have often mentioned. A 2CD packed with the flavor of "Hard Rockin' Gary." Be sure to add this masterpiece live album to your collection with a great sense of rhythm that will make you want to scream along with the audience! Live at Schleyerhalle, Stuttgart, Germany 19th April 1989 TRULY PERFECT SOUND(UPGRADE) Disc 1(73:18) 1. Dunluce 2. After The War 3. Shapes Of Things 4. Wild Frontier 5. This Thing Called Love 6. Military Man 7. So Far Away 8. Empty Rooms 9. Blood Of Emeralds 10. Out In The Fields 11. Over The Hills And Far Away Disc 2(75:30) 1. Rockin' Every Night 2. All Messed Up 3. Johnny Boy 4. Parisienne Walkways Bonus Tracks Live at Kings Hall, Belfast, Northern Ireland 9th March 1989 SOUNDBOARD RECORDING 5. So Far Away 6. Empty Rooms 7. Blood Of Emeralds 8. Out In The Fields 9. Over The Hills And Far Away 10. Johnny Boy 11. Parisienne Walkways Gary Moore - Guitar & Vocal Bob Daisley - Bass Neil Carter - Keyboard, Guitar & Vocal Chris Slade - Drums
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