A superb recording that's sparking controversy among collectors worldwide has arrived! What is the true nature of this album? This work was recorded at the "September 4, 1987 Chicago Performance." It's a full live album. Unlike usual, it doesn't declare itself as a "soundboard" or "audience," so it's difficult to say for sure. It's a hotly debated recording, even at this very moment. Pre-FM or ultra-premium AUD? According to one theory, this is a stereo soundboard recording that was recorded for radio but never aired. It was transferred from the original pre-FM master by someone named Kevin Williford. Usually, when the question of "soundboard" or "audience" arises, the basis is the sound. However, this time, the source and origin of the transfer have been revealed, and it's been declared a "broadcast source." While this would usually be the end of the matter, there are persistent objections. The sound of the performance and the cheers are said to be far too realistic for a radio broadcast, but this isn't just a personal opinion. Core KISS researchers, who constantly pursue the path and genealogy of each recording, support the "ultra-superb audience theory," while enthusiasts of the aforementioned "broadcast sound source theory" also acknowledge the "unusual mix." Even among researchers of rare and exquisite full live albums, opinions are split evenly, so we can't assert this, but either way, the sound remains superb. As discussed above, the sound is of a quality that can withstand FM broadcasting, while also being more vivid and realistic than a standard FM broadcast soundboard. The tape speed sometimes becomes unstable midway through the opening track, "Rip It Out," but it recovers quickly. There are no other noticeable flaws, allowing you to fully enjoy this precious full show with superb sound. And that full show is the best. Speaking of FREHLEY'S COMET's debut tour, the soundboard/pro-shot set "HAMMERSMITH ODEON 1988: DEFINITIVE EDITION (Shades 2476)" has been very well received, but this work differs in both timing and show content. To explain this, let's take a look at the overview of the activities at that time. 1987 (April 27th, "FREHLEY'S COMET" released) June 20th - October 3rd: North America #1 (65 shows) ←★here★ October 28th - November 13th: North America #2 (14 shows) December 11th - 31st: North America #3a (6 shows) 1988 January 1st - 3rd: North America #3b (3 shows) March 19th, "HAMMERSMITH ODEON 1988" (May 24th, "SECOND SIGHTING" released) June 26th - August 2nd: North America #4 (22 shows) This is Ace Frehley in 1987/1988. The tour for his second album, "SECOND SIGHTING," ended with "North America #4," so you could also say it represents "all of FREHLEY'S COMET's activities since their debut." While "HAMMERSMITH ODEON 1988" was the final performance of the first tour, this Chicago performance was the beginning. It was the 50th performance of the main leg, "North America #1." Finally, let's organize the key full sets by comparing them with "HAMMERSMITH ODEON 1988." Frehley's Comet (6 songs), Stranger in a Strange Land, Something Moved (*), In the Night (★), Breakout, Calling to You (*), Rock Soldiers 70s (2 songs + 3 songs), Solo Album: Rip It Out, New York Groove, KISS Numbers: Cold Gin, Shock Me, Rocket Ride. *Note: "★" indicates songs not available on the masterpiece "HAMMERSMITH ODEON 1988: DEFINITIVE EDITION." "*" indicates songs not performed during his later solo years. Is it a pre-FM soundboard or a super-premium audience? This is a new masterpiece that continues to be debated and unresolved. Simply having a mystery doesn't make it a debate. This album is so valuable and wonderful, even enthusiasts are curious about its true identity. It's a record that will capture the hearts of collectors. This is a full live album from the "September 4, 1987 Chicago performance." Even among researchers, this new masterpiece is split between the "unaired stereo soundboard theory" and the "super-premium audience theory." Its quality is actually FM-safe, while at the same time being more vivid and realistic than a standard FM broadcast soundboard. This is a cultural heritage album that allows you to fully enjoy Frehley's Comet's precious debut tour. Aragon Ballroom, Chicago, IL, USA 4th September 1987 TRULY PERFECT/ULTIMATE SOUND 65:53) 1. Fractured Mirror 2. Rip It Out 3. Stranger in a Strange Land 4. Something Moved 5. Cold Gin 6. New York Groove 7. In the Night 8. Breakout 9. Shock Me 10. Guitar Solo 11. Calling to You 12. Rock Soldiers 13. Band Introductions 14. Rocket Ride Ace Frehley - lead guitar, lead vocals Anton Fig - drums, percussion John Regan - bass guitar, backing vocals Tod Howarth - rhythm guitar, lead vocals, keyboards
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