A complete 1 hour and 44 minute recording of the Budokan live performance on December 5th, the final day of the first performance in Japan in 1977 accompanying the mega hit album "Rumour", with the finest audience recording. A high-quality record using an original master that is not even available among traders. The sound is close and the freshness is excellent, and if you like audience recordings of 70's concerts, this is a very excellent content that you will definitely like and be satisfied with. You can feel a moderate sense of realism, and you can experience a wonderful documentary that will make you feel like you are listening to it at the Budokan 34 years ago. Although the sound is typical of a large venue, there is no clutter in the sound, and the sound localization and separation are excellent. The fact that you can clearly hear all the parts even when the sound is distorted is probably due to the freshness of the sound and the high level of recording technology. It has a very pleasant sound, including a rich bass sound. The granularity of the drum and percussion sounds is wonderful, and it is a recording that will make anyone listen to it and say, "This is amazing!" The definitive edition of this performance includes “FANTASTIC RUMOURS” released by the former MASTERPORT, but this edition has an important advantage in that it includes The Chain, Second Hand News, and Songbird at the end of the concert, which have not been released yet. . The tape change cut is around 5:25 in I'm So Afraid, but the 30 seconds of that part are naturally patched from the previously released "FANTASTIC RUMOURS", so you can listen to the whole show with a solid sound. You can. In the introduction, Lizzy plays the riff of the title song of her next album ``TUSK''. "Monday Morning" was used on the official album "FLEETWOOD MAC" (released in 1981), so the quality is excellent. Perhaps because the climate in Japan was too cold, Stevie caught a cold and his voice was hoarse, but he still gave a very passionate performance. Christine's sense of stability is outstanding, and you can listen to her unique singing voice and wonderful keyboard skills. Mick and John's rhythm section is also tighter than the record and the play is full of live feeling. And since this tour, Lizzy, who has become a “guitarist who doesn’t play”, has been playing a lot at this performance, and “Gold Dust Woman” has become harder than usual. “You Make Loving Fun” is also a lot of work. Mick's percussion solo on "World Turning" is also rocking rather than the current entertainment style. Since it is the final performance, all the songs are much better than usual, and the band is at its peak of unity, so the entire performance is worth listening to. Live at Budokan, Tokyo, Japan 5th December 1977 TRULY AMAZIG SOUND(from Original Masters) Disc 1 (43:42) 1. Introduction 2. Say You Love Me 3. Monday Morning 4. Dreams 5. Oh Well 6. Rhiannon 7. Oh Daddy 8. Never Going Back Again 9. Landslide 10. Over My Head Disc 2 (60:24) 1. Gold Dust Woman 2. You Made Loving Fun 3. I'm So Afraid 4. Go Your Own Way 5. World Turning 6. Blue Letter 7. The Chain 8. Second Hand News 9. Songbird Stevie Nicks - Vocal Christine McVie - Keyboards & Vocal Mick Fleetwood – Drums John Mcvie – Bass Lindsey Buckingham – Guitar & Vocal
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