Eric Clapton/Tokyo,Japan 4.19.2016 Upgrade
Eric Clapton/Tokyo,Japan 4.19.2016 Upgrade
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The third release of Eric Clapton's Japan tour titles is the best master of the Budokan performance on April 19th, the final day! Like "Budokan 2016 2nd Night" and "Budokan 2016 3rd Night", this album is also produced using our completely original top-quality master provided by the well-established taper with a reputation for quality. The recording seats for this edition were near the B8 block aisle. This master was recorded using high-end equipment, and the band's musical tone is similar to "Budokan 2016 2nd Night" and "Budokan 2016 3rd Night"! And the clarity of the sound is astonishing. It can be said to be the pinnacle of modern audience recording. In the master of this edition, the inside of the venue up to the opening was recorded for 16:35 seconds. In order to remind you of the excitement of that Budokan, this edition is intentionally recorded as is. As I mentioned in my review of "Budokan 2016 3rd Night," it is said that the hardest times to get tickets for this Japan tour were on Saturday, the 16th, and on the final day, the 19th. The reason why it was so difficult to get access to this final performance is that, as reported in the sports newspaper, when thinking about Clapton's visit to Japan, which could be his last, everyone wanted to make sure to keep future memories. This is probably because I wanted to watch it on this very last day. As a result, the event was extremely popular even on weekdays, and many people were disappointed because they were unable to obtain tickets. I don't know at this point whether this day's performance will really be Clapton's last visit to Japan, but it does mean that you can't call yourself a Clapton fan without listening to the sound source of this day. If so, please make your wish come true with this album. I assure you that the sound quality is "flawless". However, there were reports from fans who watched the show that they seemed a little tired. On this tour, due to right knee pain, Clapton did not play the rhythm with both feet, but on this day he was playing the rhythm with both feet, starting from his head.I Shot The solo at the end of The Sheriff's performance wasn't very good that day, so the first half felt like it progressed indifferently. However, in the vocals at the beginning of the acoustic set Circus, Clapton seemed to be deeply moved. I don't know if Clapton's spirit returned after that, but at the end of the acoustic set, at Gin House, a tremendous solo exploded. And the solo in Little Queen Of Spades seemed to be stretched out for two choruses. It can be said that this area is a soulful play that can only be seen in the final performance. Since it was the final performance, Clapton did not make any special comments like he did at the final performance in 2014, but it is better to understand that it was a good sign that left the possibility that he would come again. It might be okay. We will deliver the most popular final performance in super high quality. Live at Budokan, Tokyo, Japan 19th April 2016 TRULY PERFECT SOUND(from Original Masters) Disc 1 (75:51) 1. Introduction 2. Somebody's Knockin' 3. Key To The Highway 4. Hoochie Coochie Man 5. Next Time You See Me 6. I Shot The Sheriff 7. Circus 8. Nobody Knows You When You're Down And Out 9. I Dreamed I Saw St. Augustine 10. I Will Be There 11. Cypress Grove 12. Sunshine State Disc 2 (43: 26) 1. Gin House 2. Wonderful Tonight 3. Crossroads 4. Little Queen Of Spades 5. Cocaine 6. High Time We Went
Disc 1 (75:51) 1. Introduction 2. Somebody's Knockin' 3. Key To The Highway 4. Hoochie Coochie Man 5. Next Time You See Me 6. I Shot The Sheriff 7. Circus 8. Nobody Knows You When You' re Down And Out 9. I Dreamed I Saw St. Augustine 10. I Will Be There 11. Cypress Grove 12. Sunshine State Disc 2 (43:26) 1. Gin House 2. Wonderful Tonight 3. Crossroads 4. Little Queen Of Spades 5. Cocaine 6. High Time We Went