The second release of Eric Clapton's Japan tour titles is the best master of the Budokan performance on April 16th, which was the third day! Like "Budokan 2016 2nd Night", this board is also produced using a completely original top-quality master provided by the heavyweight taper with a reputation for quality. The recording seats for this edition were in the perfect position of the second row of the A4 block. This master was recorded using high-end equipment in that outstanding position, and the band's musical tone is similar to that of "Budokan 2016 2nd Night"! You can experience the overwhelming power and amazing clarity. This board can also be declared as the highest peak audience recording of modern times. Moreover, it has the advantage that audience noise is almost unnoticeable. It is said that this day, which fell on Saturday, and the final day were the most difficult to obtain tickets for this Japan tour. The reason why it was difficult to obtain the third day's performance is thought to be because it fell on Saturday, a holiday for general office workers and students, making it an easy day to watch, making it very popular. That's why many people must have felt frustrated because they couldn't get tickets. Don't worry, not only for those who have seen it, but also for those who have not been able to see it. Our store will deliver all of Clapton and the band's performance on this day in the original sound of Budokan Arena. This third day performance is said among fans as the one where Clapton, whose engine gradually started on the first day and the second day, finally showed off a stage that can be said to be in good condition. Unfortunately, the finale, Cocaine, did not have the arena seats all standing, but please listen to I Shot The Sheriff. The solo gradually improved on the first and second days, and on this day you can finally hear Clapton's original elegant phrases. It is also believed that they were given such recognition on this day because they performed each song with a higher degree of perfection. This seems to be related to the factors that probably had a big impact on the stage of Clapton's Japan tour this time. This was related to Clapton's stage looks, as Clapton seemed to suffer from rheumatism and was experiencing considerable pain in his right knee. Therefore, I stood on stage with a thick supporter on my right knee. Normally, when the performance picks up while standing, I would put my weight on both feet alternately and stomp both feet to keep up the rhythm while playing the solo, but this time I didn't see much of that. It is believed that this was due to pain in his right knee, and that he was wearing a loose-fitting Adidas jersey to hide the supporter he was wearing to alleviate the pain. Therefore, it is thought that the degree of pain gradually eased as it progressed from the first day to the second and third days. As mentioned in the review of "Budokan 2016 2nd Night", considering Clapton's play that the band as a whole wanted to provide a well-balanced and exquisite performance, the performance on the third day included in this edition was still very good. In particular, the fast playing at the end of Somebody's Knockin', the emotional and energetic post-lude that makes full use of the extremely fast passages of I Shot The Sheriff, the expected phrase structure in the middle of Gin House, and the impressive phrase structure of Crossroads and Little Queen Of Spades. You can listen to his classic play with top-notch bending. I hope you enjoy this with this edition, which has achieved the highest audience recording. Live at Budokan, Tokyo, Japan 16th April 2016 TRULY PERFECT SOUND(from Original Masters) Disc 1 (61:19) 1. Introduction 2. Somebody's Knockin' 3. Key To The Highway 4. Hoochie Coochie Man 5. Next Time You See Me 6. I Shot The Sheriff 7. Circus 8. I Dreamed I Saw St. Augustine 9. Nobody Knows You When You're Down And Out 10. I Will Be There 11. Cypress Grove 12. Sunshine State Disc 2 (43: 56) 1. Gin House 2. Wonderful Tonight 3. Crossroads 4. Little Queen Of Spades 5. Cocaine 6. High Time We Went
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