The translation, which focuses on the interview after the release of "Just One Night" and is centered on the story of the DJ who is familiar with Young Jockey, is first of all interesting, and the content of the interview is so interesting that even enthusiasts will be surprised. This is a very excellent piece that can be enjoyed 100% by everyone from beginners to enthusiasts. The radio album featuring a valuable interview with Eric Clapton is back as a gift album. This work is a collection of the BBC program "BBC ENCORE HOUR", but instead of being broadcast in English in the UK, a certain famous DJ who is also known as "Young Jockey" will clearly convey the contents in Japanese. Japanese broadcast version. The biggest point is the incredibly sharp questions asked by the BBC interviewer, but the Japanese version of the program is also excellent in its structure. I repeat the sequence ``DJ's Japanese explanation'' → ``English interview original sound'' → ``songs related to it'', but since I can understand the content in Japanese first, I don't have to worry about the meaning even in the original language. You can concentrate on the emotion that comes through from Clapton's tone and tone of voice. It is an interview program that is very refreshing to listen to, without the sluggishness of simultaneous interpretation that is common on Japanese broadcasting. And the most important interview is amazing. . It's amazing to hear that the BBC interviewer gives specific hints about composition and sharply cuts into the dark days when Clapton was addicted to drugs, but he also talks about Clapton's own views on music and his honest feelings towards younger guitarists.・Bring out "Clapton". What's more, Clapton, who answers the questions, expresses his honest feelings directly, so even when he talks about philosophy, there is no difficulty. The dense content is not even mentioned in the autobiography, and it is a terrible thing that even long-time Clapton researchers will groan at. For example, a live album. This interview was conducted right after the release of the Budokan live performance ``JUST ONE NIGHT'', but when asked, ``Why Budokan?'', he simply answered, ``I didn't really want to do it, but the management pushed me away.'' Regarding the Budokan location, he says, ``The acoustics are good, the equipment is perfect, the staff and the audience are perfect. That's why the performance of the musicians is tested.'' He responds from the perspective of a ``performer.'' Next, when I asked him, ``Why do you hate live albums?'', he replied, ``They try to extend their solos and do all kinds of things to get the audience excited, but it's not good to listen to them over and over again on a record.'' Arriving at words that make sense. He also speaks about his dark times when he was addicted to drugs, saying, ``I think it was necessary, and I didn't lose anything, but I gained a lot.'' ``But people didn't understand me.'' Clapton, who doesn't care if it goes against conventional wisdom, is amazing, but the BBC interviewer who goes on to say, "Do you think the music has become softer (because of that)?" is also amazing. For a timid Japanese person, it would be difficult to simply ask the person about the dark times, but the interviewer digs into the subject and uses it as a clue to unraveling the mysteries of musical changes. As expected, this is the BBC that has been with the history of rock. What's even more interesting is about the younger guitarists. At first, Clapton gives an honorable answer, saying, ``It's impossible to imitate a great guitarist, so I don't listen to it,'' but the interviewer quickly asks, ``Isn't there a phrase that you can't play?'' Clapton then said, ``When he was in CREAM, he used to play long improvisations, but Brian May plays a perfect solo in just 8 bars. It's overwhelming.'' It was clear that he was really serious about it. It becomes. As he continues to ask such questions, even Clapton's personality begins to emerge, such as, ``I'm treated like a star, but I don't think I'm doing anything amazing.It was a pressure to be praised.'' There were also a series of sharp and deep exchanges, such as ``My favorite record of all time,'' ``What music means to Clapton as a human being,'' ``The pain of composing,'' etc., which are too difficult to describe here. Moreover, in between, a number of famous songs that go along with the content of the interview are played. The famous songs that are listened to in sync with Clapton's true feelings, such as the surprisingly rare single edit "Layla" and "Teasin'" with black saxophonist King Curtis, resonate with a completely different expression than before. Clapton, who is known for hating people and interviews, draws out so many comments and sublimates his true feelings into music, along with famous songs. All of this is a masterpiece of radio broadcasting that can be conveyed vividly even if you have no English proficiency. This in-depth interview program should be listened to by those who know and love Clapton well. Please take this opportunity to try it. Feat. Eric Clapton Interviews And Other Assorted Live Tracks Broadcasted in Japan 1981(Clapton interview tracks recorded in 1980) 1. Sunshine Of Your Love(from "Live Cream Volume 2") 2. Introduction 3. Interview Translation 1 4. Clapton Interview 1 5. If I Don't Be There By Morning(from "Just One Night") 6. Interview Translation 2 7. Clapton Interview 2 8. Tales Of Brave Ulysses(from "Live Cream Volume 2") 9. Interview Translation 3 10 Clapton Interview 3 11. After Midnight(from "Just One Night") 12. Interview Translation 4 13. Clapton Interview 4 14. Layla(from "Layla And Other Assorted Love Songs") 15. Interview Translation 5 16. Clapton Interview 5 17. Teasin'(from "History Of Eric Clapton") 18. Interview Translation 6 19. Clapton Interview 6 20. Cocaine(from "Just One Night")
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