``BLACK MOON IN OSAKA'' is their first visit to Japan in 20 years and their first Kansai performance since the legendary riots. This is a masterpiece among masterpieces that has all three things: a memorial live performance, a worthy performance, and transcendent high quality. As a bonus for such a masterpiece, we will give you a professional shot that will further enrich your imagination of the masterpiece. This work was filmed at the "Milan performance on November 21, 1992," two months after the Japan performance. This is a TV video broadcast on a local station. However, just saying "in two months" may not make sense. This is a good opportunity, so let's check out the live schedule for 1992 and 1993, which was the first reunion. ・July 22nd - September 6th, 1992: North America Tour #1 (34 performances) ・September 10th - September 19th, 1992: Japan Tour (8 performances) ・September 26th - December 1992 1st: European tour (44 performances)《About a month and a half off》・January 13, 1993 - March 20, 1993: North American tour #2 (49 performances)・March 24, 1993 - April 5, 1993 : South America tour (8 performances)《About 7 months off》 ・November 17, 1993/November 23, December 17, 1993: Event live (3 performances) That's it. Apart from the event live at the end of 1993, there was a super busy schedule of 143 performances in about 8 months. Although there is a gap of a few days when traveling between continents, other than that, they spend less than 3 days immersed in live, live, live stages. For a fledgling band in their 20s, it would have been unknown, but for a seasoned veteran, it was an amazing schedule. If you count the main press 2CD and the number of live performances up to this work, you can see that it is even more crowded. The Osaka performance of the main press 2CD was the 38th performance of the tour, and this work about two months later was the 79th performance, doubling the number. This number shows how serious and passionate they were about their reunion. This work is a professional shot where such passion overflows from the screen. The image quality is obviously an air check using analog video, but the sound is a perfect sound board, and above all, the professional shots that use a lot of facial expressions and hand close-ups are worth seeing. Greg Lake's singing voice shows the fatigue of the overcrowded tour, but Emerson and Palmer are in great condition. Even close-ups of Carl Palmer are shot while moving rather than from a fixed angle, which is common with drums, and Keith Emerson is photographed from various angles such as front, behind, and above, as in "Rondo". Even in the fighting scenes, he is very thorough in keeping his hands on his hand (he even sticks out his tongue when he loses track of a Bach song played backwards and starts playing it again). Although it has been edited to 65 minutes from the program time frame, each song is a complete performance, and there is no sense of disappointment that the program cuts out in the middle. Their reunion in 1992 was filled with as much passion as in their heyday. This is a masterpiece video that expresses that passion more eloquently than a hundred words. A professional shot that brings back the scene of that wonderful return to Japan performance and allows us to meet the three men in their 40s, who were still in their prime as performers. By all means, please enjoy the high quality and memorial "BLACK MOON IN OSAKA" as well as the songs that definitely shined in the 90's. Live at Palatrussardi, Milan, Italy 21st November 1992 PRO-SHOT(65:17) 1. Tarkus 2. Knife Edge 3. Paper Blood 4. Creole Dance 5. Still...You Turn Me On 6. Honky Tonk Train Blues 7 . Pictures At An Exhibition 8. Drum Solo 9. Great Gates Of Kiev 10. Fanfare For The Common Man 11. America 12. Rondo PRO-SHOT COLOR NTSC Approx. 65min.
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