"Udo was a Han"...A masterpiece live album that was sent with such words is now available. The main character of this work is none other than Udo Dirkschneider, the founder of German metal. Even in his main job, U.D.O., he is a big name with a metal soul that remains the same, but this time he is performing only ACCEPT's famous songs under the name "DIRKSCHNEIDER". This is a performance in Japan that was performed with the declaration that ``I will never sing an ACCEPT song again after this tour.'' This work is an audience album that depicts such a monument tour with the best sound. This time, there will be 3 performances in total. First, let's take a look at its overview. ・May 11th: Osaka/Umeda CLUB QUATTRO [This work] ・May 12th: Nagoya/Bottom Line ・May 13th: Tokyo/Shinagawa Prince Stella Ball In this way, it was a 3-day performance. , This work was recorded on the first day “May 11th: Umeda CLUB QUATTRO”. The person who recorded it was Japan's proud master ``Western Japan's Strongest Taper'', who is second to none in metal recording. A famous recording artist active mainly in Osaka and Nagoya, who loves heavy metal with all his heart. Recently, artists such as IRON MAIDEN, AVANTASIA, and STRYPER have boldly attempted to record in Tokyo, but DIRKSCHNEIDER has chosen the place where they produced their masterpiece ``STAYING A LIFE'' 31 years ago because of its significance. It seems that it was done. In addition to this significance, another reason why we chose the Osaka performance was the sound. As his nickname suggests, Umeda CLUB QUATTRO is his garden, as he is well-versed in the sweet spots of all the live spaces in western Japan. Furthermore, it seems that new equipment has been introduced this time, and they set out to record “Udo's Last ACCEPT” with an ironclad system. The sound of this work proves their full enthusiasm. He always uses very recent sounds that can only be heard on the soundboard, and has received rave reviews such as ``What does it mean to say that the sound is better than what I actually heard at the venue?'', and his collection is also an outstanding masterpiece. sound. The best performance, like a sound board connected directly to the desk, is even more amazing than usual, and the intensity is at the level of being played in your head. In fact, every single note is rich, delicate, and lustrous, from the picking of the guitar to the nuances of bending, the slight stroke of the hi-hat, and the crunch of the bass. The recording position was evaded with the word "secret (lol)", but it is a mysterious sound image that even the large chorus that fills the narrow live house is far away while the furious musical tones are roaring. The wonderful thing about “Udo’s Last ACCEPT” engraved with that sound…. I chose Osaka because of the connection with ``STAYING A LIFE'', and the singing voice is exactly the same as in that masterpiece live album. In fact, most of the songs from "STAYING A LIFE" are played in this work ("Neon Nights", "Love Child", and "Dogs on Leads" are not included), but it is as if 31 years of time had never existed. There is no. What's more, there are songs like "Starlight", "Midnight Mover", "Losers And Winners", and "I'm A Rebel" that are not included in "STAYING A LIFE", as well as "Monsterman" and "T.V." from "RUSSIAN ROULETTE", which were not released at the time. There are plenty of famous songs such as "War". Furthermore, you can listen to “Winterdreams” and “Midnight Highway,” which even the current original ACCEPT cannot hope for. The original ACCEPT, which is enjoying a second golden age with Mark Tonillo, was also wonderful, but this voice. It is not because they look alike, but because they are the one and only person in question that they are full of ``genuine persuasive power''. Of course, the backing musicians are also wonderful. As expected, the bass chorus is not as thick as the original, but the tight performance and combination are perfect just like the current U.D.O. The twin guitars respect tradition while sprinkling in a modern, flashy personality, and the drumming of his son Sven Dirkschneider, who looks just like Odai Udo, also hits out a tight groove. With this time, Udo will seal ACCEPT's masterpiece. I'll never have the chance to listen to a group of famous songs with a real voice anymore...I'm filled with such sentiments. However, the grand master here did not say goodbye, but simply sang, howled, and made him sing his famous songs. To be honest, even though it was a special tour, I felt that the concept of bringing the current U.D.O. members together felt "easy". It was probably an excuse to attract customers. But that wasn't the case. Both his performance and singing were full of his ``serious steel soul,'' and at the age of 64, he showed off his way of life as he embarked on a new journey. The ``strongest'' man who made this masterpiece a reality said, ``Udo was a Chinese man'' because he learned this on the set. Udo Dirkschneider formed ACCEPT in 1968, the same year as BLACK SABBATH, when there was no IRON MAIDEN or even JUDAS PRIEST, and has continued to sing the soul of "German heavy metal" for 48 years. He stood at a crossroads in his life and roared out a heavy metal song full of manliness. This is a masterpiece of a live album in which a famous recording artist has recorded that moment with his endless love for metal. Regardless of whether it is official or unofficial, it is a masterpiece of "Honjo Heavy Metal" that shines brightly. Please take a close look and listen to the way of life of Han. Live at Umeda Club Quattro, Osaka, Japan 11th May 2016 ULTIMATE SOUND(from Original Masters) Disc 1(57:36) 1. Just a Gigolo (Intro) 2. Starlight 3. Living For Tonite 4. Flash Rockin' Man 5. London Leatherboys 6. Midnight Mover 7. Breaker 8. Head Over Heels 9. Princess of the Dawn 10. Winterdreams 11. Restless and Wild 12. Son of a Bitch Disc 2(62:37) 1. Up to the Limit 2. Midnight Highway 3. Screaming for a Love-Bite 4. Monsterman 5. T.V. War 6. Losers And Winners 7. Metal Heart 8. I'm A Rebel 9. Fast As A Shark 10. Balls To The Wall 11. Burning 12. My Way (Outro) Udo Dirkschneider - Vocal Andrey Smirnov - Guitar Kasperi Heikkinen – Guitar Fitty Wienhold - Bass Sven Dirkschneider - Drums
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