The “BROTHERS IN ARMS Tour” is still very popular during its heyday. The new masterpiece is now available. This work was injected into “September 13, 1985: San Francisco Performance”. It is a transcendental audience recording. “BROTHERS IN ARMS Tour” is famous for producing masterpiece live albums, including “SAN ANTONIO 1985” which I introduced the other day. Our store has delivered many masterpieces so far. However, this work is still one of the special quality that I cannot help but introduce. Before we look at the quality, first of all, the position of the show. The "North American" leg of the "BROTHERS IN ARMS Tour" is also a time when there are many masterpieces, so let's organize your collection by detailed dates. 1985《April 25-July 16: Europe #1/67 performances》・July 23-August 15: North America (20 performances) *August 16 "SAN ANTONIO 1985" *SBD *8 September 17th "HOUSTON 1985" *SBD ・September 3rd - 12th: North America (10 performances) *September 13th: San Francisco performance ←★This work★ ・September 14th - October 2nd: North America (15 performances) Performances) *October 3rd "RADIO CITY MUSIC HALL 1985" October 4th + 5th: North America (2 performances) *October 6th "BROTHERS IN BOSTON" October 7th-13th: North America (7 performances) )《October 22nd - December 31st: Europe #2/57 performances》1986《February 7th – April 26th: Oceania / 55 performances》 *Note: The live albums marked with “*” are available at our store. The show I introduced. This is DIRE STRAITS in 1985/1986. The “BROTHERS IN ARMS Tour” was in the order of “Europe #1 → North America → Europe #2 → Oceania”, but the above is a notation that specifically disassembles the “North America” leg in detail. Our store also introduces live albums from Europe and Oceania, but the most popular ones are from North America. This is the 5th San Francisco performance of this work, and it is also the concert about a month after the aforementioned sound board's symbolic record "SAN ANTONIO 1985". And the biggest point of this work is the sound. Anyway, it's on and super clear. It must be an audience recording because the raw enthusiasm erupts at the same time as the performance begins, but the important performance sounds and singing voices have no sense of audience recording. Moreover, when the noise of the song subsides, there is only a thick and meaty performance, and it becomes an extremely thick sound that seems to be a sound board or FM sound source. For example, in studio live performances on TV and radio, Sakura's cheers are sometimes added to create a ``live style'', and the feeling is similar to that. However, the truth seems to be the opposite. In fact, the "Concord Pavilion" that became the site is a permanent amphitheater. Although there is a ceiling above the stage to protect from the rain, there are only pillars on all sides and no walls, and the audience seats are completely open with no ceiling. In other words, there is no sound reflection that can cause muffled sounds. Although it is not a very suitable environment for acoustic music, it is suitable for loud electric rock, and is especially suitable for recording audience microphones. Depending on the recording position, the output sound of the PA can be picked up directly. This work probably takes full advantage of such semi-outdoor beauty. That's why the performance and vocals jump in with the same sense of closeness as a sound board that is directly connected to the table, and even when the excitement rises in real life, it does not come between the stage and yourself. Audiences have a wide variety of personalities, but the types that are often found in the best quality music are those that pursue the "beautiful sound unique to a guest record" and the type that is "like a soundboard." This work is definitely the latter, but it feels like it injects the most realistic sense of being on-site. What is drawn with such a super direct sound is the full show of the wonderful “BROTHERS IN ARMS Tour”. Many of you may already be familiar with it from its many masterpieces, so I'll just post the set here just to make sure it's organized.・DIRE STRAITS: Sultans Of Swing/Wild West End (★) ・MAKING MOVIES: Expresso Love/Romeo And Juliet/Tunnel Of Love/Solid Rock ・LOVE OVER GOLD: Private Investigations ・EXTENDEDANCEPLAY: Two Young Lovers ・LOCAL HERO: Going Home・BROTHERS IN ARMS: Ride Across The River (★) / One World (★) / Why Worry (★) / Walk Of Life (★) / Money Of Nothing (★) / Brothers In Arms (★) *Note: “★ ” are songs that cannot be heard on “ALCHEMY”. Anyway, the sound is extremely thick and superb. That's all. Even though it has been a while since we introduced the completely official soundboard album “SAN ANTONIO 1985”, it is a masterpiece that is as delicious as it is even if you listen to it side by side with that super masterpiece. If you are someone who is not interested in anything other than [performance], live or otherwise, then an FM soundboard may be more suitable for you. However, for those who are attracted to the excitement generated by music and the atmosphere where the audience's excitement feeds back into the performance, this work could even be a masterpiece even greater than the super masterpiece "SAN ANTONIO 1985". Such a shocking live album. Superb audience recording of “September 13, 1985: San Francisco Performance”. Anyway, it's on and super clear. The venue was an open amphitheater with no walls and no echoes. It picks up the output sound of the PA directly, and the performance and vocals jump in with the same sense of closeness as a sound board, and on top of that, it feels like it injects the most realistic sense of being at the scene. This is a new masterpiece of a live album that allows you to fully experience the wonderful “BROTHERS IN ARMS Tour” with such super exquisite and scorching sound. Concord Pavilion, Concord, CA, USA 13th September 1985 ULTIMATE SOUND Disc 1(62:18) 1. Ride Across The River 2. Expresso Love 3. One World 4. Romeo And Juliet 5. Private Investigations 6. Sultans Of Swing 7. Why Worry 8. Walk Of Life Disc 2(60:29) 1. MC 2. Two Young Lovers 3. Money For Nothing 4. Wild West End 5. Tunnel Of Love 6. Brothers In Arms 7. Solid rock 8. Going Home (Theme of the Local Hero) Mark Knopfler - Vocals & Guitar Jack Sonni - Guitar John Illsey - Bass, Guy Fletcher - Keyboards Alan Clark - Keyboards Terry Williams - Drums Chris White - Saxophone & Flute
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