Deep Purple/WI, USA 1985
Deep Purple/WI, USA 1985
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“PERFECT STRANGER TOUR 1984-1985” was a time when the “Golden Five” enjoyed success and were having the most fulfilling time in their musical lives. The newly discovered multi-camera pro shot is now available. Speaking of the long professional shot footage of “PERFECT STRANGER TOUR”, there was also the Sydney performance, which was also officially shown on “PERFECT STRANGERS LIVE”, and the Paris performance, which was known for the “ROCKPALAST” broadcast. However, this work is different from either of those. It is a multi-camera pro shot where you can enjoy the full show of 1 hour and 51 minutes of “August 17, 1985 East Troy Performance”. Before we get into the shocking content, let's talk about the show's position. Let's take a look at the panoramic view of the period of ``PERFECT STRANGERS'', which was full of honeymoon and success. ●1984《``PERFECT STRANGERS'' released on October 29th》・November 27th-December 18th: Oceania (13 performances)←*Official ●1985・January 18th-April 9th: North America #1 (47 performances) ・May 3-16: Hawaii + Japan (8 performances) ・June 14-July 17: Europe (17 performances) ← *ROCKPALAST ・August 14-24: North America # 2 (6 performances) ←★Here★ This is the whole story of the reunion era when it truly shined. “PERFECT STRANGERS LIVE” is the “Oceania” tour immediately after the tour started, and “ROCKPALAST” is a video of “Europe” after the Japan performance. On the other hand, the East Troy performance of this work is “North America #2” at the end of the honeymoon tour. Moreover, it was the final stage, the fourth performance from the end of the tour. In fact, it has been known for a long time that this show was professionally filmed. “Space Truckin’” was included in the official work “NEW, LIVE & RARE: THE VIDEO COLLECTION 1984-2000” (albeit uncredited), and the drum solo was also seen on Ian Paice’s DVD “NOT FOR THE PRO’S”. Even so, for a long time it was thought that the film was shot in pieces, but it was only about two years ago that I realized that it was actually a long shot. Little by little, professional shot videos of each song began to be released online. ``Knocking' At Your Back Door,'' ``Smoke On The Water,'' ``Difficult To Cure,'' ``Perfect Strangers''... each time one song after another was released, I was asked, ``Did this video ever exist?'', ``Is it still there!?'' ” and brought up the topic. Then, when ``Highway Star'' was released, the world became convinced that ``a complete version existed.'' And finally. Only recently, the complete version was unveiled. That is what this work is all about. This is truly a long-awaited work. Of course, the world has been waiting for it because of its excellent quality. Nowadays, because there is an official work "PERFECT STRANGERS LIVE", it cannot be called "official grade" easily, but if this was in 1985, I would have called it without hesitation. The image quality is overwhelming as it does not involve broadcast radio waves or analog dubbing, the glossy colors are beautiful, and there is no white line noise or tape twist. That is the visual beauty that surpasses even the classic “ROCKPALAST”. Pro shots are currently shaking the world, but there is only one drawback. The audio cuts out for about 15 seconds during the intro of “Knocking At Your Back Door.” This has been a drawback since the release of individual songs, and the same is true of the complete version. Looks like it was a mistake during filming. On the other hand, there are no other flaws, but if you want to preserve it forever, you should strive for perfection. In this work, we complemented it with the finest audience recording, achieving a perfectly seamless full show recording. Moreover, this audience recording is of an unusually high quality, and it is so complete that you won't know where the complementary part is unless you say it (or even if you say it). What is depicted with such a miraculous multi-camera is the honeymoon show of the “Golden Five.” In “PERFECT STRANGERS LIVE”, Ritchie Blackmore and Roger Glover still had the RAINBOW vibe, but as mentioned above, this work is the final stage of the tour. He has already conquered the United States, Japan, and Europe, and his skill level is not that great. The free mood of free improvisation and the flexible and supple ensemble are definitely "those five." You can enjoy the conversation-like feeling with multi-camera footage and a sound board directly connected to the camera. This can be said to be a show similar to “ROCKPALAST” which has a close schedule. For that reason, Ian Gillan cannot be said to be in top form, but he is still better than “ROCKPALAST” and even in “Strange Kind Of Woman” he dominates the audience with his powerful shout. Above all, “Child In Time” was cut from “ROCKPALAST”. Although he borrows the power of Octaver, Gilan still lets out a tremendous scream (you can even hear the sound of the bongos), and Richie responds to the passionate singing with a sharp solo... Now you can watch the unbelievable British HR treasure scene with multi-camera professional shots. Richie lowers himself at Gillan's feet and spins a solo with tremendous tension. This is a masterpiece multi-camera professional shot of Honeymoon's "PERFECT STRANGER TOUR" that will pierce your heart even in one frame. A historic excavation that has never happened once in 10 years. Live at Alpine Valley Music Theatre, East Troy, Wisconsin, USA 17th August 1985 PRO-SHOT 1. Intro. 2. Highway Star 3. Nobody's Home 4. Strange Kind Of Woman 5. Blues 6. A Gypsy's Kiss 7. Perfect Strangers 8 . Under The Gun 9. Lazy 10. Drum Solo 11. Child In Time 12. Knocking At Your Back Door 13. Difficult To Cure 14. Keyboard Solo 15. Space Truckin' 16. Woman From Tokyo 17. Smoke On The Water PRO- SHOT COLOR NTSC Approx.111min.
1. Intro. 2. Highway Star 3. Nobody's Home 4. Strange Kind Of Woman 5. Blues 6. A Gypsy's Kiss 7. Perfect Strangers 8. Under The Gun 9. Lazy 10. Drum Solo 11. Child In Time 12. Knocking At Your Back Door 13. Difficult To Cure 14. Keyboard Solo 15. Space Truckin' 16. Woman From Tokyo 17. Smoke On The Water PRO-SHOT COLOR NTSC Approx.111min.