From DEEP PURPLE's 1987 live performance with "THE HOUSE OF BLUELIGHT", the performance at "Scandinavium" in Gothenburg, Sweden on February 28th, the final day of the European tour, uses the original master that appears for the first time. Released with super high quality audience recording! This work is a must-have disc set for fans that clearly records DEEP PURPLE's 1987 live at a level that even surpasses the recently released "WEMBLEY 1987"! The sound source of DEEP PURPLE's 1987 European/British tour after releasing "THE HOUSE OF BLUELIGHT" has been being discovered recently. The 6-disc set "HUNGARIAN LIGHTS" is a package of rare audience recordings of three consecutive performances in Budapest, Hungary at the beginning of the tour, and "WEMBLEY 1987" includes the first day of the London "Wembley Arena" performance in March with wonderful sound. The tour was so fulfilling that it felt like celebrating the 25th anniversary of the tour. This new recording, which was newly brought in from an overseas taper via a top secret route, will greatly satisfy DEEP PURPLE fans, both in terms of its value as a valuable record that rivals the items mentioned above, and the entertainment that can only be achieved with a superior recording. Sho! The 1987 European tour, which started at the end of January, was mainly held in Germany, and album production performances were held in various places, such as the Cologne performance on February 8th, where the classic sound board sound source ``MASTER OF BLUE LIGHT'' is known. They put on a wonderful live performance that belied their difficulties. After finishing their live show in Germany, the band will go on a circuit from France to Belgium and the Netherlands in late February. From February 25th to 28th, we held 3 performances in Sweden. This work includes the Gothenburg performance on February 28th, which is the final day. The moment the opening and "Highway Star" are played, a clear direct sound that will surprise fans will pop out. The realistic and powerful performance sounds so close that it gives the illusion that it is a sound board sound source, and Ritchie's guitar and Pace's drums, which sound like they were consciously mixed, are the best. Furthermore, the clearness with even a cold transparency will strangely convince the listener that it is ``as expected from Northern Europe.'' In particular, the direct feel of ``Strange Kind Of Woman'' and ``The Unwritten Law'' is nothing short of extraordinary, with the former's call-and-response between Gillan and Ritchie, and the latter's dynamic Pace's drums sounding like ``audience recordings from the same period.'' Is there anything better than this?'' The sound image is so impressive! "Dead Or Alive", which is led by "Blues" with its pleasant guitar tone and impressive Guillain conga, is a great listen. The large symphonic rock sound that Richie has been aiming for since "PERFECT STRANGERS" has come to fruition in an ideal form. The melodious "Perfect Strangers" that follows (John's keyboard in the second half is ultra-real!) and the hard speed of "Hard Lovin' Woman" give all listeners the uniqueness of DEEP PURPLE's 1980s reunion. It will make you enjoy it. “Child In Time” is already at a level where the sound board can escape. Although Gillan's vocals don't have the highs, Richie's stormy solo is so awesome that you'll forget about trivial things! The dynamic power of “Difficult To Cure” and “Knocking At Your Back Door”, where Richie’s guitar and John’s keyboard are captured with clarity that wakes up the listener, is impressive. The familiar songs "Lazy" and "Black Night" also excite listeners with their playfulness and relaxed play typical of PURPLE. At the previous day's Stockholm performance on February 27th, there was an accident in which Richie refused to do an encore, but on this day Richie also came out and played "Speed King" and "Smoke On The Water" well. (You can also hear the obligatory “Burn” riff on “Speed King”). You can listen to Gillan's singing with confidence on these songs, overwhelming the listener with his typical wild power. Even after the end of the performance, the original sound source was recorded with a vivid sound until the outro, and will give the listener the best sense of reality until the very end! The band will conclude their European tour in February 1987 with this live show, and next will be their first tour since re-forming in their home country of England. The first day is the London “Wembley Arena” performance on March 3rd, which can be heard in “WEMBLEY 1987” which was released the other day. If you listen to this work and that two performances in a row, you will be able to understand and grasp the general idea of PURPLE live at this time. This "THE HOUSE OF BLUELIGHT" tour has been known for many excellent sound sources for a long time, but this work, which can be said to be one of the best recordings and enjoys a fulfilling performance, will definitely be DEEP PURPLE's 1987 live performance. It should be a representative book. Live at Scandinavium, Gothenburg, Sweden 28th February 1987 PERFECT SOUND Disc 1 1. Intro. 2. Highway Star 3. Strange Kind Of Woman 4. The Unwritten Law 5. Drum Solo/The Unwritten Law(reprise) 6. Blues 7. Dead Or Alive 8. Perfect Strangers 9. Hard Lovin' Woman 10. Child In Time Disc 2 1. Difficult To Cure 2. Keyboard Solo 3. Knocking At Your Back Door 4. Lazy 5. Black Night 6. Speed King 7. Smoke On The Water 8. Outro. Ritchie Blackmore - Guitar Ian Gillan - Vocal Roger Glover - Bass Jon Lord – Keyboards Ian Paice – Drums
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