A shocking new unearthed live album is here. This work was recorded on “June 30th & July 1st, 1972 in London”. This is an audience album that records the entire 2 days of “Rainbow Theater”. “1972”…I’m sure some people will be excited just by hearing this. At the peak of their career, they released not only the super masterpiece "MADE IN JAPAN" but also "MACHINE HEAD" and "WHO DO WE THINK WE ARE." You can listen to live performances from a particularly dazzling time in the purple legend that shines brightly in rock history. The other day, we also delivered "MADE IN FLORIDA (Darker Than Blue 226)", which is a brush-up of the traditional recording, but unfortunately the encore was not included. This time, it is a big decision board where you can experience “just before the Japanese performance” with two full shows. Actually, this “right before the Japanese performance” is a big deal. According to the conventional theory, only the Japanese performance was featured in “1972”, and the peak of live performance was considered to be “1970-1971”. The reason for this is that recordings were limited. Up until now, most of the "1972 stuff" was recorded in February-March when I was tired of the busy schedule and had low energy, or after the Japan tour when Ian Gillan decided to leave. However, there was a very short period when they regained their 1970's excitement. It may be difficult to understand from the text alone, so let's review the schedule. [“MACHINE HEAD” released on March 25th]・March 17th-31st: North America #1 (11 performances) “Ritchie falls down with hepatitis on March 31st”・April 6th: Quebec performance (substitute Randy) California)《One and a half months later》・May 25th-June 6th: North America #2 (9 performances)・June 27th-July 1st: Europe (3 performances)←★Here★・July 6th Sun-18th: North America #3 (11 performances)《Basic recording of “Purple Portrait” in July》 ・August 15th-17th: Legend’s first visit to Japan (3 performances) ・August 22nd-September 3rd Japan: North America #4 (10 performances) (The number of performances is uncertain as the information has not been finalized) This is the schedule from the release of "MACHINE HEAD" to "North America #4" from which Gillan decided to leave. is. Highlights include Ritchie Blackmore's hepatitis (March) and Japan performance (August). As I mentioned earlier, the band was exhausted by their busy schedule, and their improvisational performances became less exciting, relying on the usual phrases, but when Richie fell ill with hepatitis in March, an unexpected vacation came. Perhaps the fatigue was healed there, and the excitement suddenly returned after Richie returned. The live performance filled with the spirit of starting over continued until the performance in Japan. The miracle was not just the Japanese performance...In fact, this was made clear by this work. There were almost no recordings during this booming period, and until now we could only get a glimpse of it on "MADE IN FLORIDA". It became possible to listen to it in two full performances. This work, which became such a historical excavation, is a truly wonderful vintage audience. Although it is not a quality that can be compared to a sound board, it is not the type of "searching for a performance among the roaring sounds" that was common at the time (never!). In particular, “July 1st” on discs 3 and 4 is wonderfully clear, the musical tones of the five members are captured precisely, and even the bass run, which is difficult to do with audience recording, is clearly defined. Furthermore, the “sound” of the guitar is amazing. Richie's sound changed with each era, but the 70's was still special. It battles against Giran's piercingly sharp shout and Japan... The show is filled with the excitement of ``1970,'' but a rich repertoire of famous songs such as ``FIREBALL'' and ``MACHINE HEAD'' colorfully colors the show, and even ``Lucille'' will be performed on ``June 30th''. The miracle of “MADE IN JAPAN” is that you can listen to two performances with different performances. Currently, the online sound source that is driving enthusiasts around the world crazy has some duplication and deterioration of the sound, but we have corrected it as much as possible with the latest mastering and made every effort to make it seamless and enjoyable. The “miracle of 1972” was once thought to be only “MADE IN JAPAN”. This is DEEP PURPLE's treasure, which can be called its home country edition. This 4-disc set not only has the impact of new discoveries, but also dazzles with its great performances and passionate performances. A new masterpiece of a live album that has transcended 44 years of time and space. Rainbow Theatre, London, UK 30th June & 1st July 1972 Live at Rainbow Theatre, London, UK 30th June 1972 Disc 1 (45:59) 1. Highway Star 2. Strange Kind Of Woman 3. Child In Time 4. Smoke On The Water 5. The Mule Disc 2 (62:35) 1. Lazy 2. Space Truckin' 3. Speed King 4. Lucille 5. Black Night Live at Rainbow Theatre, London, UK 1st July 1972 Disc 3 (50:23) 1 . Intro 2. Highway Star 3. Strange Kind Of Woman 4. Child In Time 5. Smoke On The Water 6. The Mule Disc 4 (49:05) 1. Lazy 2. Space Truckin' 3. Speed King Ritchie Blackmore - Guitar Ian Gillan – Vocal Roger Glover – Bass Jon Lord – Keyboards Ian Paice – Drums
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