The "RAPTURE OF THE DEEP Tour" took more than five years to tour the globe. Here is a spectacular video that lets you enjoy the scene from a special seat. This work was shot on October 28, 2010 in Rzeszow (Poland). This is the best audience shot. The year 2010 was a time that left little impression on Japan. There was a gap of eight years between "RAPTURE OF THE DEEP" and "NOW WHAT?!", and there was a five-year gap between their constant visits to Japan from 2009 to 2014. The only thing that was released was a best-of live album, and the only new news was "LIVE AT MONTREUX 2011" with an orchestra. It's a time that's hard to imagine in Japan, so let's start by looking back at them at the time with the schedule. 2010 March 25th: Russia performance April 27th - May 5th: Australia (7 performances) May 8th - 18th: Asia (6 performances) May 21st + 25th: Eastern Europe (2 performances) May 28th - June 1st: South Africa (3 performances) June 4th - July 30th: Europe #1 (24 performances) October 26th - December 13th: Europe #2 (35 performances) ←★Here★ 2011 *June 3rd - 25th: North America #1 (16 performances) *July 8th - 29th: Europe #3 (10 performances) ←※Official MONTREUX 2011 October 4th - 28th: South America (16 performances) *November 26th - December 15th: Europe #4 (12 performances) *Note: "*" indicates orchestra tour, "・" indicates regular format dates. This is DEEP PURPLE in 2010/2011. The orchestral tour was a project that began in 2011, and the Rzeszow performance in this work was the usual style before that. It was the third concert of "Europe #2". This work, which was shot at such a show, is truly a spectacular view. After all, there was no obstruction at all, and the shooting position was not clear in the series of powerful close-ups. It can be guessed that the angle is slightly to the left of the stage (towards Morse), and that it is probably a stand shot from the same eye level as the stage, but other situations are completely unknown. Only the stage occupies the field of view. Moreover, the composition of the zoom is perfect. I think it is probably just a coincidence, but even if the members on the stage gather or scatter, each person is arranged in a really picture-perfect arrangement. For example, where Gillan, Roger, and Morse are lined up. It is common for the three to get close to each other, but Don's figure fits perfectly between their heads. And when the three of them split up, "Gillan + Pace" and "Don + Morse" become the basis (Roger walks around left and right quite a bit, so he can get involved freely). Despite being a one-camera audience shot that does not move its position, it is a delicious angle that two or more people are reflected in most scenes. Even just such a direct shot is more than enough of a spectacular view, but from the middle of the show, they even mixed in screen shots. If the angle of the screen is too tight, it will be hard to see because it will be crushed diagonally, but there is no need to worry about that with this work. Rather, it is captured more directly than a direct shot of the stage, so you can enjoy it just like a multi-camera pro shot. The sound is also wonderful, as strong as the image. Anyway, it is clear and tight. At the beginning, it may be a little noisy at the peak, but there is no sense of distance in the thick core, and even if you listen carefully with headphones, you can't feel the sense of space. Even if the performances of the five people are intertwined, the sense of separation that does not mix is enormous. To enjoy such a spectacular view, you can watch DEEP PURPLE in 2010, which was not available in Japan. The closest official work is "LIVE AT MONTREUX 2011", but this is a different world from this work because the main focus is on the orchestra. Here, let's organize the set while comparing it with the 2009 performance in Japan. 70s/80s Classics (12 songs) Fireball: Strange Kind Of Woman/Fireball/No One Came (★) Machine Head: Maybe I'm A Leo (★)/Lazy (★)/Space Truckin'/Smoke On The Water Others: Hard Lovin' Man (★)/When A Blind Man Cries/Hush/Black Night/Perfect Strangers 90s and later (6 songs) Rapture of the Deep: Things I Never Said/Rapture Of The Deep/The Well-Dressed Guitar Others: Almost Human (★)/Silver Tongue (★)/Contact Lost *Note: Songs marked with "★" were not heard at the 2009 Japan tour. ...And so it goes. The rare songs unique to this period, such as "Silver Tongue" and "Almost Human," are delicious, but the classics are even better than that. After parting ways with Richie, he started to cover a wide variety of repertoires, but even here, he has a wide variety of songs, including "Maybe I'm A Leo" and "No One Came." In particular, "Hard Lovin' Man" was released for the first time in 40 years, and was only included in the regular set in 2010. The accidental angle that captures the five people beautifully, the screen image of a professional shot, and the extremely thick, intimate sound. This is a masterpiece that allows you to fully experience "Purple in 2010" with a quality that goes beyond just a spectacular view. Although it is a time when Japanese fans have a thin image, it is a masterpiece that can be enjoyed freshly. A spectacular audience shot of the "October 28, 2010 Rzeszow performance." There is no obstruction, and the shooting position is not clear in the series of powerful close-ups, and in the familiar scene where Gillan, Roger, and Morse are lined up, the angle where Don's figure fits perfectly between the heads is a miraculous one. Furthermore, from the middle of the show, there are screen shots and a multi-camera professional shot. You can also enjoy a delicious full show with precious classics such as "Silver Tongue", "Almost Human", "Maybe I'm A Leo", "No One Came" and "Hard Lovin' Man", which are unique to this time of year. Hala Podpromie, Rzeszow, Poland 28th October 2010 AMAZING SHOT!!! (108:41) 1. Intro 2. Hard Lovin' Man 3. Things I Never Said 4. Maybe I'm A Leo 5. Strange Kind Of Woman 6. Rapture Of The Deep 7. Fireball 8. Silver Tongue 9. Contact Lost 10. When A Blind Man Cries 11. The Well-Dressed Guit ar 12. Almost Human 13. Lazy 14. No One Came 15. Keyboard Solo 16. Perfect Strangers 17. Space Truckin' 18. Smoke On The Water 19. Hush 20. Black Night Ian Gillan - vocals Steve Morse - guitar Roger Glover - bass Don Airey - keyboards Ian Paice - drums COLOUR NTSC Approx.109min.
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