“SOUND + VISION TOUR 1990” was a greatest hits tour that was held in conjunction with the formation of TIN MACHINE to record their big hit songs. Introducing the best professional shot, a masterpiece video with a unique personality that shines like no other. This tour is one of the biggest hit parades in Bowie history, and there are a variety of professional records. There are also many professional shots such as "COMPLETE VISION IN DOME" containing the Tokyo Dome performance, "ROCK IN RIO 1990" and "SOUND + VISION IN ARGENTINA" from the South American tour. This work is also one of the professional shots, and it is a television broadcast that has been known as a standard since that time. However, this work is not an air check at that time, but was recently rebroadcast after Bowie's death. That's why the quality is outstanding. When viewed with the current eyes of a high-definition camera, the pixels seem a little rough, but the master freshness is the highest ever, and you can enjoy plenty of vivid color. Furthermore, the key point of this broadcast is the image processing that gives a strong sense of "1990." From the beginning of "Space Oddity", you will be surprised at the noisy screen, but this is not a malfunction of the equipment, but a visual effect. Furthermore, in "Rebel Rebel" which follows, Bowie's image of the audience seats is superimposed like a flash, and in "Stay" Adrian Belew plays while leaving an afterimage. Ziggy Stardust in "Life On Mars?" also appears in other professional shots, but this work does not stop there, and each song has a variety of tastes. This work not only allows you to see the concert with multi-camera professional shots, but it is a video that has been taken one step further. When you write this, you might imagine a video like LED ZEPPELIN's "Frenzy Live", but that is not the case. Video processing is just a seasoning that expands the image of the song. Basically, the concert itself flows smoothly, with occasional image cuts and processing added. However, this processing reveals the technology and video trends of the time, giving Bowie a sense of the times of 1990. It is a professional shot of “SOUND + VISION” exactly as the tour title suggests. The hit parade depicted in such unique and elaborate images is as gorgeous as the ``best album you can see''. Not only are familiar “that song” and “this song” played out all at once, but thanks to the image cuts and video processing, it's as spectacular as a PV collection. Of course, it's not a PV collection, but a live performance, so it's full of the flavor of live performance. The sense of reality is not good because there is almost no voice of the enthusiastic audience, but Bowie's singing voice seems to be more fun than usual, probably because he was in front of the audience who was excited about the big hit song. Banmas at the time: Adrian Belew's virtuosity is also vividly displayed. Although it is a gorgeous hit parade live performance, it is also a masterpiece with a strong individuality as a "video work". The footage, which was unique to the TV program of the time, has been brought back to life in rebroadcasts that far surpass those of the time. This is one of the highlights of the "SOUND + VISION TOUR 1990", which is full of masterpiece professional shots, and is a live history written by Bowie himself with his hit songs. Please enjoy it to the fullest. DAVID BOWIE - LISBOA 1990 (71:59) 1. Ode To Joy Intro 2. Space Oddity 3. Rebel Rebel 4. Ashes To Ashes 5. Life On Mars? 6. Stay 7. Sound And Vision 8. Ziggy Stardust 9. China Girl 10. Young Americans 11. Suffragette City 12. Fame 13. "Heroes" 14. Changes 15. Modern Love 16. The Jean Genie/Gloria PRO-SHOT COLOR NTSC Approx. 72min.
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