The best video of “A REALITY TOUR 2003-2004”, Bowie’s last world tour, is back. This work is an audience shot containing the “Philadelphia performance on March 29, 2004”. The extremely rare must-see scenes are also delicious masterpieces, but I'll introduce them later, but the first thing I'd like to talk about is the quality. I wrote "the best" earlier, but this is not the "best" that you would find anywhere else. In addition to the ultra-clear digital image quality, which cannot be conveyed in words, the angle and sense of stability are unparalleled. Although the shooting position was right in front of the stage, it appears to be a seat on the 2nd or 3rd floor which is quite far away, but there is no doubt that this was not a ``necessarily far away seat'' and that the photographer was definitely aiming for the position. When you pull up, you can see everything from the giant screen to the lighting and every aspect of the stage, and even the scale and atmosphere of the venue as a whole is perfectly captured. On the other hand, the frequently used zoom allows you to get close to the camera as if it were a separate camera, and Bowie's facial expressions come out as vividly as in professional shots. The zoom also captures the highlights of the show, never missing guitar solos or screen animations. However, it's amazing because I'm not busy and my field of vision doesn't move around all the time. While moving around, Bowie and the members are placed perfectly in the center of the screen, and the field of view itself follows carefully and slowly. You can shoot freely while still being extremely stable with zero camera shake, which you would expect from using a tripod. Without a doubt, this photographer has visited "A REALITY TOUR 2003-2004" many times and is familiar with "what will happen next" and "where the highlights are." Of course, there are no testimonies such as ``I've been there many times,'' but it's an image that would otherwise be impossible. No, you would think that if the photographer was a member of the staff, he or she would be familiar with show direction and be able to shoot the show, but that's not possible. In fact, there is a scene after the end of ``Reality'' where the photographer is spotted by a female voice worker and is stopped from filming. This is a must-see. Just when I thought it was showing the whole venue listening intently to Bowie's MC, the screen suddenly shook and a shadow of a hand appeared, as if hiding the lens. A figure suddenly approaches through the gap between his fingers, and in a tense tone he asks, ``What are you doing?'' and the shooting stops. It's a very vivid scene. However, this photographer was a strong man. Apparently, the camera was not confiscated, and they resumed filming in a slightly different location. Although they missed the next “The Man Who Sold the World,” the world of “A REALITY TOUR” will resume in super quality from the second half of the next “Hallo Spaceboy.” A specialized magazine that saw this video applauded the project, saying, ``Well done for continuing.'' In addition to such must-see points from the shooting side, this work also contains extremely rare trouble scenes of Bowie himself. That is “Quicksand” in the middle of the show. Even though he had sung the song many times on tour, he had forgotten the lyrics. When he couldn't sing anything, he stopped playing, saying, ``Sorry, I don't understand.'' In fact, this day was the first day of the second leg in North America. It had been a full two weeks since the Asian tour just before that, so perhaps there was a gap in their hearts as they hadn't performed on stage in a long time. After that, Bowie connects the scene with the MC, sings “Life On Mars?” as if nothing happened (this is also a very moving singing!), and this time he finishes singing “Quicksand”. Although the introduction of two trouble scenes that are too rare has become long, the biggest charm of this work is the charm of the “A REALITY TOUR 2003-2004” show. And this quality is the result of the effort, passion, and guts of the photographer who fell in love with its charm and tried to convey it to the fullest. A book that captures Bowie's last world tour from the perspective of the best fans, and even includes vivid troubles. It is an unprecedented audience shot in Bowie’s entire history. Please take this opportunity to experience this one-of-a-kind masterpiece video created by a maniac who loves Bowie. Live at Wachovia Center, Philadelphia, PA. USA 29th March 2004 AMAZING SHOT(1:56:39) 1. Rebel Rebel 2. Hang On To Yourself 3. New Killer Star 4. Fame 5. Cactus 6. All The Young Dudes 7 China Girl 8. Reality 9. Hallo Spaceboy 10. Sunday 11. Heathen (The Rays) 12. Member Introduction 13. Under Pressure 14. Quicksand (aborted) 15. Life On Mars? 16. Quicksand (complete) 17. Looking For Water 18. Days 19. Blue Jean 20. Ashes To Ashes 21. White Light, White Heat 22. I'm Afraid Of Americans 23. "Heroes" 24. Five Years 25. Suffragette City 26. Ziggy Stardust COLOR NTSC Approx.116min .
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