New York, the city that gave birth to many legends with the "HEATHEN TOUR". Introducing a newly excavated live album of the so-called "NEW YORK MARATHON TOUR" that decorated the final stage. This work contains the "Queens College performance on October 16, 2002". It is a superb audience recording that recorded the final stage of the world tour. How special is New York for the "HEATHEN TOUR"? To introduce it, let's first review the overview of the activities at that time. {June 11th release of "HEATHEN"} ・June 11th + 15th: Warm-up (2 shows in NY) ・June 29th: London ・July 1st-18th: Europe #1 (9 shows) ・July 28th-August 16th: North America #1 (12 shows) ・September 22nd-October 2nd: Europe #2 (6 shows) ・October 11th-23rd: North America #2 (7 shows) ←★Here★ This is the whole picture of the "HEATHEN TOUR". In the first place, the album "HEATHEN" itself was produced in New York, but "LOW" and "HEATHEN" were performed at the warm-up show to coincide with the release date. It became a signal for "Bowie's revival!" and spread the shock all over the world. After that, he departed for a world tour, but both "North America #1" and "North America #2" had shows in New York State. Moreover, although "North America #2" only had 7 shows, 5 of them were in New York City. Titled "NEW YORK MARATHON TOUR", they toured all at different venues. The Queens College performance in this work was the third concert of the marathon tour. This work, which contains such a show, is a truly exquisite audience sound. This show has been known to be recorded for a long time, but this work is a new master released very recently by the recorder himself. The sound of the snare has an audience-like feel, but the rest is far from the common sense of customer records. The core of the musical sound is extremely on, and the vividness of the details is detailed like a broadcast sound source. The bass, which tends to be crushed in audience recordings, is so beautiful and lustrous that the waveform of the vibe comes to mind. Furthermore, the cheers do not seem to be audience-like. The breathing at the scene is extremely real, but it is awfully small. Even though it is clear that it is drowned out by the bold musical sound during the performance, the applause is drowned out by Bowie's MC even between songs. Normally, even with the best sound sources, you remember "After all, it's the audience" when you get between songs, but this work makes you think "Is it a broadcast sound source?" That said, the breathing engraved there is also delicious. The show's composition is typical of "HEATHEN TOUR", and it's not particularly an album reproduction part or an abnormally long show. However, the atmosphere full of intimacy is special. Bowie was in a good mood and talked to me friendly from start to finish, talking about his memories and episodes of New York one after another. Of course, the storytelling was full of humor, and the audience responded with laughter, each one giving a voice to Bowie. This atmosphere is like a wedding or a home party hosted by a part. The show is full of a warm and relaxed mood, and the masterpieces connect such an atmosphere. A scene that symbolizes such a carefree show is the first encore song "White Light White Heat". Of course, it is Bowie's specialty and not particularly unusual, but it was hardly played on "HEATHEN TOUR". However, the Marathon Tour presents New Yorkers with the masterpieces of their local heroes. In fact, there are scenes where the sound changes towards the end, so it was not possible to preserve it permanently. This is undoubtedly the best recording that represents the "NEW YORK MARATHON TOUR". With its exquisite sound, this is a private live album that allows you to be present at a warm and intimate scene. Please experience the memories of New York that were special in "Bowie's 2002" with this work. Live at Colden Hall at Queens College, New York, NY. USA 16th October 2002 TRULY PERFECT SOUND Disc 1(66:30) 1. Sunday 2. Cactus(The Pixies) 3. Breaking Glass 4. Fame 5. Ashes To Ashes 6. Slip Away 7. China Girl 8. 5.15 The Angels Have Come 9. Band Introductions 10. Starman 11. Changes 12. Absolute Beginners 13. I've Been Waiting For You 14. Afraid Disc 2(56:04) 1. Fashion 2. Be My Wife 3. Sound & Vision 4. Rebel Rebel 5. I'm Afraid Of Americans 6. Life On Mars? 7. Heroes 8. Heathen(The Rays) 9. White Light White Heat 10. Let's Dance 11. Hallo Spaceboy 12. Ziggy Stardust David Bowie - vocals, guitar, saxophone, harmonica, stylophone Earl Slick – guitar Gerry Leonard - guitar, keyboards, backing vocals Mark Plati - guitar, bass guitar, keyboards, backing vocals Gail Ann Dorsey - bass guitar, guitar, backing vocals Sterling Campbell - drums, percussion Mike Garson – keyboards Catherine Russell - keyboards, percussion, backing vocals
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