A new masterpiece "DEFINITIVE RAINBOW 1972" will be released, revived by the upgrade master. However, the "1972 Rainbow Theater" was not the only one. So, to commemorate the release of the big decision board, a new excavation master of the "Rainbow Theater performance" will be released. This work includes the "London performance on December 23, 1972". First of all, let's check the distance from "DEFINITIVE RAINBOW 1972" in the tour schedule. [1972] ・January 29-March 24: UK #1 (18 performances) ・April 20-May 27: UK #2 (15 performances) ・June 2-July 15: UK #3 (18 performances) ・August 19-September 7: UK #4 (12 performances) "DEFINITIVE RAINBOW 1972" ・September 22-December 2: North America (26 performances) ・December 23-29: UK #5 (4 performances) [This work] The above is only the 1972 part of "ZIGGY STARDUST TOUR". In 1972, the composition was "basic four people + keyboard", but only the keyboard was changed in detail. Nicky Graham was in the second performance of "UK #4" "DEFINITIVE RAINBOW 1972", but all performances after "North America" were Mike Garson. The London performance of this work is the first day of "UK # 5" concert that overcame the North American tour. This work is a live album that was directly converted to CD by obtaining the original master cassette of the December 23rd performance through a unique route. The sound is a truly wonderful vintage audience. The musical tone is robust, and the sound is full of 70's analog feeling. I am especially happy that Mick Ronson's guitar and the singing voice of the rare charisma "Ziggy Stardust" are extremely thick. Although it also absorbs the raw enthusiasm of the scene, it is a powerful musical tone that is completely dominated while Ziggy is singing. The sound depicts the appearance of "ZIGGY STARDUST TOUR" that has changed in about four months. In particular, the impact of the ening is quite something. "Ode to Joy" announces the start of the performance ... I thought, but the usual intro tape did not flow, and the melody was played only by the guitar. It was a very rare scene, perhaps because it was lost because it was the first day of the tour resumption. And from there, it's not "Hang On To Yourself" that comes in, but the Rolling Stones cover "Let's Spend The Night Together". In fact, he may have already decided to record it, having been in the studio for "ALADDIN SANE" two weeks before this show. After that, the show becomes like a digest of the set of the North American tour that decided his fate, but it's after "John, I'm Only Dancing" that the sense of triumph of his hometown suddenly seeps in. Bowie says with emotion, "Very nice to be back in London." At that moment, the enthusiasm of the Londoners erupts. The performance of this work is hot throughout, but there is a relaxed mood somewhere, which is the joy and relief of returning to his hometown of London. It's a scene like a symbol of that. The traditional London venue "Rainbow Theatre". In "DEFINITIVE RAINBOW 1972," the mood that started with "Lady Stardust" was fresh, but this work also starts with a rare night with "Let's Spend The Night Together." It is a live album that condenses the flavor of the "ZIGGY STARDUST TOUR" that shines brightly in rock history, while spreading the scenery only in his hometown of London. Rainbow Theatre, London, UK 23rd December 1972 TRULY AMAZING SOUND (from Original Masters) (55:42) 1. Intro. 2. Let's Spend The Night Together 3. Hang On To Yourself 4. Ziggy Stardust 5. Changes 6. The Supermen 7. Life On Mars 8. Five Years 9. Width Of A Circle 10. John, I'm Only Dancing 11. Moonage Daydream 12. The Jean Genie 13. Suffragette City 14. Rock 'n' Roll Suicide
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