The main target of the 1990 “SOUND AND VISION” tour, known as the “funeral tour” among enthusiasts, was America. This is because it was the location of Lycodisc, which reissued Bowie's album CD at the time, and the tour was tied up with Bowie's CD reissue campaign, which began on a large scale in the same year. However, the American tour that started in late April had a strange schedule with a Japanese performance in between, and Bowie fell ill due to the forced march. The two days at Tokyo Dome took up a lot of the schedule, but the restarted American tour also started within a week of Bowie's return to Japan, which was another forced schedule. It was. As a result, the American dates that took up the rest of May were literally a recovery tour, and Bowie's condition was uneven depending on the day. In addition, since there was a tremendous sound source for broadcasting on the second day of the "SOUND AND VISION" tour at Tokyo Dome in May, there will be no TV or radio broadcasts from the American dates before or after. did. Even in real life, items from the American tour were never even released as audience recordings, and it was even at a level where they could no longer be recognized unless you were a Bowie sound source collector. The two titles “TACOMA 1990” and “MOUNTAIN VIEW 1990 2ND NIGHT” are the response from the label to the situation that has not improved even after Bowie’s death. The former was a legendary day when Bowie, who was in great condition, performed the longest show in May, including rare numbers. In addition, the latter is an item that captures an extremely valuable show at an amphitheater that can be said to be unusual during the "SOUND AND VISION" tour, where stadium-class large venues were commonplace as it was a Great Taste Hits tour. And although both items were released on CD-R, they were masterpieces that thrilled enthusiasts in that they contained audience recordings with very good sound quality. With those releases, it has finally become possible to get a glimpse of the May stage outside of the Japanese performance, but now the best audience recordings from the same period have been discovered just as Shinuchi appeared. The person who recorded it was Mike Millard! Needless to say, he is a legendary taper, but he also recorded on the "SOUND AND VISION" tour. He came from America in May and caught me at Dodger Stadium in Los Angeles on the 26th. It is a venue selection that is very typical of the same tour. Although it was an audience recording in a vast stadium in LA, the master Millard fully demonstrates his skills here as well. With a powerful sound image, you can clearly hear Bowie's singing voice and the lead guitar of Adrian Belew, who served as a bassist on the "SOUND AND VISION" tour. The standard soundboards produced from the same tour, such as Vancouver, Tokyo Dome, Milton Keynes, and Rio, have each released their definitive edition, but when it comes to press editions of this tour's audience album, there are no items. Even in real life, Kinney's famous album "PARIS AU PRINTEMPS" was released in Paris in April (we can't wait to discover this Kinney master!). Therefore, the best audience from this tour, if it was by Mike Millard, the enthusiasts would have decided their hearts, and the high quality will never disappoint. And this time's sound source not only has outstanding recording quality, but also the performance content is outstanding! If you listen to the “Fashion” area and compare it with Tokyo Dome, the difference is obvious, but anyway, Bowie is at his best. She sings so well that it feels good to listen to it. No, even Tokyo Dome showed a surprising recovery on the second day, but Bowie on this day was even more active. He must be in good spirits and having fun being on stage, and the MC is also talkative and very excited. It's hard to believe that in less than 10 days since the performance on the first day of Tokyo Dome, where the encore was omitted, such a strong performance was recorded with the ultra quality that only Millard can do. However, if you were to say that America was like this all the time in the latter half of May, it wasn't like that at all (bitter smile), and depending on the day, it wasn't as good as the first day of Tokyo Dome, but there were days when we went with a set list that had a few songs cut, and it was still like, It is true that it was a period of ``the process of ``. It's amazing that Millard was able to record Bowie's excellent condition during such a period. For enthusiasts, it will also be a superb audience album that fills the space between the two major soundboards, Tokyo Dome and Milton Keynes. Millard's famous recording and performance that can be recommended with confidence to enthusiasts who want to listen to the "SOUND AND VISION" tour with a good sound audience other than the standard sound board! Dodger Stadium, Los Angeles, CA, USA 26th May 1990 TRULY PERFECT SOUND Disc 1 (51:13) 1. Intro 2. Space Oddity 3. Changes 4. TVC 15 5. Rebel Rebel 6. Ashes To Ashes 7. Fashion 8. Life On Mars 9. Blue Jean 10. Let's Dance 11. Pretty Pink Rose 12. Stay Disc 2 (52:28) 1. Sound And Vision 2. Ziggy Stardust 3. China Girl 4. Station To Station 5. Young Americans 6. Suffragette City 7. Fame 8. “Heroes” 9. Panic In Detroit 10. Jean Genie David Bowie - Vocals, Saxophone, Guitar Adrian Belew - Guitar, Vocal Erdel Kizilcay - Bass Rick Fox - Keyboards Michael Hodges - Drums
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