Cyndi Lauper's first Japan tour, which took place during the "TRUE COLORS" era. The finest original recording that conveys the scene is here. This work is recorded from the "September 11, 1986: Nippon Budokan" performance. This is a superb audience recording. Speaking of the 1986 Budokan, the famous TV broadcast pro shot reigns as a symbol, and the shock soundboard album "JAPAN TOUR 1986" unearthed last year is still fresh in my memory. In addition, "BUDOKAN 1986 4TH NIGHT" will also be released. Let's take a look at the schedule at that time to see what position this work will be in. September 10: Nippon Budokan ←? JAPAN TOUR 1986? September 11: Nippon Budokan ←★This work★ September 12: Nippon Budokan ←? JAPAN TOUR 1986?・September 13: Nippon Budokan ←※BUDOKAN 1986 4TH NIGHT・September 16: Shizuoka Industrial Hall・September 17+18: Osaka-jo Hall・September 19: Aichi Prefectural Gymnasium・September 22: Nippon Budokan ←※TV broadcastA total of nine performances. It was a unique schedule that toured famous venues in Tokyo, Nagoya, Osaka, and Shizuoka, with more than half of the performances at Nippon Budokan. Among them, this work was recorded at the second concert. The recording date of the soundboard album "JAPAN TOUR 1986" was unknown, but the content is different from the famous TV broadcast, this work, and "BUDOKAN 1986 4TH NIGHT". Although it is not directly related to this work, the possibility has been narrowed down one step toward the real recording date. In any case, this work, which is vacuum-packed from "Budokan Day 2", is an incredibly superb sound. It's not so close that you would mistake it for a soundboard, but its core is dignified and powerful, and while it's sharp like a laser beam, it doesn't pierce your ears. And it has a crystal clear atmosphere. It absorbs applause and cheers realistically, but is so transparent that it doesn't hide any details. Rather, it can be said that the hall sound makes it even sharper. The guitar and synths have a sparkling shine, the beats have dynamism, and Cindy's vocals have a heavenly stretch and uplifting feeling. The natural feel is also a key point. The aforementioned "JAPAN TOUR 1986" was a strange sound that sounded like it was mixed with an ambient microphone, even though it was a soundboard, but this work is a 100 & pure audience without any mixing. Therefore, all the notes are filled with the beauty of balance, and it is perfectly synchronized with the mood of the scene where the expression changes as the music leads. It's wonderful to feel like you're right in the middle of the scene where live performance and enthusiasm cause a chemical reaction with each other. There is actually a reason why it became such a famous recording. In fact, the one who made this work is a legendary master in the history of Japanese audience recording. He is a famous recording artist who left a large number of historical super-famous recordings, mainly in the 1980s, such as Eric Clapton, Jeff Beck, Mick Jagger, Stones Paul McCartney, etc. And the Nippon Budokan is the venue that is the master's specialty. His recording skills are fully demonstrated (there are many mysteries about this person, and the collection has not been organized like Mike Millard's, but this work seems to have been the week after DIO's Budokan masterpiece "DRAGON HEAD"). The full show at the height of its popularity is depicted with such a master's skill sound. In fact, this day was longer than the TV broadcast pro shot and "JAPAN TOUR 1986". Here, let's organize the set while comparing it with both of them. True Colors (10 songs + α) Change of Heart / Boy Blue (★) / What's Going On / Iko Iko / Calm Inside the Storm / 911 / One Track Mind / The Faraway Nearby (★) / True Colors / Maybe He'll Know / True Colors (2 takes) Others (8 songs + α) N.Y. Danceteria: I'll Kiss You / All Through the Night (★) / Yeah Yeah-He's So Unusual (★) / She Bop / Time After Time / Money Changes Everything / Girls Just Want to Have Fun Others: The Goonies 'R' Good Enough / Baby Workout (★＊) *Note: The "★" mark is a song that cannot be heard on the TV broadcast pro shot. The "＊" mark is a song that cannot be heard on the soundboard album "JAPAN TOUR 1986". ... and so on. It may be natural that it is longer than the TV broadcast, which was significantly cut, but it also includes a cover of Jackie Wilson's "Baby Workout," which was not included in "JAPAN TOUR 1986." Although there is still no confirmation, the fact that there are many songs on the second day may mean that "JAPAN TOUR 1986 = first day." In addition, you can feel Cindy's leisure, enjoying the Japanese performance not only from the set but also from every corner of the show. One of them is the MC who talks a lot. Speaking in a good mood, she shows off her newly learned Japanese one after another, such as "Genki?", "Oshibori ne," "Sushi," "Oyasuminasai," "Jaane," "Mondai da!", "Anata, kawaii ne," etc. This work has such good sound quality that you can hear every word clearly and beautifully, and you can enjoy the subtleties of her singing voice, which is so exciting that you think, "Is it really the second day? You've been in Japan for about two months, haven't you?" Cindy Lauper loves Japan and continues to be loved by Japan. This is a cultural heritage album in which the legendary taper recorded her first Japan tour. It's like a modern digital recording... no, a new excavation master who allows you to experience a blissful full show with a superb sound that is rarely seen even in modern times. A superb audience recording of the "September 11, 1986: Nippon Budokan" performance. The original recording by a legendary master, the core is dignified and powerful, and sharp like a laser beam. The crystal clear and transparent atmosphere does not hide any details, giving the guitar and synth a sparkling shine, the beat has dynamism, and Cindy's vocals have a heavenly stretch and uplifting feeling. You can fully experience the site of her first Japan tour with the best sound that you can hear every word of Cindy's Japanese MC, such as "Oshibori ne", "Jaane", "Mondai da!", "Anata, Kawaii ne", etc. Live at Budokan, Tokyo, Japan 11th September 1986 TRULY PERFECT SOUND(from Original Masters) Disc 1 (52:17) 1. Intro 2. Change of Heart 3. I'll Kiss You 4. The Goonies 'R' Good Enough 5. Boy Blue 6. All Through the Night 7. What's Going On 8. Iko Iko 9. Calm Inside the Storm 10. 911 11. One Track Mind 12. The Faraway Nearby Disc 2 (54:45) 1. MC 2. True Colors 3. Maybe He'll Know 4. Yeah Yeah / He's So Unusual 5. She Bop 6. Time After Time 7. Money Changes Everything 8. Band Introductions 9. Girls Just Want to Have Fun 10. Baby Workout 11. True Colors Cyndi Lauper - Vocals Aldo Nova - Guitar & Vocals David Rosenthal - Keyboards Kevin Jenkins - Bass & Vocals Sterling Campbell - Drums Sue Hadjopoulos - Percussion & Vocals
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