It was revealed that legendary taper Mike Millard went to Bob Dylan's concert again in September 1989 for his masterpiece "COSTA MESA 1989: MIKE MILLARD FIRST GENERATION TAPES" released last year. was. This recording not only reveals the new fact that Millard captured Dylan in 1989, but it also became easier to listen to at once thanks to him recording a day when only sound sources of poor quality existed up until then. It also contained factors that made enthusiasts around the world happy. A year after such a shocking excavation, it became clear that Millard had dared to record at the Greek Theater in Los Angeles, two days after Costa Mesa. This time again, it is an audience recording of wonderful quality that makes you want to call it a mirrored standard, but what is especially wonderful is that it captures the play of guitarist GE Smith with close sound pressure. Just being able to hear his play, which supported the golden era called "Never Ending Tour" from 1988 to 1990, with a live sound image is irresistible for enthusiasts who like this period. After all, GE's play on this day was sharper than ever. At the end of the opening "Most Likely You Go Your Way (And I'll Go Mine)", Clapton's "Layla" phrase is played. That's why they incorporated the riff of the Rolling Stones' "The Last Time" in Costa Mesa, but on this day they also incorporated the riff of another song. In the following song, "Gotta Serve Somebody," the band's aggressive phrases are played to the hilt, and it's clear to see at first glance that the band's engine is running at full throttle. Even in ``Stuck Inside Of Mobile With The Memphis Blues Again,'' which was always a series of high-tension phrases from 1988 to 1990, it clearly exploded with more hyper phrases than usual. The reason why GE played so freely at this time was because it was the final day of the summer American tour that started in July, and this day was the last day. I fear it will run out. First of all, I wrote only about GE Smith's guitar play, which stands out for his intense play, but there is no way that Dylan was quiet because he was in such good shape, and he was also in great shape from the opening. It goes without saying that he sings energetically, but for the same reason as GE, who is sharp, he strums his rhythm guitar, which uses both electric and acoustic guitars, as if in response to his encouragement. This seems to be a mirrored recording, but it is wonderful that the two guitars can be clearly heard. Also, like Costa Mesa, the development unique to 1989, in which Dylan does not MC at all and continues to play in a medley with almost no gaps between songs, is still alive and well on this day. There's no need to add any unnecessary words; you just can't help but sing. In addition, "Knockin' On Heaven's Door" starts with Dylan-led singing and singing in the first half, and the band joins in from the middle, which is also a live arrangement unique to 1989, but it was not heard at the previous Costa Mesa. What's more, Dylan's tension is extremely high. It is so attractive that you can enjoy such an exquisite performance with mirrored quality. When it came to the slow blues "It Takes A Lot To Laugh, It Takes A Train To Cry", Dylan's passionate performance surpassed even the Costa Mesa version, and just like GE, he was also on the last day of the tour. He is probably trying to use all his strength. And in Costa Mesa, there was a cut in the song "Rank Strangers To Me" where there was no song, so there was no need to make up for it. The downside is that there were multiple cuts, and both were severe. The first cut is the "Simple Twist Of Fate" intro. Furthermore, it is painful that there are two kinds of defects in "Like A Rolling Stone", which is a famous song and the finale of the live performance. In particular, the second cut was more than a minute long, centering on the chorus of the song. Therefore, for this release, those cuts were carefully supplemented with another sound source of the same day that was independently available. This separate sound source is currently unavailable on the internet, and was only owned by Dylan's core sound source collectors. In response to the provision of such a valuable different audience recording, we realized a complete live recording that goes beyond simply releasing a mirrored sound source. The adjustment is extremely precise, and even a different sound source whose sound quality was slightly inferior to the mirrored recording was equalized to minimize the difference, so you won't notice any difference at first glance. I was able to edit it very smoothly. Since it is a new Dylan sound source made by the legendary taper, there is a high possibility that other items will be released, but even the cuts that were damaged in "Like A Rolling Stone" have been carefully adjusted. The only thing I showed was the title! Greek Theatre, Los Angeles, CA, USA 10th September 1989 ULTIMATE SOUND Disc 1 (36:58) 1. Intro. 2. Most Likely You Go Your Way (And I'll Go Mine) 3. Gotta Serve Somebody 4. Positively 4th Street 5. I Want You 6. Stuck Inside Of Mobile With The Memphis Blues Again ★6:55 - Compensation until the end 7. Simple Twist Of Fate ★0:00 - 0:26 Compensation Disc 2 (59:51) 1. Blowin ' In The Wind 2. To Ramona 3. Mr. Tambourine Man 4. Don't Think Twice, It's All Right 5. Knockin' On Heaven's Door 6. One Irish Rover 7. It Takes A Lot To Laugh, It Takes A Train To Cry 8. In The Garden 9. Like A Rolling Stone ★2:17 - 2:19 / 2:28 - 3:42 Compensation 10. It's All Over Now, Baby Blue 11. All Along The Watchtower Bob Dylan - vocal & guitar G. E. Smith - guitar Tony Garnier - bass Christopher Parker - drums
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