Black Sabbath/UK 1986 Upgrade
Black Sabbath/UK 1986 Upgrade
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The famous recording that represented the Ray Gillan era is reprinted from the original master. What is engraved on the famous recording is “May 21, 1986 Sheffield performance”. It is the best full audience recording. This recording is truly worthy of being called a masterpiece. It is a masterpiece that conveys how wonderful the full live performance of the Ray era was. Speaking of live shows from the Ray era, there are also Hammersmith performances that were included in the deluxe edition of “SEVENTH STAR” and Texas performances on FM broadcast, but both are very short and far from full. Moreover, the Hammersmith performance sound board (despite being made official) is a completely useless SBD, and there are many enthusiasts who feel embarrassed that this has become the representative sound source of the Ray era. Of course, what has healed the thirst of such maniacs is the finest full audience recording. Among them, there is a sound source that is highly praised by enthusiasts all over the world and reigns as one of the top three. These are the Leicester performance “SEVENTH ZONE” which is familiar to our store, the Nottingham performance “LAST GIG WITH RAY”, and the Sheffield performance of this work. Moreover, these three books are a genuine trilogy. In fact, all of them were recorded by the world-famous master ``Crazy S.'' and were made directly into CD from original cassettes provided directly by the artist. For sound source enthusiasts, it is no exaggeration to say that ``Rey Era Sabbath'' is ``Crazy S.'s work.'' This work is a re-digitization of such historical “Crazy S.” master using modern equipment. I'm concerned about the reborn quality, but when it comes to "SEVENTH STAR TOUR 1986", it's a little complicated because there is also a replacement play with Glenn Hughes. First of all, let's check the position from the overall picture of the tour in order to solidify the image of this work. [“SEVENTH STAR” released on January 28th]・March 14th: Rehearsal・March 21st-26th: North America #1 (5 performances) “Glenn fired → Ray joins”・March 29th-April 19th Sunday: North America #2 (14 performances) / May 21st - June 4th: UK (12 performances) ←★Here★《Production of “THE ETERNAL IDOL” begins in October》 This is the outline of “SEVENTH STAR TOUR”. Glenn was fired after only the first five performances, and Ray took over the rest. The tour only held about ten performances in North America and the UK, but of course the "Crazy S. Trilogy" was the "UK" tour. The Sheffield performance of this work was the opening day concert (by the way, "SEVENTH ZONE" was the 6th performance, and "LAST GIG WITH RAY" was the 12th and final performance.The first, middle, and final parts of the trilogy are total. You can see it from above). This work is truly the best. The masterpiece “TO DO OR DIE” was the first to be digitized from the original master, but its upgrade is obvious. It was natural for “TO DO OR DIE” to reign as one of the three champions, but this work is even more lustrous. Not only does it have a solid bass that separates the audience, but the midrange also resonates richly, giving you plenty of feedback. What's even more amazing is the extension of the treble and the stereo feel. It seems to be much smoother than ``TO DO OR DIE'' and shines with a metallic luster, and the stereo sound, which was a little unstable at times, is also crisper. The original cassette was filled with so much sound... It's so good that it leaves you breathless. Aside from the fact that the official version of the Hammersmith performance is too bad, it is a sound that surpasses the top of the famous recording that I would like to proudly call ``just like an official level''. The full show of the Ray era depicted with that sound is wonderful. The Ray versions of "Children Of The Sea", "Turn To Stone", "Heaven And Hell", and "Children Of The Grave", which cannot be heard on the two types of soundboards mentioned above, are also delicious, but the full show that covers them is a complete experience. is the best. The live performance of the “SEVENTH STAR” number is rare, and in Ozzy’s song, the metal voice creates a mystery, and he heroically sings Ronnie’s difficult song that even Gillan and Glenn could not sing. The bluesy rock of the BADLANDS era suited her well, but even with SABBATH's profound and metallic worldview, you can hear her unique singing voice to the fullest. Although Rei is the most important, the other members cannot be overlooked. Although it is not often talked about, Jeff Nichols is actually the driving force behind it. Although he has been Iommi's right-hand man for a long time from the "HEAVEN AND HELL" era to the Reunion era, it is during this period that you can enjoy his synth sound the most. Although he doesn't do flashy solos, his thick and cold synth sound gives SABBATH a sense of mystery, and yet it also has a 80's feel to it. And when combined with Eric Singer's drumming, which uses a lot of metal, and Ray's high notes, it becomes truly metallic. Ray Gillan was able to sing songs by famous singers throughout history, and at the same time, he had a strong personality. The later Tony Martin was so Ronnie-like that he made Ronnie say, ``That's just like me,'' but Ray was unlike anyone else. It is the highest peak board of historical famous sound sources that penetrates the full show with the highest quality. A ``true masterpiece'' that blows away the lacklusterness of the official deluxe edition. Live at City Hall, Sheffield, UK 21st May 1986 TRULY PERFECT SOUND(from Original Masters)*UPDRADE Disc 1 (44:41) 1. Supertzer 2. Mob Rules 3. Children Of The Sea 4. War Pigs 5. Danger Zone 6 . Heart Like A Wheel 7. Symptom Of The Universe 8. Sweet Leaf 9. Zero The Hero/Sphinx 10. Seventh Star Disc 2 (56:43) 1. Member Introduction 2. Turn To Stone 3. Drum Solo 4. Die Young 5. Black Sabbath 6. Bass Solo 7. N.I.B. 8. Neon Knights 9. Heaven And Hell 10. Guitar Solo 11. Sabbath Bloody Sabbath/Heaven And Hell 12. Children Of The Grave 13. Supernaut(Intro) 14. Paranoid Tony Iommi - Guitars Ray Gillen - Vocals Dave Spitz - Bass Eric Singer - Drums Geoff Nicholls - Keyboards
Disc 1 (44:41) 1. Supertzer 2. Mob Rules 3. Children Of The Sea 4. War Pigs 5. Danger Zone 6. Heart Like A Wheel 7. Symptom Of The Universe 8. Sweet Leaf 9. Zero The Hero/ Sphinx 10. Seventh Star Disc 2 (56:43) 1. Member Introduction 2. Turn To Stone 3. Drum Solo 4. Die Young 5. Black Sabbath 6. Bass Solo 7. N.I.B. 8. Neon Knights 9. Heaven And Hell 10 . Guitar Solo 11. Sabbath Bloody Sabbath/Heaven And Hell 12. Children Of The Grave 13. Supernaut(Intro) 14. Paranoid Tony Iommi - Guitars Ray Gillen - Vocals Dave Spitz - Bass Eric Singer - Drums Geoff Nicholls - Keyboards