Black Sabbath/Tokyo,Japan 1980 FM Broadcast
Black Sabbath/Tokyo,Japan 1980 FM Broadcast
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From BLACK SABBATH's 1980 Japan tour, the third installment of "No way!?" will be released from overseas at the Nakano Sun Plaza performance in Tokyo on November 18th! When it comes to “Miracle Man recording” and “sound board sound source leaked by related parties”, what remains is “FM source”. Reuse of existing issue? Yes, of course, the first original master with super high sound quality! The quality is as good as that "DARK KNIGHT"! This is a unique collector's item that should be loved by those who are SABBATH enthusiasts! The sound source of BLACK SABBATH's first visit to Japan has been increasing at a remarkable pace in recent years, and the state of all performances has been revealed in various audience recordings. However, until recently, there was a time when the Nakano Sunplaza performance on November 18th, the fourth day in Tokyo, was outstanding, and the only other performances available were the Osaka performance on the final day. The reason why November 18th was so special was because the live show on that day was being broadcast on the radio (despite the accident of Iommi's sudden illness). The source that air-checked this broadcast has produced various titles since the early days of collector's items. Furthermore, after that, sound board sound sources appeared and audience recordings were discovered, and this day's live became even more popular. The Shades label's "DEMONIZATION" was the first item to bring together these three different sources. Being able to check out different ensembles and musical tones for the same live performance in one single video gave fans the fun of ``listening and comparing.'' However, recently, Miracle Man recording “EVIL MAN”, sound board “DARK KNIGHT”, and definitive masters that far exceed “DEMONIZATION” have appeared one after another. Although the status of the remaining FM sources was relatively declining and the newly discovered “BLACK LINE: FM LIVE SPECIAL” appeared, the difference in “class” was clear. However, it is something that “is in some places”. The masters provided by collectors who were impressed and inspired by the high quality of “EVIL MAN” and “DARK KNIGHT” were truly excellent FM sources comparable to the two definitive editions! The state of preservation and freshness of the tape shows almost no deterioration even after more than 30 years, and the outstanding clarity makes it clear that it is master grade! Of course, the Japanese DJ that was impressive in the bonus "BLACK LINE" is also included (of course, the poor reception that was in the previous release does not exist). Furthermore, “Supertzar”, which was short in its previous release, is recorded for more than a minute, so even enthusiasts who poke at the corners of Jubako will groan. In the FM broadcast, the first song is "Neon Knights," but in order to go "above the perfect master," this work includes a special bonus of "War Pigs," which follows "Supertzar." You can enjoy the live performance as it unfolds according to the actual set. This "War Pigs" used the "DARK KNIGHT" soundboard master. The keyboard is quite large in the FM source, so you can clearly see the difference in the mix in the flow to the second song "Neon Knights". On the other hand, it is also a surprising moment to see that even when compared to that "DARK KNIGHT", it does not give up one step. In addition to the clarity and resolution of the sound, there is also a high degree of stability and ideal sound balance.If you don't know anything about the situation, the difference is as simple as "I wonder if I played with the knobs on the mix console." This bonus recording was impossible with the “BLACK LINE” master. This one point alone allows you to understand the high quality of this sound source! From this point on, you can enjoy "DARK KNIGHT" level clarity and the characteristic band ensemble unique to FM sources. Not only Ronnie, but also Iommi, Geezer, and Vinny's play is naturally impressive. Furthermore, the biggest listening point of this work is Jeff Nichols' keyboard!!! As is known from previous FM sources, the keyboard jumps out vividly from the right channel on songs such as "Neon Knights", "N.I.B.", and "Children Of The Sea" ” is also full of the clear sound and listening pleasure that is unique to this work. Jeff's play here is not only the keyboard tone, but also the sampling in the chorus part and the actual singing voice, so expressive that you will be surprised to see that he was playing like this! It is clear from the existing sound source that Ronnie and Geezer were ad-libbing on "Heaven And Hell" when Iommi fell ill due to a sudden illness, but here Jeff also played a lot of different things as well as the other members. I can see that it was. Even among collector's items that remain in Sabbath's history, I can't think of any other sound source that allows you to listen to Jeff's playing to this extent! Furthermore, in the song "Heaven And Hell", the voices of the audience responding to Ronnie's encouragement are realistically captured, making you feel the excitement of the live performance. However, not only this song, but also the excitement during the songs between songs is recorded on a par with audience recording, and this rawness also brings out the individuality of the sound source! Iommi's health reached its limit during "Iron Man" and the live performance ended in an aborted manner. In the back of the outro that concludes the program, you can realistically hear the audience angry at the lack of an encore, exclaiming, "What's wrong with the encore?" and the contrast with the calm tone of the announcements is clear. is expressed in. Since "EVIL MAN" and "DARK KNIGHT" are known as the highest peaks of the same day, many fans may be wondering, "Will FM be pressed further?" However, I believe that the unfathomable charm and mission of collector's items is to satisfy the maniac's desire to know everything about existing sound sources. And, because it is a master that is suitable for it, it will invite many enthusiasts to the depths of rare sound sources this time as well. Of course, it's perfect for those who are enthusiastic about it, but the easy-to-understand sound unique to radio broadcasts is perfect for beginners as well. The "third masterpiece" that will let all fans know the fun that can only be found as a collector's item is here! Live at Nakano Sunplaza, Tokyo, Japan 18th November 1980 AMAZING FM MASTER(HUGE UPGRADE) 1. DJ. Intro(Supertzar) 2. War Pigs 3. Neon Knights 4. N.I.B. 5. Children Of The Sea 6. Sweet Leaf 7. Drum Solo 8. Sweet Leaf (Reprise) 9. Lady Evil 10. Black Sabbath 11. Heaven And Hell 12. Iron Man 13. Outro. Tony Iommi - Guitars Ronnie James Dio - Vocals Geezer Butler – Bass Vinny Appice - Drums Geoff Nicholls - Keyboards FM BROADCAST RECORDING
1. DJ. Intro(Supertzar) 2. War Pigs 3. Neon Knights 4. N.I.B. 5. Children Of The Sea 6. Sweet Leaf 7. Drum Solo 8. Sweet Leaf (Reprise) 9. Lady Evil 10. Black Sabbath 11. Heaven And Hell 12. Iron Man 13. Outro. Tony Iommi - Guitars Ronnie James Dio - Vocals Geezer Butler – Bass Vinny Appice - Drums Geoff Nicholls - Keyboards FM BROADCAST RECORDING