An "unknown master" who has suddenly appeared and is shocking collectors all over the world. Two amazing live albums that tell the story of that impact will be released at the same time. The main character of this shocking work is BLACK SABBATH's “DEHUMANIZER Tour”. The 2CD “DEFINITIVE PARIS 1992” will be released, and this work is its sister edition. This is a superb audience recording of “September 14, 1992 Winterthur Performance” by the same recording artist collection. It is the day before “DEFINITIVE PARIS 1992”, but let’s look back at the tour schedule here as well. [“DEHUMANIZER” released on June 22nd]・June 23rd – July 4th: South America (9 performances)・July 24th – August 9th: North America #1 (13 performances)←※DEFINITIVE BOSTON 1992・August 15: SUPER ROCK MANNHEIM appearance ・September 1-25: Europe (12 performances) ←★Coco★ ・October 12-November 13: North America #2 (24 performances)《November 13 : Ronnie leaves/replaced by Rob》 November 14th + November 15th: Appears at Ozzy's retirement performance [A new collection of amazing masters] This is 1992's BLACK SABBATH. The tour was centered around the Americas, but they also toured Europe in the fall. The Winterthur performance of this work was the 8th concert of the “European” leg. Speaking of Europe in 1992, the Italian performance pro shot of the “MONSTERS OF ROCK tour” is also famous, but this work is two days later. By the way, Sabbath only participated in one performance in Italy on the MOR tour. In fact, the MOR performance was held in Barcelona on this day, but Sabbath (and the opening act TESTAMENT) was in Switzerland. This work recorded at such a show is the best audience recording with "super". This show itself has a previously released “DEHUMANIZING SWITZERLAND”, but this work is a completely different recording. It is a brand new first appearance recording published by the same recording artist as “DEFINITIVE PARIS 1992” which will be released at the same time. The quality itself is completely the same. The core is close-fitting and extremely thick, and the sense of separation and fineness of the details are comparable to the soundboard super masterpiece "DEFINITIVE BOSTON 1992: PRE-FM MASTER". Speaking of different, it's nuance. “DEFINITIVE PARIS 1992” was very sound board-like, whereas this work has a slight hall sound absorbed. This difference is probably due to the venue. While the Paris performance had about 1,400 people, the venue for this production had about 3,000 people. The venue is comparable to Zepp Tokyo or Osaka Festival Hall in Japan. However, the sense of spectacle of this work is not inferior...or rather, some people may prefer it to the Paris performance. The casual hall sound of the phono is amazing because it not only gives the performance sound depth but also has a metallic luster. Anyway, the guitar riff and bass run shine with a glossy terra terra. On top of that, the sharp edges are not rounded in the slightest, so the hole sound even adds to the sharpness. You may be able to imagine this feeling if you remember ``HEADLESS CROSS'' or ``TYR.'' Precisely because of that exquisite echo, the two great albums are majestic and majestic. And the weight of the performance changed from "heaviness" to "profound feeling." [Famous songs reborn with a profound and magnificent sound] Yes, the true value of this work is that you can enjoy the famous songs of Ronnie's era with majestic sounds such as "HEADLESS CROSS" and "TYR". Here, let's organize the famous songs. 70's Numbers (4 songs)・Black Sabbath・Paranoid: War Pigs/Iron Man/Paranoid 80's Numbers (5 songs)・Heaven & Hell: Children Of The Sea/Die Young/Heaven And Hell/Neon Knights・The Mob Rules Dehumanizer (5 songs) ・Computer God/Time Machine/I/Master Of Insanity/After All (The Dead)...and so on. Unlike the later HEAVEN & HELL project, he also sings songs from the Ozzy era, and will also perform the rare song "Master Of Insanity". Well, to put it bluntly, the set itself is the same as “DEFINITIVE PARIS 1992” and “DEFINITIVE BOSTON 1992”, but when this is depicted with a “majestic yet super clear” miracle sound, it creates a completely different thrill. It's an unlikely story given the times, but you can enjoy the profound and magnificent Sabbath that you can't help but imagine, "If DEHUMANIZER had the TYR sound..." "DEFINITIVE PARIS 1992" was made into a press due to its ease of understanding and surprise, but it is this work that the more you chew, the more the unknown flavor oozes out. A shocking new excavation album that deep Sabbath collectors will find refreshing. Superb audience recording of "September 14, 1992 Winterthur Performance". This is the first appearance recording by the same recording artist as the press 2CD “DEFINITIVE PARIS 1992”, and although it has absorbed some hall noise, this work is also of a transcendental quality. What's more, the subtle sound not only adds depth to the performance, but also gives it a metallic luster, which is amazing. Anyway, the guitar riff and bass run shine with a glossy terra terra. On top of that, the sharp edges are not rounded in the slightest, giving it an even sharper feel. This feeling is just like "HEADLESS CROSS" or "TYR". It is majestic and majestic because of its exquisite echoes. This is a miraculous live album that sums up the Ronnie era with such a profound sound, and only enthusiasts can appreciate its awesomeness. Live at Eulachhalle, Winterthur, Switzerland 14th September 1992 TRULY PERFECT SOUND★First appearance, high quality sound source Disc 1(55:04) 1. E5150 2. The Mob Rules 3. Computer God 4. Children Of The Sea 5. Time Machine 6 War Pigs 7. I 8. Die Young 9. Guitar Solo 10. Black Sabbath Disc 2(42:11) 1. Master Of Insanity 2. After All (The Dead) 3. Drums Solo 4. Iron Man 5. Heaven And Hell 6. Neon Knights 7. Paranoid / Heaven And Hell (Reprise) Ronnie James Dio - Vocals Tony Iommi - Guitar Geezer Butler - Bass Vinny Appice - Drums Geoff Nicholls - Keyboards
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