Cozy Powell's era was a time when British talents gathered together and boasted outstanding performance. The No.1 raw 100% video has been decided to be released. Sabbath from the Cozy era has been hidden in the darkness of history, while leaving behind many great performances. The playing ability of the lineup, which consisted of only veterans of wars, was amazing, and they were not just good performers, but also had character and an exquisite match with their musicality.Everything about this quartet was miraculous. However, the stage record is devastating, and the official record is that there are only two songs on the B side of the single, and there is no video. There is also a pro shot “HEADLESS IN RUSSIA” in Moscow in 1989 in the underground, but this work is the second definitive masterpiece. It is the No. 1 super masterpiece that is unparalleled as an audience shot from the Cozy era. What is engraved in this work is “Stockholm performance on June 16, 1995”. This is an audience shot from when I performed at the Swedish music festival "KARLSHAMN ROCK FESTIVAL". During “FORBIDDEN TOUR 1995”, Cozy left and was replaced by Bobby Rondinelli. Therefore, many enthusiasts are confused as to whether "1995" is Cozy or Rondinelli. First, let's organize the transition and check the show's position. [“FORBIDDEN” released on June 1st] ・June 4th + 16th: Northern Europe (2 performances) ←★Here★ ・June 29th - August 3rd: North America (25 performances)《Leaving Cozy → Joining Rondinelli》・August 19th - November 13th: Europe (56 performances) ・November 16th - 22nd: Asia (4 performances) ・December 12th + 14th: Asia (2 performances) This is the whole world tour. Koji was dissatisfied with his agent who could only book clubs, and due to family circumstances, he decided to leave Sabbath. However, he did not give up midway and completed the North American tour with zero cancellations, and handed over the stool to Rondinelli when he returned to Europe. This work's "KARLSHAMN ROCK FESTIVAL" was held before starting such a North American tour. It is one of the two North American festival performances that I participated in as a warm-up. [No. 1 transcendental shot in the Cozy era] This show is also known as the “miracle show” among core enthusiasts. The reason for this is that many superb records were created from just one show. Not only was a valuable FM sound board left from the radio broadcast, but a transcendent audience recording that even surpassed that sound board was born. Both have been released on CD as ``STILL HEADLESS'' and ``DEFINITELY FORBIDDEN'' and are loved as one of the best masterpieces of the Cozy era. However, there are other examples as well. The real reason why this day is called miraculous is that even the footage was left in excellent quality. Yes, that is this work. It is an audience shot that was once introduced as “KARLSHAMN ROCK FESTIVAL 1995”, but it is a super upgraded version. In fact, the quality of this work is transcendent. For those who don't know about the previous episode, to start with, the great thing about this video is the close-up and stability. In any case, there are so many close-ups that I can't even tell where they were taken. Judging from the angle, it seems like the seats are on the first floor to the left of the stage (near Neil Murray), but what is shown on the screen is a bust-up of Iommi & Martin's Double Tony. Of course, when it comes to the highlights, the attention shifts to Neil and Koji, who are also super close up. The gesture of throwing the stick, each string of the bass, and the grin on his face are all captured extremely close up. Even by today's standards, where zoom functionality has improved dramatically, it's a ferocious zoom that's hard to remember. It's amazing how stable it is despite that much zoom. I think he was using a tripod because the camera work was choppy, but he kept zooming in and attacked each member, and held them firmly in the middle. Although it is a one-camera audience as a type, it is of a quality that would be more suitable as a professional shot from one angle or a shot of people involved in setting up the venue. This work is the pinnacle of such super shots. It has been digitized since the 1st Gene Master, and the visual beauty with almost no noise, glossy colors, and clear details are incomparable to previous releases! Although it has been talked about as a professional shot-level zoom even in previous releases, the image quality of this work has also risen to the level of a professional shot! And even the sound is as good as the transcendental sights, so you'll be blown away. Although it is one step short of "DEFINITELY FORBIDDEN", which is touted as a transcendent song in the entire history of Sabbath, it is still in the soundboard class, and it was remastered by an overseas enthusiast who owns the 1st Gene Master. Although it wasn't perfect because there was a 30-second drop in the sound in the middle of "The Shining," the video and audio are a masterpiece that will be preserved forever. [Set list that is too special for only once] Of course, no matter how high the quality is, if the show is no good, it won't be called a miracle. This work is rather the opposite, and the show is also special. You can also experience the cozy version “The Wizard” and “Sabbath Bloody Sabbath”, which are the highlights of 1995, but even more special is the ballad “I Won’t Cry For You”. I played this song only once that day. You will be able to witness the ultimate super rare number in Sabbath history in the finest sight. Furthermore, the composition of the show has also changed. Normally, the encore should be "Paranoid". However, in this work, it is the highlight of the main set, and the encore is "Iron Man" and "Sabbath Bloody Sabbath". Because it is the second performance of the tour, we are trying out various things, and it is a special one that even has a mysterious feeling that cannot be seen anywhere else. [More valuable professional shot bonuses] This work includes two additional valuable bonuses. First of all, a super valuable multi-camera pro shot. This is from when he participated in the "ESBJERG ROCK FESTIVAL" performance on June 4, 1995, and it was one show before the main event "KARLSHAMN ROCK FESTIVAL". Although there is only one song “Paranoid”, the professional shot that was broadcast on TV still exists. The only professional shot from the Cozy era is “HEADLESS IN RUSSIA” and this one song. Although it is a professional shot, it is not as transcendent as the main shot, but the power of multi-camera is still amazing. The finishing scene where four people face each other will send shivers down your spine. And finally, the only promo clip of “FORBIDDEN” is “Get A Grip”. The comic-like animated PV drawn on the album's jacket showed the members moving around, and at the time it became a hot topic, calling it the worst clip ever because it was so un-Sabbath-like. Since it is a popular work, several types have been uploaded to a certain video site, but this work is of higher quality than any of them. It is not an air check at that time, but a rebroadcast master of the digital age, and the video and audio are completely official. It covers the ultra-high quality audience shot version, which is undoubtedly No. 1 in the Cozy era, and the ultra-rare professional shot live and clips. This is a piece that allows you to collect the pinnacle images of the "FORBIDDEN" era all at once. Karlshamn Rock Festival, Bellevueparken, Sweden 16th June 1995 AMAZING SHOT(UPGRADE) (83:24) 1. Children Of The Grave 2. Neon Knights 3. The Shining 4. The Wizard 5. War Pigs 6. Headless Cross 7. Guitar Solo 8. Rusty Angels 9. When Death Calls 10. I Won't Cry For You 11. Mob Rules 12. Black Sabbath 13. Paranoid/Heaven And Hell(reprise) 14. Iron Man 15. Sabbath Bloody Sabbath PRO-SHOT BONUS Esbjerg Rock Festival, Vognsbolparken, Esbjerg, Denmark 4th June 1995 16. Paranoid/Heaven And Hell(reprise) 17. Get A Grip (Clip) COLOR NTSC Approx.83min.
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