Ian Gillan + BLACK SABBATH is a phantom unit that left a strange charm in rock history but ended up in a bubble. Two new titles that convey the scene have been decided to be released at the same time! This is the second of two consecutive works. It is a powerful audience recording of the "October 2, 1983 Zwolle performance". In the commentary on the simultaneously released "OFFENBACH 1983", the famous sound board was used as a foothold to confirm the position of the show, but here we will look at the positional relationship with the audience's two great masterpieces "COMPLETE STOCKHOLM 1983" and "CHICAGO 1983: DEFINITIVE EDITION". 1983 {August 7th "BORN AGAIN" released} August 18th-28th: Europe #1 (7 performances) ←※COMPLETE STOCKHOLM 1983 September 13th-October 3rd: Europe #2 (15 performances) ←★Here★ October 17th-November 30th: North America #1 (32 performances) ←※CHICAGO 1983 1984 January 25th-March 4th: North America #2 (25 performances) {April 27th: DEEP PURPLE reunited} This is BLACK SABBATH in the Ian Gillan era. The two great masterpieces were the masterpieces of "Europe #1" and "North America #1", respectively, but this work's Zwolle performance is "Europe #2" that connects them. It is a live album that will be its masterpiece. The simultaneously released "OFFENBACH 1983" is also the same "Europe #2", so let's focus on the dates and check each position. Details of Europe #2 ・September 13: Barcelona performance * September 14 "GILLAN IS A ROCK 'N' ROLL DOCTOR (Madrid)" ・September 15-15 (3 performances) * September 18 "OFFENBACH 1983" ・September 19-25 (5 performances) * September 27 "GERMANY 1983 (Neunkirchen)" * September 28 "GERMANY 1983 (Böblingen)" * September 30 "DEFINITIVE PARIS 1983 (SBD)" ・October 1: Brussels performance *October 2: Zwolle performance ←★This work★ ・October 3: Nijmegen performance This work was the 14th performance of the final edition. "Europe #2" is a collection of masterpieces that are no less than others, but why is this work the masterpiece among them? It is the strength of the on core. It is comparable to the two great press masterpieces "COMPLETE STOCKHOLM 1983" and "CHICAGO 1983", and it is a trilogy with this work sandwiched between them. In terms of clarity, "OFFENBACH 1983" may be better, and the gorgeous sound of "GERMANY 1983 (Neunkirchen)" is also beautiful. However, if you are looking for a sound board-like ease of listening and a sense of closeness, this work is the masterpiece. Moreover, this work is the complete version. The recording of this day has a tape change cut in "Iron Man" and "Paranoid", but this work is complemented by a separate recording. It is a complete album that allows you to enjoy the full show seamlessly. The direct sound depicts the full show, which is the final edition of the transitional period "Europe # 2". Since we have cited the two great masterpieces so far, let's organize them while comparing the sets. Devil's Child (4 songs) Hot Line / Disturbing The Priest / Zero The Hero / Digital Bitch (*) Classics (8 songs) Ozzy era: Children Of The Grave / War Pigs / Supernaut / Rock 'n' Roll Doctor / Iron Man / Black Sabbath / Paranoid Others: Heaven And Hell (★) / Smoke On The Water *Note: "★" marks "COMPLETE STOCKHOLM 1983" and "*" marks songs that could not be heard in "CHICAGO 1983". ...And so it goes. "Europe #2" was a time when the set was changing day by day, but by the end, rare songs from the early days of the tour such as "Born Again" and "Keep It Warm" were no longer available, and "Heaven And Hell" was also introduced. The set is very similar to the next "North America #1". There are no rare songs, and the genesis has not been confirmed. Although the pressing was postponed due to these two points, the content is a new masterpiece that is close to the two major pressing masterpieces. This work itself is one of the best full live albums of the “BORN AGAIN Tour”, and if you combine it with “COMPLETE STOCKHOLM 1983” and “CHICAGO 1983”, you can enjoy the pleasure of traveling through each leg with the masterpieces. A powerful audience recording of the “October 2, 1983 Zwolle performance”. It is a masterpiece recording with a strong on-core, which is comparable to the two great masterpieces “COMPLETE STOCKHOLM 1983” and “CHICAGO 1983”. The original sound has tape change cuts on “Iron Man” and “Paranoid”, but it is a complete version that is supplemented with a separate recording, and it is a complete live album that allows you to enjoy the precious full show of the Ian Gillan era seamlessly.
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