A legendary recording that has ruled the throne of “TYR TOUR 1990”. The highest peak master in history is now available on 2CD. The live album of such a champion was born at “Milan performance on October 1, 1990”. It is the super best audience recording. This recording has long been known as the pinnacle of “TYR TOUR”. In Japan, this is a famous recording that has been introduced as "ROAD OF TYR" by the prestigious BONDAGE label. This work is a new master that updates the highest peak. This recording has continued to be the gospel of SABBATH mania. In the long history of SABBATH, there are only three album tours in which no soundboard was left. For those three tours, audience recording was required to serve as a “soundboard substitute,” and intense discussions among collectors have taken place. First of all, let's organize the three tours and the top works recognized by maniacs around the world. ●MASTER OF REALITY TOUR 1971-1972 → "BEGGARS' BANQUET DANCE 1971" ●THE ETERNAL IDOL TOUR 1987 → "SAKUNTALA" ●TYR TOUR 1990 → [This work] Apart from the detailed tour of reorganized SABBATH, the regular tour accompanying the album Only the above three do not have a sound board. At our store, we are introducing the highest quality records of each top recording, and this work will be the last one. In fact, the sound of this work is overwhelming. It's just a "soundboard replacement"...or should I say, "it's like a soundboard" on the ground. Not only is it direct with no sense of distance, but it also has a sharp rise in sound, fine detail, and a glossy sound. It is definitely an audience recording as it also absorbs the lively applause, but as soon as each song starts playing, it is so exquisite that you fall into the illusion of listening to the best FM recording. That awesomeness was felt in the masterpiece “ROAD OF TYR”, but this work is even more so. The best thing about it is that it's natural. ``ROAD OF TYR'' also had a sound that could be called a masterpiece, but the sound balance was somewhat unstable (perhaps due to the trend at the time), and the mastering to increase sound pressure was harsh. However, the master of this work is definitely a younger generation than that, and the details and sounds are really natural and neat. As a note to core collectors, the highest peak sound of this recording has been considered by enthusiasts around the world to be the legendary analog "DIES IRAE". However, this work exceeds even the legendary LP. There are no limiter marks due to applause that were present in "DIES IRAE", and there is almost no noise in the second half. Above all, "Heart Like A Wheel", which had been cut, and the bass solo/guitar solo before and after it are also completely included. You can seamlessly enjoy a full show with a sound comparable to that legendary LP. The show drawn with such quality is a dramatic SABBATH of supreme bliss. Another “TYR TOUR” pinnacle “OSNABRUCK 1990” will be released at the same time, but the time is actually different from this work and the set is also different. So, first of all, let’s check the show position in the overall tour image. [“TYR” released on August 6th]・September 1st-13th: UK (10 performances)・September 25th-October 2nd: Italy (6 performances)←★Here★・October 3rd- 6th: Switzerland (3 performances), October 8th + 9th: Austria (2 performances), October 10th-24th: Germany #1 (11 performances), October 26th-November 1st: Northern Europe/ Belgium/Netherlands (5 performances), November 3rd-28th: Germany #2/Luxembourg (7 performances) [December: Return of Geezer Butler] This is the summary of the short “TYR TOUR”. The tour started from his home country of England, but the Milan performance of this work was immediately after that. This was the fifth concert of the Italian tour. Most of the masterpieces of “TYR TOUR” are born from “Germany #1”, but this work is much earlier than that. The set has been changed even during this short period, and this work includes "War Pigs" and Cozy's drum solo, which are not included in the representative works of "Germany #1", and "The Sign Of The" which is the intro of "Black Sabbath". You can listen to "Southern Cross." The vivid arrangement that instantly switches from “When Death Calls” to “War Pigs” with one shot from Cozy is scary cool, but the biggest thing to listen to is Cozy’s drum solo. Cozy rarely had solo time in Sabbath, but he did perform solo in a small portion of 1990. Unlike EL & POWELL, you can hear plenty of dramatic solos for about 10 minutes with the orchestral tape of “Mars” in the background. Moreover, this work is the final stage. After this, there is a story that there was a solo performance at the Switzerland performance, but the Milan performance is the last one that remains in the recording. He also did drum solos in the subsequent BRIAN MAY BAND, but they were also short versions that were inserted between songs, so there is a good chance that this is the last large-scale drum solo of Cozy's life. There is. In the history of the heavy hitters BLACK SABBATH, there is no doubt that ``TYR'' was the pinnacle of noble drama. This is a super masterpiece of a live album that revives the peak recording of that era with a sound that updates the peak. Unfortunately, 28 years have passed without a sound board being discovered, but this is a rare masterpiece that will cure that thirst and convey the true value of "TYR TOUR". The Rolling Stone, Milan, Italy 1st October 1990 PEREFCT SOUND Disc 1 (44:58) 1. Ave Satani/The Gates Of Hell 2. Neon Knights 3. Iron Man 4. Children Of The Grave 5. Anno mundi (The Vision) 6. Headless Cross 7. When Death Calls 8. War Pigs Disc 2 (54:42) 1. Bass Solo 2. Heart Like A Wheel/Guitar Solo 3. The Law Maker 4. Drums Solo incl. Mars ★ 5. The Sign Of The Southern Cross Intro 6. Black Sabbath 7. Die Young 8. Heaven And Hell 9. Paranoid/Heaven And Hell(reprise) Tony Iommi - Guitar Tony Martin - Vocal Neil Murray - Bass Cozy Powell - Drums Geoff Nicholls - Keyboards
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