The legendary recording, which has been praised as "the apex full live album of the Ian Gillan era," has been updated to its highest peak. The original master sound CD, which has been polished by meticulous mastering by "GRAF ZEPPELIN," has been decided to be released. The legendary recording was born at the "Chicago performance on November 18, 1983." This is the finest audience recording. Some people may think, "Is the audience the highest peak even though there is an official SBD?" or "The peak is CAPTURED LIVE 1983, right?" The key here is "full." The official Dela Eddy Reading Festival and our "CAPTURED LIVE 1983: PRE-FM MASTER" were super masterpieces, but they were not full recordings of the show. Even today, 40 years after the scene, the "full experience of Gillan Sabbath" can only be an audience recording, and this work is its apex, symbol, and highest peak. So, what kind of position was the show engraved in this work? First, let's look at the schedule at that time. 1983 {August 7th "BORN AGAIN" released} August 18th-28th: Europe #1 (7 performances) ← * Official Reading September 13th-October 3rd: Europe #2 (15 performances) ← * EUROLINES October 17th-November 30th: North America #1 (32 performances) ← ★ Here ★ 1984 January 25th-March 4th: North America #2 (25 performances) {April 27th: DEEP PURPLE reunited} This is the whole picture of the "Gillan era", which is a singular point in Sabbath history. The Chicago performance of this work was the 24th performance of "North America #1". The Worcester performance of "CAPTURED LIVE 1983" was also "North America #1", and this work was just two weeks later. The audience recording of such a show, vacuum packed, is a traditional masterpiece that has been loved by collectors around the world as "the pinnacle of the BORN AGAIN Tour". What is most striking is the fiercely on and extremely thick core. There is no sense of sparseness peculiar to the audience, and it feels like a completely zero distance. Along with that, the details are also unusually vivid, and it is a masterpiece that was actually traded as a sound board. It was in 2013 that the traditional recording underwent a revolutionary upgrade. The original tape master was unearthed, and the original sound was finally released to the world. It was also pressed as part of the "The Legendary Mater" series in our shop, but the overwhelming sound was a big hit. It is currently sold out and out of print. In this work, "GRAF ZEPPELIN" brushes up such a legendary original master. It has reappeared with the highest peak updated. Recently, GRAF ZEPPELIN has also started working on HR/HM, but their mastering method is "meticulous work and super natural". They do not allow even 1/1000th of a second of pitch or phase deviation, and they do not overlook bandwidth analysis or DC offset elimination. Even though they are so thorough, they do not make unnecessary sound pressure. They do not damage the sound that the tape is absorbing at all, and the noise processing is just before it damages the subtleties of the performance sound. They do not use flashy tricks, but faithfully reproduce the "sound of the scene". Therefore, depending on the thing, it will be a big change, and depending on the recording, the increase will be small. In fact, in the case of this work, it may be small, but still, the accuracy is undoubtedly the highest ever, and each of the detailed work polished with the spirit of "every dust accumulates to become a mountain" has been realized to create the best sound. Such a highest peak renewal sound depicts the "full show of the Gillan era", the most singular point in Sabbath history. Here, let's organize it while comparing it with the soundboard "CAPTURED LIVE 1983: PRE-FM MASTER", the most recent and reigning king. Born Again (3 songs) Hot Line / Disturbing The Priest (★) / Zero The Hero 70's Classics (7 songs) Paranoid: War Pigs / Iron Man / Paranoid Others: Black Sabbath / Children Of The Grave / Supernaut (★) / Rock 'N' Roll Doctor (★) Others (2 songs) Heaven And Hell / Smoke On The Water *Note: The "★" mark is a song that cannot be heard on the symbolic soundboard album "CAPTURED LIVE 1983: PRE-FM MASTER". ... and it is like this. In addition to this, instrumental SEs such as "Stonehenge" in the intro of "Iron Man" and "The Dark" before "Zero The Hero" are used. Although the soundboard takes of the three songs that cannot be heard in "CAPTURED LIVE 1983" can be heard in "EUROLINES", the quality is better in this work. And above all, the "experience" of enjoying the full show including those three songs in a consistent flow is overwhelming. And, in fact, the opening is extremely valuable. The familiar opening theme "Supertzar" is covered with a crying voice reminiscent of the baby of "BORN AGAIN", which is extremely rare. It is a production that was devised after the tour began, and then Iommi immediately stopped it saying "It's too bad taste". There are only two types of audience recordings left, let alone the soundboard, and the full length is only the Chicago performance of this work. Although I'm not arguing with Iommi, I think it suits him as much as he can, but this is the only work that can be enjoyed with the superb sound of soundboard class. "Ian Gillan + BLACK SABBATH" has a unique majesty as a singular point in the history of Sabbath... No, even in the history of British rock. This work is the highest peak update of the apex live album where you can enjoy the whole show. Now that sound boards can be easily listened to, the "top of the full live album" has become even more important. This is the best audience recording of the apex of the Ian Gillan era full live album "Chicago performance on November 18, 1983". It roars with a fierce on and extremely thick core zero distance feeling, and there is no sparse feeling at all. The details are also unusually vivid, and it is a legendary recording that goes "like a sound board", and the original master version is polished with meticulous mastering by "GRAF ZEPPELIN". It is an absolute work that allows you to fully experience the full show of the Gillan era, including "Disturbing The Priest", "Supernaut", and "Rock 'N' Roll Doctor", which could not be heard even on the symbolic sound board "CAPTURED LIVE 1983". (Remastering note) The sound is well-balanced and thick to begin with, and the sound quality is so good that there was no need to add any additional processing, so all that was added was a slight boost to the mid-to-high range. U.I.C. Pavilion, Chicago, IL, USA 18th November 1983 TRULY PERFECT SOUND(UPGRADE) Disc 1(47:03) 1. Supertzar 2. Children Of The Grave 3. Hot Line 4. War Pigs 5. Disturbing The Priest 6. Supernaut 7. Drum Solo 8. Rock 'N' Roll Doctor 9. Stonehenge 10. Iron Man Disc 2(38:40) 1. The Dark 2. Zero The Hero 3. Heaven And Hell 4. Guitar Solo 5. Black Sabbath 6. Smoke On The Water 7. Paranoid/Heaven And Hell(reprise) Ian Gillan - Vocals Tony Iommi - Guitar Geezer Butler - Bass Bev Bevan - Drums Geoff Nicholls - Keyboards
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