BLACK SABBATH in 1992, when Ronnie James Dio returned and embodied the ideal image of HR/HM in the dark 90s. Two collections of masters who convey the scene will be released at the same time. This is the first of two simultaneous releases. It is a superb audience recording of the "September 6, 1992 Southampton performance". Our shop handles the entire career of the heavyweight BLACK SABBATH, but the Ronnie era was particularly popular and we have archived as many masterpieces as possible. It's a good opportunity to organize the collection with an overview of the activities at that time and explore the position of this work. {June 22nd release of "DEHUMANIZER"} June 23rd - July 4th: South America (9 shows) ←※DEHUMANIZED IN THE SOUTH July 24th - August 9th: North America #1 (13 shows) ←※DEFINITIVE BOSTON 1992, etc. August 15th: Appearance at SUPER ROCK MANNHEIM September 1st - 8th: UK (6 shows) ←★HERE★ September 12th - 16th: Europe (6 shows) ←※DEFINITIVE PARIS 1992, etc. October 12th - November 13th: North America #2 (24 shows) ←※TOWARDS THE END {November 13th: Ronnie leaves/replaced by Rob → Appears at Ozzy's retirement show} November 14th + November 15th Two major peak albums alongside "DEFINITIVE COSTA MESA 1992" and "DEFINITIVE PARIS 1992" This is BLACK SABBATH in 1992. Among them, the two great masterpieces "DEFINITIVE BOSTON 1992: PRE-FM MASTER" and "DEFINITIVE PARIS 1992" reign as the pinnacle, but both of these two consecutive works are the "British" legs in between. The Southampton performance of this work was the fifth concert. This work, which recorded such a show, is the aforementioned "DEFINITIVE PARIS 1992" when it comes to the best audience of the "DEHUMANIZER Tour", but this work is no less than that. The close contact with zero distance, the sharp and tight outline, the vivid details, the separation feeling that never mixes ... everything can only be called "like a sound board". In fact, there is nothing inferior to "DEFINITIVE PARIS 1992" even if it is played alternately, and the only difference is that it can be heard by the difference in stereo feeling. Going further, it is not even inferior to the fully official top sound board "DEFINITIVE BOSTON 1992". The strongest and best "Crazy Tapes" collection of the 90s It's an extremely intense and transcendent sound, but there is a reason for that. In fact, this work is a masterpiece that jumped out of the currently popular "Crazy Tapes" collection (by the way, it is a completely different person who is completely unrelated to the familiar "Crazy S." of our shop). This person is a recording artist who releases one masterpiece after another of the superb sound masterpieces and relaxes collectors, and GUNS N' ROSES's "BERLIN 1992" and NIRVANA's "STOCKHOLM 1992" are also works of this master. Along with "Stephane", it is undoubtedly the strongest and best collection of the 90s. "Stephane"'s "DEFINITIVE PARIS 1992" and this work of "Crazy Tapes". Or "DEFINITIVE PARIS 1992" from continental Europe and this work from his home country, the UK. In any case, these two will be eternal rivals that will drown out all other audience recordings and compete for the top. Although it was ranked second because of the lack of "Paranoid", the sound quality, performance, and listening response are more than five minutes, making it a new masterpiece. A super-excellent audience recording of the "Southampton performance on September 6, 1992". A master excavated from the popular "Crazy Tapes" collection, it is a super-famous product of complete soundboard class. This is the birth of a new masterpiece that will be the two greatest peaks, along with Mr. "Stephane's" audience masterpiece "DEFINITIVE PARIS 1992". Mayflower Theatre, Southampton, England 6th September 1992 ULTIMATE SOUND
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