From the US tour of BLACK SABBATH's "HEAVEN AND HELL" in 1980, the mid-stage performance in New Haven, Connecticut on September 19th was recorded directly using the super high-quality audience recording master that would astound anyone who listened to it. It’s on record! The live sound source from this “HEAVEN AND HELL” tour is also known for having many fulfilling materials from before. As an example of recently released items, excellent titles have been released one after another, such as ``EVIL UNDER THE SUN,'' which sold out quickly upon release. Still, the clear and fresh high-grade sound that this work boasts is far superior to many items that have been released so far, and if you listen to the original sound source without knowing anything, you will realize that it was recorded just yesterday. You will be confused as to whether it is a sound source or a treasured line sound source. If you are going to listen to the audience recording of the “HEAVEN AND HELL” tour in the future, you should start with this work, and there is no doubt that it will become a classic that will be the first name mentioned among fans! The wide sound that spreads from the opening "War Pigs" creates the best sense of reality, and you can vividly experience the atmosphere of SABBATH live at the time when it became big with Ronnie James Dio. The parts where the right channel is extremely rare and silent in the original sound are carefully processed one by one, and the tape change cuts are also connected neatly to create an excellent version that is easier to listen to than the original sound source. It has been finished. Of course, everything has been adjusted, including the pitch. In addition to sparkling clarity and just the right amount of sound circulation, Ronnie's singing and Vinnie Appice's drums are placed firmly in the center, and Tony Iommi's guitar on the right channel and Geezer Butler's bass on the left channel are heard as if consciously. The sound image that is clearly captured as if it were separated is not so much a sound like a sound board, but a recording where the sound board gives way, and the titles on this tour that can compete with the power of the main sound source are: It seems that it is about the masterpiece "BRINGER OF EVIL". Many of SABBATH's famous songs have also gained a wonderful sound field and are becoming even more brilliant. "Neon Knights" has a sense of speed and weight that pierces like a sharp spear, "N.I.B." has Ronnie's singing voice that confuses the listener like a spell, and the fine tones and fantastic echoes of the sound create a song. The sound of this work packs a powerful punch into the listener's ears, such as "Children Of The Sea," which perfectly matches the song "Children Of The Sea." In "Sweet Leaf" and "Black Sabbath", where Ozzy Osbourne's unique singing expresses bottomless heaviness, Ronnie pushes the band's signature songs to even higher heights with his dramatic and bold singing, which is different from Ozzy. If you listen to the live performance, you will notice that the heaviness typical of SABBATH, as well as the drama and melody sense that Ronnie brought in, are concentrated in "Heaven And Hell", which is the highlight of the live performance. Iommi's solo part that connects "Iron Man" to "Die Young" is a part that fans are easily divided into likes and dislikes due to its length. Although it is a long performance of about 12 minutes, I would like you to listen to this solo again with its easy-to-listen and excellent sound quality. Iommi's rich sound rooted in jazz includes an evilly distorted roar, but also a delicate and beautiful play that belies the incarnation of heaviness, and the riff of "Sabbath Bloody Sabbath" is played in a jam style. You will be surprised when you notice the drawer. No matter how many times I listen to the band's explosive development with "Die Young" and "Paranoid" by utilizing the "reservoir" here, it is wonderful. From the opening to the show-closing “Children Of The Grave,” this work promises 101 minutes of excitement and emotion! The American tour that BLACK SABBATH conducted in the fall of 1980 was a famous joint tour known as the "BLACK & BLUE" tour, in which SABBATH and BLUE OYSTER CULT headlined on alternate days.BLUE OYSTER CULT served as the lead tour for this New Haven performance. I am. However, once the spectacular performance that can be heard in this work was shown first, the bar for the show required of the headliner became high, and even B.O.C. would have been difficult to overcome. Since the bands representing the UK and America were competing every day, it is no wonder that every show on this tour has great quality. As mentioned earlier, among the live sound sources of the "HEAVEN AND HELL" tour, which has produced many famous sound sources, this work is definitely the decisive audience recording title, and it shows its true true ability. Anyone who hears this will understand and bow down. Please enjoy the best live performance worthy of enjoying the legendary "HEAVEN AND HELL" tour with the best audience recording! Live at Veterans Memorial Coliseum, New Haven, CT. USA 19th September 1980 TRULY AMAZING/PERFECT SOUND Disc 1 1. Supertzar 2. War Pigs 3. Neon Knights 4. N.I.B. 5. Children Of The Sea 6. Sweet Leaf incl. Drums Solo 7. Black Sabbath Disc 2 1. Heaven And Hell 2. Iron Man 3. Guitar Solo 4. Die Young 5. Paranoid/Heaven And Hell(reprise) 6. Children Of The Grave Tony Iommi - Guitars Ronnie James Dio - Vocals Geezer Butler - Bass Vinny Appice - Drums Geoff Nicholls – Keyboards
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