Black Sabbath/Canada 1971 Upgrade
Black Sabbath/Canada 1971 Upgrade
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The traditional masterpiece recording representing the "MASTER OF REALITY TOUR" during the golden age of the golden age has been upgraded with a new master. The masterpiece recording is "Toronto performance on July 18, 1971". It is a superb audience album from the performance at the Canadian music festival "BEGGARS' BANQUET DANCE FESTIVAL". [The apex live album of the 3rd era] This show has been known for a long time, and the existing groups such as "WICKED SABBATH" and "MASTERR OF TORONTO" have been loved by enthusiasts around the world as the great masterpieces of Sabbath in the 1970s. The most important thing about this recording is that it is the apex record of the "MASTER OF REALITY TOUR". To understand the reason, let's organize the sound boards representing each tour in the 1970s.・1st tour: "DEFINITIVE MONTREUX 1970" ・2nd tour: "ULTIMATE OZZY OSBOURNE YERAS" (professional footage from Brussels, formerly known as Paris 70) ・3rd tour: None at all! ←★★Here★★ ・4th tour: "LIVE AT LAST" ・5th tour: "1974 (SBD of California Jam)" ・6th tour: "LIVE LONGEST... DIE AT LAST" ・7th tour: "DEFINITIVE PITTSBURGH" ・8th tour: Official footage "NEVER SAY DIE" And so on. There are a lot of great masterpieces lined up, both official and unofficial, but the only one that does not have any soundboards or professional shots is the "MASTER OF REALITY TOUR". This Toronto performance is a great recording that has continued to reign at the top of the tour as a substitute for such a soundboard. [Legendary recording revived by a newly excavated master] This work is the same recording as such a traditional work, but it is not a copy or remastered reprint of the previous work, but a new master excavated in recent years. The previous work has been said to be the 4th generation, but this newly excavated master is a much younger 2nd generation cassette. It is a type of recording that pauses between songs, and even at that time, it was faded in the previous work, but in this work, the stopping sound that can be heard is super realistic. However, the reality of such a tape is only proof of the new master. What is really wonderful is the upgraded sound. It was a type like a vintage sound board where the core of the performance sound reaches strongly because it has been representing the tour since the past, but this work is cloudy and clears up quickly while keeping the taste of the recording. In particular, the mid-high range is wonderful, and details such as distorted guitar and vocal breathing emerge vividly. Furthermore, it is a sense of stability that makes you feel the taste of the young generation. The already released group was amazing for the 4th generation, but the uneven rotation due to repeated dubbing was inevitable. Whether the power chord roared or the vocals were extended, there was a subtle fluctuation, and the pitch changed randomly. Conventional remastered versions have been a turning point in the game as to how much such fluctuations can be corrected, but this work is not at that level. Of course, it is not a complete original master, but the stable pitch does not even require digital correction, and there is almost no periodic noise due to tape rotation. You can enjoy the sound of the unprocessed cassette itself to your heart's content. [Sabbath's No. 1 special live performance] And the show depicted with the legendary sound that updated the highest peak is overwhelming. The Toronto performance of this work is the third day of the release of "MASTER OF REALITY", and the band potential that created the super masterpiece is packed into each song. Even in the wonderful 70's, you can enjoy the ultimate heaviness and sharpness. Furthermore, the set is also special. Just before the release of their 3rd album, the early trilogy "BLACK SABBATH", "PARANOID" and "MASTER OF REALITY" are condensed and reduced into one show. On the other hand, looking at the list below, it seems that there are only familiar songs and no rare songs, but in fact, it is super rare to have all of them. From 1970 to 1974, Sabbath was a band that wrote new songs even during the tour and replaced them little by little. Therefore, the number of "VOL.4" numbers increases as the "MASTER OF REALITY TOUR" progresses, but the problem is the early songs that are dropped instead. Of all things, the signature song "Black Sabbath" is dropped (by the way, this song was regularly revived in the 1975 SABOTAGE era). However, in this work, "Black Sabbath" is also played along with "Sweet Leaf" and "Children Of The Grave" from the 3rd album, and other essential songs such as "N.I.B.", "War Pigs", "Iron Man", "Paranoid", and "Fairies Wear Boots" are also included. It is extremely rare to have a recording with all the most important songs without exception, and there is no "MASTER OF REALITY" number before this work, and there is no "Black Sabbath" after this work. Although the 10th anniversary "NEVER SAY DIE TOUR" was also a culmination, the only condensed set of the early trilogy is the Toronto performance of this work. This is a live album that is the pinnacle of the "MASTER OF REALITY TOUR", one of the best recordings of the 1970s, revived by a newly excavated master. More than that fact, it is a set that condenses the early trilogy into one show, and the peak band potential in the golden age is packed in, and the music itself is too wonderful. A unique masterpiece that is also essential for BLACK SABBATH audiences. Beggars' Banquet Dance Festival, Borough Of York Stadium, Toronto, Ontario, Canada 18th July 1971 *UPGRADE (63:00) 1. N.I.B. 2. War Pigs 3. Sweet Leaf 4. Black Sabbath 5. Iron Man 6. Embryo/Children Of The Grave 7. Wicked World 8. Guitar Solo(incl. Orchid) 9. Wicked World(Reprise) 10. Paranoid 11. Fairies Wear Boots Ozzy Osbourne - Vocals Tony Iommi - Guitar Geezer Butler - Bass Bill Ward – Drums
Beggars' Banquet Dance Festival, Borough Of York Stadium, Toronto, Ontario, Canada 18th July 1971 *UPGRADE (63:00) 1. N.I.B. 2. War Pigs 3. Sweet Leaf 4. Black Sabbath 5. Iron Man 6. Embryo/Children Of The Grave 7. Wicked World 8. Guitar Solo(incl. Orchid) 9. Wicked World(Reprise) 10. Paranoid 11. Fairies Wear Boots Ozzy Osbourne - Vocals Tony Iommi - Guitar Geezer Butler - Bass Bill Ward – Drums